Tag: threading

You Can Prevent Threading Errors

Karen

Today I am in my little playhouse in the Glimåkra Standard, threading heddles for halvdräll. This draft requires my strict attention. No multitasking. I have one thing in mind: thread the heddles. Threading errors are rare for me. And I’d like to keep it that way. 

In my Glimakra "playhouse" threading heddles!
Cozy spot for threading heddles. With the threading draft in plain sight, good lighting, and plenty of time, I’m ready to go!

There are several things I do to prevent threading errors, or at least to catch them early while they are easy to correct.

Tutorial for Preventing Threading Errors – (Watch the accompanying video below)

  • Count the warp ends at the lease sticks into logical groupings, and bundle the grouped ends together with a loose overhand knot. (In this case, the groups are: 4 selvedge, 18 right side, 27 block I, 57 block II, repeat the 2 blocks 5 times, 18 left side, 4 selvedge.) I ended up with 2 extra ends at the left selvedge, so I worked my way back, re-counting each grouping until I found the spot where I had mis-counted, almost all the way back to the right selvedge ends. If that happens, re-count and re-tie each grouping until it all adds up correctly.
  • Tape or hang your threading draft where it can be easily seen.
  • Take one bundle of ends at a time, starting on the right-hand side, and thread those ends into their heddles, following the threading draft. It helps me to say the threading order out loud as I do the threading.
  • Check your work. Hold the just-threaded ends taut with your left hand, and with your right hand check every end, one by one, to see that it is going through the correct heddle. Make threading corrections, if needed, by pulling out errant ends and re-threading them. Tie that completed grouping with a loose slip knot. Again, I say the threading order out loud as I check the threading.
  • Repeat steps 4 and 5 until threading is complete.
  • Know when to take a break. Five minutes away from the loom every now and then serves to refresh my ability to concentrate. If I do a nonstop marathon, I’m prone to make errors.

Now, what about a tutorial for living? Grace means that we have been given a free tutorial for purposeful living. Jesus brought the grace of God to us. Christmas reminds us of that. It’s the grace of God that instructs us for living. It’s as if we have an ancient weaving draft; and we’ve been given the grace, the tutorial, that shows how to understand the draft to make meaning in the fabric of our lives.

May you catch all your threading errors while they are easy to fix.

Threading Heddles from Warped for Good on Vimeo.

Be sure to drop by on Friday. I can’t wait to show you what I’ve done with the warp-printed fabric from Warp Stamping Is Over!

On purpose,
Karen

Quiet Friday: Thick and Thin

Karen

A vote of confidence from someone you look up to can make a world of difference. When I saw Joanne Hall’s exquisite towel made with thick and thin threads, I asked her, “Do you think I can weave something like that?” “Of course you can;” she replied without hesitation, “it’s plain weave.” Keep in mind that I was a complete novice on the floor loom; and I barely knew how to handle one shuttle, much less two! I plunged into the ambitious project and came out with a winner! The blue and cream towel hangs on the oven door in my kitchen as a daily reminder of the powerful impact of an encouraging word. Thank you, Joanne!

Cotton tea towel, thick and thin. Karen Isenhower
First thick and thin towel, completed as a beginning weaver. This is one of Erica de Ruiter’s designs, found in “The Best of Weaver’s Thick’n Thin,” Edited by Madelyn van der Hoogt.

Thick and thin is just as fascinating this time around. It is delightful to revisit a rewarding experience. Who knew that plain weave could be this much fun?

Zebra warp on Glimakra warping reel.
Zebra warp with thick and thin threads on my new Glimakra warping reel. One of three bouts, 10 1/2 meters.
Warping trapeze in action.
View from the crossbar at the top of the warping trapeze, looking down. Ready to untie choke ties and add weights to the warp bouts.
Threading Texsolv heddles.
Thick ends alternate with thin ends as the heddles are threaded. Left hand separates the shafts‘ heddles for ease of threading.
Ready to weave thick and thin towels!
Weaving begins as soon as the warp is tied on and the leveling string is secured. I use the first few inches to check the threading and sett, and to do some sampling.
Border pattern for cottoln towel on the loom.
First border is captured with my iPhone camera so that I can easily reproduce the pattern at the other end of the towel.
Plain weave with three shuttles creates interesting patterns.
I added a second double bobbin shuttle to make it easier and quicker to switch weft colors. Plain weave gets even more interesting with three shuttles!
Thick and thin cottolin towels on the Glimakra Ideal loom.
End of the third towel.
Black and white towels on the loom. Karen Isenhower
View from under the breast beam. I love to see the fabric rolled up on the cloth beam.
Temple in place for weaving black and white cottolin towels.
Temple keeps the fabric at the optimum width for weaving. Red cutting line serves as the separation between the end of one towel and the beginning of the next. Ready to start another fascinating pattern.

May you give a vote of confidence to someone who needs it.

Happy weaving,
Karen

Threads Where They Belong

Karen

Does your mind wander for repetitive tasks? Each of 780 threads must pass through the small eye of a heddle–the correct heddle–to create the cloth that I have in mind. Threading 8/2 cotton in a straight draw, 1-2-3-4, is easy enough that I do it almost without thinking. Precision at this stage, however, is critical.

Threading heddles with Bockens 8/2 cotton.
Each section of 32 threads is tied into an overhand knot after the threading has been double checked for accuracy.

My mind goes in a thousand directions, sometimes, while my fingers continue to place the threads. With my hands on “autopilot,” anything can happen. For this reason, I make it a habit to double check the threading accuracy for each section I finish, thread by thread, saying out loud, “1-2-3-4; 1-2-3-4; …”

Like a thread going through the eye of the correct heddle, I want each of my thoughts to go through the door of truth. Truth is the key to a purposeful life. We get trapped by faulty thinking, but truth brings us to our senses and unlocks the trap. Bringing cohesiveness and clarity to all aspects of life, truth enables us to see the cloth that is being woven. Isn’t it time to stop and double check the threads of our thinking to make sure each thread is going right through the eye of the heddle?

May you fulfill your purpose.

Yours truly,
Karen

Quiet Friday: Weaving Linen Air

Karen

Linen lace weaving. It’s like weaving air. 16/1 linen warp and weft, with uneven sleying and careful weaving. “Beating“ is not the right word this time; let’s call it “placing the weft.” Gentle, gentle, gentle, easy does it. No temple needed. Indeed, what would you hook the temple into? There is almost nothing there.

Linen on the warping reel.
Winding the 16/1 linen warp on the warping reel.
Linen warp chain, ready to dress the loom.
Wound warp is chained and placed over the breast beam and through the beater in preparation for dressing the loom.
Lease sticks with linen.
Lease sticks.
Dressing the loom with linen singles.
Ends are counted and grouped before threading.
Uneven sleying of the reed with linen singles.
Reed is sleyed unevenly, sometimes called “crammed and spaced.”

I did weave a sample, trying out different colors and sizes of weft. The weave is so airy; honestly, I was not sure if the fabric would hold its shape off the loom. To wet finish, I first soaked the sample for 20 minutes in hot water with mild soap. Then, I washed it by hand, lifting and lowering the net-like cloth repeatedly in the water. I rolled it in a towel and gently squeezed to remove moisture. Lastly, I laid it out flat to dry.

Half bow keeps linen from slipping, while allowing adjustments.
Half bow-tie makes sure the linen will not slip. Adjustments are easy, if necessary, after weaving a few inches.
Tying up treadles in the "playhouse" under the warp.
Treadle tie-up happens in the “playhouse” under the warp in the back. Sunlight through the linen reveals “invisible” hairy fibers.
Sample weaving. Linen lace.
Sample.
Linen sample, not yet wet finished.
Sample, not yet wet finished.
Linen sample in black and white.
Black and white view shows cloth structure.

Result? It came through beautifully, with the lace weave intact. Linen, there is something about you that is exquisite and delightful, yet a bit mischievous and sly. I like you.

Linen sample after wet finishing. Karen Isenhower
After wet finishing and drying, the linen sample shows a glimpse of scarves to come.
Weaving linen air. Karen Isenhower
Weaving linen air.

May all your concerns be as light as air.

Happy Linen Weaving,
Karen

Dressed with Colors in Linen

Karen

Are you wondering which color arrangement I chose for the linen lace scarves? It wasn’t an easy decision. After weighing all the opinions and advice, color-wrapped card #7 won. I added a neutral stripe on both sides to frame the color sequence, and I varied the width of the stripes, thanks to Fibonacci. The result is that you can hardly distinguish where each stripe begins and ends. The stripes blend into each other, with the magenta stripes grabbing the most attention. (Visit Tools Day: Color Wrapping and Color Wrapping Take Two to follow the discussion about choosing the color arrangement for this warp.)

Dressing the loom with linen.
Linen on the warp beam. The colors blend from one end to the other, framed by bands of unbleached and golden bleached threads on each side. Lease sticks, tied to the back beam, maintain the order of the threads.

It makes sense to think things through before committing a linen warp to the loom. My excitement builds as the loom is dressed. We will soon see the woven results when I experiment with weft options. I am secretly hoping for iridescence. I can imagine it, but I won’t see it until the weaving happens, and the light catches the airy interlaced threads.

Threading the loom with linen.
Each thread is inserted through the eye of a heddle.

Color choices are inconsequential compared to other choices we make, but commitment is something many decisions have in common. We are invited into a personal walk with Jesus Christ. It is no small thing to consider an agreement with the Master. Like dressing a loom, it is a commitment. The excitement comes when you realize that iridescence and other mysteries may come true before your very eyes.

May you have a life filled with the glow of iridescence.

For good,
Karen