Linen Weft Colors Tell the Story

Two-block broken twill is a soothing pattern to weave because of its regular rhythm. Even though this is eight shafts, it is not complicated. Simple is good.

Four colors of weft are arranged in a repeated order. Warp is 22/2 cottolin. Weft is 8/1 tow linen. This is the second of twelve placemats on this warp on the Glimåkra Julia.

Instead of assigning a different solid color to each placemat, I am using all four weft colors in each one. The colors are arranged in an order that gives the appearance of gradated color. 8/1 tow linen: blue, then green, then teal, then black; repeat, repeat, repeat. There is no set number of picks for each color. Instead, I am changing from one color to the next in an irregular fashion, letting each color softly flow into the next. Regular two-block pattern; irregular color changes.

Keep it simple. The Lord’s pattern for our lives is not complicated. The Lord goes before us. As we follow him, all those irregular changes that happen in our lives turn into a lovely display of softly flowing gradated color. We can rest in that. From this color to the next…

May you find a soothing rhythm to life.

Keep weaving,
Karen

Let it Snow! Drawloom Treasures

Let it snow indoors! New Christmas snowflake banners are suspended up high, above our kitchen counter, facing our open living room. The three mostly-blue banners hang in mid-air so they can be viewed from either side. These are lasting treasures from the drawloom that I can bring out year after year. They’ll never get old.

Making loops from a handwoven band for hanging the banners. First, I zigzag to secure ends, and then cut the strips apart.
Handwoven linen band is cut into segments.
Loops are machine-stitched to back of banner hem with two rows of straight basting stitches (easy to remove later).

Christmas is new every year. There are new sights and sounds that add to the season. The message of Christmas is the same as always, though, that God loved us in this way—he sent his Son Jesus to be born into our world so that whoever believes in him may be born into God’s family. The newness is in God’s mercy, new every morning.

Ready for display!

Raise banners of joy to celebrate. Glory to the newborn King.

Merry Christmas!

May you celebrate from the heart.

Glad tidings of Christ’s birth,
Karen

Another Rug Unfurled

I’ve been working on this spaced rep rag rug for a while. I should know what it looks like. So why does unrolling the cloth beam make me feel like a child on Christmas morning awaiting a surprise? It’s because I see only a small portion of the rug at any one time while I am weaving.

Middle section of rug has red fabric strips for weft.
Rows of stripes between sections of the rug.
Third section of rug has dark green fabric strips as weft.
Gimåkra Standard, 120cm. My favorite.
Do you see the flaw in the warp thread (12/6 cotton)? Fortunately, I have already woven the hem and the 6 picks of the warp-thread header. How’s that for a perfect ending? I am cutting off this rug and will tie back on for the next rug. The flaw in the thread will be cut away.
Ready to tie back on very soon.

Not until I cut it off and see the whole rug unfurled on the floor do I really grasp the story this rug is telling. The surprise is pleasant. Threads and fabric strips, and a weaver’s hands (mine), have turned written plans into a compelling story to beautify our surroundings.

It is easy to untie all the knots on the tie-on bar. That gives me plenty of length for tying warp ends into overhand knots in the finishng process.
Unfurled on the floor. First view is a pleasant surprise.

Our Grand Weaver excels at taking simple threads and odd pieces of cloth to create a lasting story. He weaves his plans into our lives to draw us nearer to himself. We see only short segments at a time. From beginning to end, though, our Lord’s skilled and scarred hands demonstrate his love to us. The finished work is more than we imagine.

Warp ends have been knotted, and hem turned under and hand stitched. This rug is ready to beautify the room.

May you experience the joy of pleasant surprises.

Happy Weaving,
Karen

Elegant Linen at the Top

Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.

Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.
Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.
I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.
Weaving to the end.
Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.

Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.

Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.

Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.

May you overflow with thanks.

Thankful for you,
Karen

Image in the Cloth

I am starting to see a fig. This tapestry is a short story about fresh figs and a cup of coffee. My full attention is on weaving while I’m at the loom. I’m always looking for the moment that a recognizable image forms in the woven wool and linen cloth. Attention flows from desire. And when I am weaving, there is no other place I’d rather be.

When I look through my monocular I get a distinct view of the first part of the fig.
Colors of wool (primarily 6/2 Tuna and 6/1 Fårö) are combined in butterflies to represent color values and hues that will become an image of a cut fig–mostly recognizable from a distance. An exciting challenge!

When our affections are set on the Lord Jesus, there is no other place we’d rather be than sitting in prayerful conversation with him. And, I imagine he is delighted when he sees his own image formed in us.

May you desire the best things.

Happy Weaving,
Karen