Tag: Jesus

One Color Too Many

Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton.
Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors.
One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower
Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen

Storm Troopers in a Rag Rug?

Karen

There are some crazy prints embedded in my rag rugs. I buy cotton fabric in five-yard lengths. When I scan the fabric bolts at the store, I look for specific colors and interesting patterns. More prints make it into my rugs than solid colors.

Fabric for another interesting rag rug!
Drawn to a bolt of fabric with a touch of blue on a mostly-white background, I was surprised to find the popular sci-fi vehicles in the print. Storm Troopers can hide in plain sight on this rug.

Unusual prints can add hidden surprises to a rug. Take Star Wars prints, for example. No one will know that the Millenium Falcon or Storm Troopers are in the finished rug. After all, the fabric has been sliced into strips, and is used only intermittently as weft and inlay. But the weaver… she knows, and smiles about it. Am I a Star Wars fanatic? No, not by a long shot. I selected the fabric for its colors and effect. I wanted to make something new out of these popular movie prints.

Rag rug with rya knots and loops.
Where are the Storm Troopers? There are a few hiding among the rya strips, and some are in the weft rows that stand out as black and white.
Creating loops on a rag rug.
Loops are created on the rug, using a wooden dowel. And a five-yard strip of Millenium Falcon fabric waits on the ski shuttle, ready to be hidden in the weave.

This is what our Savior does for us. Jesus takes us as we are and makes us completely new. We each come marked with unusual prints, and wonder what can be made of us. Jesus is not patching and fixing things, leaving us in our original state. He is making something completely new. Our personality and individual features are still there, for our Grand Weaver finds a way to make them into something good. Perhaps he smiles at the thought.

May your unusual prints bring a smile to your Maker.

With you,
Karen

Even Better After

Karen

Many, many hours of work have gone into making these handwoven towels. Their stunning capacity as beautiful, absorbant, and useful things isn’t realized, however, until the cloth is subjected to the finishing process. Wet finishing never ceases to amaze me. These towels! They are transformed from special to spectacular!

Cottolin tea towels just off the loom. Ready for wet finishing!
Towels have been cut apart, ends secured with the serger, and weaving errors repaired. It is time to throw them into the washing machine. Towels with red weft threads go in a separate load — just in case…
Handwoven cottolin handtowels just washed. Ready for one-time pressing.
Towels are removed from the dryer while they are still slightly damp. Now they are ready for pressing. If only I could hand them to you to touch…

I may be intimidated at the thought of wet finishing other items (as I talked about in Weaving Experience), but not towels. Especially cottolin handtowels like these. They are made for a lifetime of everyday use. I do not hesitate to throw them in the washer and dryer, because I know the towels will improve with the washing. And after the washing and drying, they’ll be ready for pressing (the only pressing they will likely ever require).

Handwoven cottolin towel - wet finishing.
Out of the wash, the towels have a delightful texture that is slightly puckered. Pressing will flatten the towel, but subsequent washings will renew the desired textural element.
Wet finishing and pressing of new handwoven cottolin towels. Karen Isenhower
Normal people do not press their handtowels, right? This is a one-time occurrence. Pressing after the first washing helps set the threads into place (or so I’ve been told). Happily, there is no color bleeding of the black or red threads!

When I drop the towels into the wash, I am making an exchange. I give up the unwashed, rough cloth, and get a softened, fulled fabric in its place. I lay down a burden, and receive a blessing in return. Jesus takes our soul’s heavy burden, a lifetime of self-imposed work, and exchanges it for his light load. You can put your heavy load down. And receive in return a softened fabric, washed, pressed, and ready for daily use.

May your load become lighter.

Softly,
Karen

Diminishing Shed

Karen

This table runner is the last item on the zebra warp; and I am pausing before I tackle the ending. I like how the woven checkerboard underneath shows when you look through the warp! With the end of the warp just ahead I am wondering, “How many more centimeters can I weave?” (Read about the Zebra Warp.)

Checkerboard above and beneath. Cottolin table runner on the loom.
Checkerboard above and beneath.
Finishing up black and white cottolin table runner.
I decided to weave the last item as a table runner instead of a handtowel after conferring with Instagram friends. (Join me on Instagram! @celloweaver)

There is a potential hazard at the end of the warp. I want the final border of this table runner to match the border at the beginning. If I start the border too soon, good warp goes to waste, unwoven at the end. But if I start the border too late, I may have trouble finishing it. The shed height begins to diminish as the warp nears the end, until the shed finally becomes too short for a regular boat shuttle to pass through. (I have been known to gingerly “squeeze” and jiggle the shuttle through for the last few picks.)

Diminishing shed at the end of the warp. Cottolin table runner at the hem.
Starting the final hem. Barely enough height in the shed for the double-bobbin shuttle. The three centimeters I need for the hem seems like a long way to go at this point.
Ten towels and a table runner! Karen Isenhower
Woven all the way! Ten towels and a table runner!

Long before I start weaving the border, I am committed to finish, no matter how tight a shed I face at the end. I made that decision when I dressed the loom with this zebra warp way back when. Following Jesus is like that. It’s more than tagging along. It’s total commitment all the way to the end.

May you see where you’ve been as you look ahead.

Happy weaving,
Karen

If the Warp Is Good

Karen

The start of a new warp takes my breath away. It’s magic, isn’t it? It’s at this beginning point that I often feel the wonder of the whole weaving process. Expectation, anticipation, and wonder. A new warp is a fresh start.

Beginning of cottolin warp, set up for halvdräll.
Warp ends are tied on in 1″|2.5cm sections, with 1/2″|1.3cm going over, and the other 1/2″|1.3cm going under the front tie-on bar. The leveling string then flattens the warp by going over and under the little sections of warp ends, being pulled tight and tied through a hole at each end of the tie-on bar.

The loom is dressed through a series of steps. In the Swedish method of back-to-front warping that I have been taught, the steps are logical and systematic. They make sense. If I simply follow the steps, I can expect to have an evenly-tensioned, ready-to-weave warp. If the warp is good, it means I’m off to a good start.

New cottolin warp, set up for halvdräll table squares.
Side view of new cottolin warp, set up for halvdräll table squares.
Start of halvdräll table squares.
Halvdräll is a Swedish block weave that has weft floats. The tabby weft is white 22/2 cottolin, and the pattern weft is doubled 16/1 linen.

Christmas is about God offering us a new start through Jesus. It isn’t about trying to be good enough. Being good is never good enough. Trust in God’s goodness instead. Jesus is God coming to us in all his goodness. I can never repay the Lord for all the good he has done for me. What I can do is receive what he has given–a fresh start. Then, as the beginning weft appears across the warp, I see my hopes coming to life.

May you enjoy the wonder of it all.

Happy beginning,
Karen