Tried and True – Page 6 – Warped for Good

Tried and True: Designing Handwoven Towels

February 25, 2020February 24, 2020 Karen

How do you come up with a design for standout hand towels? Sometimes it’s nice to start with someone else’s ideas. There is a gorgeous wool throw, designed by Anna Svenstedt, in Favorite Scandinavian Projects To Weave: 45 Stylish Designs for the Modern Home, by Tina Ignell. This Colorful Throw—Reverse Twill makes a perfect template for designing eye-catching hand towels.

New handwoven towels. — Warp chains with seven colors of 22/2 cottolin for standout hand towels.

Decisions:

Colors – a set of seven colors, to be used in warp and weft
Fiber – 22/2 cottolin for warp and weft
Reed and sett – 50/10 metric reed, 10 ends per centimeter (~ 12-dent reed, 24 ends per inch)
Finished size of towel – 39.5 cm x 63 cm (15.5” x 24.5”)
Number of towels – 2 pairs of towels = 4 total
Spacing of warp stripes – add two more narrow stripes at each selvedge to balance the pattern

These decisions enable me to prepare a project plan, make calculations, and write a new weaving draft.

When the loom is dressed, the design process continues as I begin weaving a sample section. This is where I decide what weft colors to use, the spacing of weft stripes, and specific treadling patterns. I add these notes to my project sheet, which I keep at the loom as my weaving roadmap.

Measuring for weft stripes. — I place my measuring twill tape along the reed to mark the spacing of the warp stripes. I will use that same spacing for weft stripes to make plaid towels.

Testing colors and patterns. — Sample weaving to try out colors, stripe spacing, and treadling patterns. And, simply to practice this broken reverse twill treadling, which requires concentration.

First towel starts after the red cutting line.

These hand towels are a preview. If they turn out as hoped, I may have to make some bath towels to match.

May your designs stand out.

Happy Weaving,
Karen

Tried and True: Outsmart the Rag Rug Weft Tails

December 10, 2019December 7, 2019 Karen

What do you do with weft tails on a rag rug? Normally, you wrap the weft tail around the outer warp end and tuck it back into the shed. But what about color changes? If you have several color changes in a row, you can end up with extra bulk on one selvedge or another from those tucked-in tails.

3 Ways to Outsmart Rag Rug Weft Tails

TWO PICKS For a two-pick stripe, leave a tail of several inches on the first pick. For the second pick, lay the weft tail from the first pick in the shed. Lay in the second pick, and cut the fabric strip to overlap the weft tail in the shed. This eliminates any extra bulk at the selvedges. (All tails are cut at a steep angle.)

CARRY IT When feasible, carry the weft up the side. If a weft is out of play for only one or two rows, do not cut it. When another weft enters the shed, make sure it encircles the idle weft.

DISTRIBUTE Whenever possible, avoid tucking in weft tails two picks in a row. Wait, and tuck in the tail on a subsequent pick.

HERE IS AN EXAMPLE:

How to outsmart rag rug weft tails! — Gray weft ends with weft tail tucked in. White tabby weft tail is not tucked in.

Tabby weft is beaten in, and weft tail is tucked in. In the middle of the rosepath medallion the orange print weft is carried up the side until it is used again. For the gray strip that follows the last white tabby pick, the weft tail is tucked in on the second gray pick.

One more thing. Cut the weft tail extra long if you are tucking it in a row with weft floats, as in rosepath (Like the center pick in this medallion). This helps keep that weft tail from popping out of place. You don’t want those tails to start waving at you.

May you pay attention to the details.

Happy Weaving,
Karen

Tried and True: Five Steps for Rag Rug Selvedges and a Quick Tip Video

November 12, 2019November 11, 2019 Karen

What do you look for in a handwoven rag rug? How do you detect quality of craftsmanship? I look at the selvedges. First thing. I look for selvedges that are nice and tight, and that have a uniform twist at the edge. A few simple steps, consistently practiced, produce the kind of quality you can see and feel. It’s one more reason I find delight in weaving rag rugs.

Rag rug selvedges. Short quick tip video. — Rag rug selvedges. Weft is snugly wrapped around the selvedge warp ends.

Five Steps for Firm Selvedges on a Rag Rug

Throw the shuttle, leaving a loop of the fabric-strip weft at the selvedge.
Hold the weft out taut, and turn the weft under twice at the selvedge.
Untwist the weft in the shed, straightening it, as needed.
Pull the weft tight against the selvedge.
Position the weft in the shed and beat it in.

Weaving a rag rug. Tutorial video of a quick tip. — Beater swings forward to beat in the weft with its just-formed firm and tidy selvedge.

Filming a short video on weaving rag rug selvedges. — Set up for filming the short tutorial. My husband does the filming and proves his patience through several retakes.

Watch this Quick Tip video for a short demonstration.

Rag rug on the loom. Tutorial about selvedges.

May the quality of your work be the first thing noticed.

Happy Weaving,
Karen

Tried and True: Leftover Linen on the Band Loom

October 8, 2019October 5, 2019 Karen

Remember that time you miscalculated when planning your warp? You found the mistake when you were threading, and you ended up with an extra group of ends. If you have ever done something like that, then you understand where this leftover linen warp came from.

This little linen leftover warp is now on the Glimåkra band loom. I removed two ends to get a warp with symmetrical colors. It’s perfect for making hanging tabs to go on the leftover linen waffle weave washcloths. The weft on these band loom shuttles is from one of the little linen warp chains I mentioned last week. (See Put the Linen Back to Use.)

Leftover linen to use as weft on the band loom. — Linen from a leftover warp chain fills the little band loom shuttles.

Band Loom weaving. — Weft tails show the color variance–turquoise and blue–in the leftover linen used for weft, indistinguishable in the selvedges of the woven band.

When the thread comes to an end on the shuttle, I follow this simple process to begin a new weft.

Place the ending weft through the shed, leaving a tail of at least 1/2”.

How to change the weft on the band loom.

Without changing sheds, lightly tap the weft in place with the band knife.
Bring the new weft on a shuttle through the same shed, going in the same direction as the previous weft’s shuttle, leaving a tail of at least 1/2”. (There is now a weft tail extending in both directions.)

How to add a new weft. Glimakra Band Loom.

Without changing sheds, lightly tap the new weft into place with the band knife. (This helps to make a snug fit for the two wefts in this shed.)
Change sheds. Beat firmly with the band knife.
Send the weft back through.

How to end one weft and begin another on the band loom.

Beat firmly, and continue weaving.

Instructions for ending and starting wefts on the band loom.

After weaving 1/2” further, clip off the weft tails; or, clip all the tails after the entire band is woven and has been cut from the band loom.

Linen band weaving for hanging tabs on linen washcloths. — Weft tails are left extended on this band. I may trim some of them later to 1/4″ for effect, to be used as hanging tabs on the leftover linen waffle weave washcloths.

May you put your leftovers to good use.

Happy Weaving,
Karen

Tried and True: Rag Rug with Surprising Rosepath Inlay

September 10, 2019September 9, 2019 Karen

The first rag rug on this 12/6 cotton warp is well underway. This rug is mostly plain weave, with one simple rosepath repeat every ten centimeters. I am weaving the rosepath motif without tabby between pattern picks. The treadling is 1, 2, 3, 4, 1, 4, 3, 2, 1. The dark brown motif contrasts with the surrounding light-colored plain weave. It almost looks as if a thick chain has been laid across the rug. I transform the otherwise dark rosepath “chains” with a simple bright inlay strip.

Rag rug with rosepath motif. — Rosepath motif stretches across the plain weave surface.

Rosepath with Inlay

Weave the first four picks of the rosepath pattern, treadling 1, 2, 3, 4 (or, if using a different treadling sequence, weave up to the center pick).
Lay in the center pick (treadle 1, in this example). Wait to beat it in.

Measure and cut the inlay strip to size, tapering the ends.

How to add an inlay strip to rosepath rag rug. — Inlay fabric strip is measured against the weft in the shed and cut to size.

Put the inlay strip in the shed, laying it directly on top of the fabric strip already there.

Making a rosepath rag rug with an inlay strip. — By pushing the beater back I can send the inlay fabric strip through the shed with a ski shuttle.

Rag rug with inlay. — Place the inlay fabric strip directly over the fabric strip of the center pick in the motif.

Beat in the weft as usual.

One type of inlay on a rag rug. — Both weft layers are beaten in together. The inlay strip stays visible on top.

Continue weaving to complete the rosepath pattern, treadling 4, 3, 2, 1 (or, as needed, for a different sequence).

Rosepath with inlay. — Finished rosepath motif.

You can accomplish a similar effect by weaving in a separate fabric strip for the center pick. In that case, cut tapered ends that are long enough to twist and tuck back into the shed. And carry the weft strip from the previous pick up the side.

The inlay method eliminates the extra bulk at the selvedges, and adds a slight thickness to the center pick, helping to give it a raised look. I am leaving the inlay weft tails loose, but you could cut them a little longer and tuck the ends in, if you prefer.

Rag rug with special rosepath motif. — Weft tails are free at the sides, like little flags at the ends of the rosepath rows.

Glimakra Ideal loom--great tool for dreaming up rag rugs! — Glimåkra Ideal loom–great tool for dreaming up rag rugs!

May you experience the simple pleasure of doing something unexpected.

Happy Weaving,
Karen