yardage – Warped for Good

New Life for an Old Rigid Heddle Loom Blanket

November 1, 2024October 30, 2024 Karen

My weaving interest started in 1982 when I happened across a rigid heddle loom class by Lynn Tedder at Johnson Atelier in Tulsa, Oklahoma. I acquired a 32-inch Beka Rigid Heddle Loom and began weaving during snippets of time as I was being a full-time mommy to one, two, and then three little ones. One of my very first projects on that simple loom was a wool color gamp sampler. I wove full width for a length equal to two panels that I then hand-stitched together to make a small blanket. That little blanket got a lot of use and wear, and at some point I packed it away because some of the edges had become a little ragged over time.

In 2019 I finished one of my first warps on the drawloom–Tuna wool fabric in which I wove designs for a simple vest I would make for myself. I created the pattern for the vest, and after doing several muslins, I wanted to do a mockup in similar weight to the wool fabric from the drawloom. I dug out that old rigid heddle loom blanket! Perfect for this assignment as a mockup.

I made a mockup for the drawloom vest. I cut the mockup vest from a plain weave color gamp sampler blanket I wove on my 32″ Beka rigid heddle loom in 1982. The blanket was made from two panels hand-stitched together down the middle.

Wool vest made in January 2020 from fabric woven on the drawloom.

Why not make that color gamp mockup into a wearable vest on its own? That is what I have finished this week. The pictures that follow tell the story.

I made the mockup vest with overlapped seams.

I am using handwoven bands to cover the seams on the vest. This pretty band was woven a couple years ago on a small band heddle that Steve made for me.

Double fold bias tape covers all the edges of the vest. First I stitch the tape to the edge of the vest, right sides together. You can see another handwoven band that I am using to cover the shoulder seams.

Next, I fold the bias tape around the edge and to the inside, and “stitch in the ditch” to catch the edge of the bias tape on the inside of the vest.

I found this two-part metal closure in my box of sewing odds and ends. It’s perfect for this vest. The thimble is one my grandmother used in her many hand-sewing projects.

Sewing my handwoven label on the lower edge of the inside is the finishing touch.

Rigid heddle blanket, now a wearable vest!

When I think about how the Lord allowed me to discover the joy of weaving on a simple little frame loom… And how He has allowed me to enjoy growing in these skills, and how I get to have the pleasure of weaving on a not-so-simple large drawloom… It reminds me of Psalm 16:11 “You reveal the path of life to me; in Your presence is abundant joy; at Your right hand are eternal pleasures.”

Happy to wear a remnant of my rigid heddle loom days!

Thanksgiving: Giving thanks to the Lord for allowing us to know the joy of walking in His path of life.

Happy Thanks Giving, Karen

Handwoven Cape in Grand Canyon Colors

September 1, 2024August 29, 2024 Karen

Steve and I plan to return to the North Rim of the Grand Canyon this autumn. When we were there two years ago we were amazed at the rich colors everywhere. Those colors are the inspiration for this wool goose-eye twill cape. It was a joy to weave these colors on my Glimåkra Julia loom, using four shafts. The process video slideshow below will show you the project from start to finish, with a few Grand Canyon views thrown in. I made a prototype cape from dark gray felt before settling on the pattern details for my handwoven material. You will see the felt cape at the end of the film. Enjoy!

My book House of Prayer: The Compelling Argument for Unified Prayer is now available on Amazon.

Sunset brings a hush over those who witness it. Colors, textures, and a dramatic ending to the day.

Hand-stitched lines follow the edges of the pattern pieces. This alleviates the difficulty of putting chalk or other marks on this fabric.

All the pieces are outlined with thread. I was able to match stripes in the front and on one side by carefully laying out the pattern pieces.

Machine zigzag stitches inside the thread outlines. After this, I can cut the pieces along the outline, knowing the edges are secure.

I saved this measuring ribbon for the babywrap I wove when my daughter was pregnant. The baby for whom I wove the wrap just turned 8 years old. I found the ribbon when I was looking for some twill tape to sew into the shoulder seams for stability. Perfect! Now I have some of this memorable twill tape sewn into my cape!

Blanket stitch around all the edges helps hide the zigzag stitching, as well as provide a decorative edge that gives the fabric a finished look.

Ready for autumn. And ready for the fun of wearing this Grand Canyon cape at the Grand Canyon!

May you honor the Grand Weaver who designed the Grand Canyon in all its colors and gave it to us to enjoy.

Happy Weaving, Karen

Seasonal Weaving

August 1, 2024July 25, 2024 Karen

The last few months have been a season for me to put my focus on writing a book about prayer. This has been a season of less weaving than usual. Still, I find a way to get to the looms–a little here, a little there. It adds up. The nice thing about handweaving is that you have something to show for your efforts. Every little weft thread counts. Every day is a gift from the Lord, and every season is an opportunity to acknowledge Him. Thank you, Lord, for every season!

Here’s what I’ve been up to in this weaving season:

Eight different weft colors for this goose-eye twill. 7/2 Brage Wool.

Roadrunner on the drawloom. Cottolin and linen. Six ground shafts.

Beginning the top half of the roadrunner pattern. Chart hangs for handy reference as I move up the chart, row by row.

Roadrunner complete. Next chart to design is the Texas Longhorn. And three more critters after that.

Curtain fabric, 24/2 cotton M’s and O’s.

Happy Weaving, Karen

New Wash Cloths Out of Handwoven Remnant

July 1, 2024June 29, 2024 Karen

My looms are all occupied, so it will be a while before I can weave some new wash cloths. In the meantime, I am making “new” wash cloths to replace the ones that we have used so much that we’ve worn holes in them. The pictures tell the rest of the story.

Linen wash cloths have been well loved and well used. Evidently, it is past time to make replacements. These will go in my remnants box and one day I’ll find a use for the parts that haven’t frayed.

Cotton warp, linen weft. This two-block twill was one of the first projects I ever wove on my beloved Glimåkra Standard first floor loom. I designed this fabric to make a Roman shade for our previous home. Parts of it are faded, but it is still beautiful, useable fabric. Perfect for a set of “new” washcloths.

For simplicity, I am using another washcloth to measure the size to cut for the “new” washcloths.

Cutting to size, taking into account seams on all four sides.

I probably should have pressed before cutting, but I didn’t think of it until now. The long narrow woven band was used for the pull cord on the Roman shades in our previous home. Perfect to pair with these washcloths for the hanging tabs.

First step for the mitered corners is to fold in the corner twice, and pin into place.

Second step for the mitered corners is to fold in the side hems twice and use quilters clips to hold in place.

Approximately 4 inches for each hanging tab. I zigzag the ends and then cut them apart.

Then I plan where the hanging tabs will go, testing how the cloth will hang.

Stitch the seams. At the mitered corner, I would like to have about four hands as I remove clips and hold things in place while I walk the presser foot around the corner. Whew!

Nearly perfect! Nobody needs to know these are secondhand Roman-shade wash cloths.

The new wash cloths are right at home between the other handwoven goods hanging on the bathroom wall.

Happy Weaving!

Karen

Why I Always Put on Extra Warp

June 1, 2024May 30, 2024 Karen

I always put on more warp than I need for a project. That end of the warp is where I play, experiment, and try out crazy ideas, not to mention try to use up the thread from as many quills as possible. Or, for rag rugs, I try to use up as much of the weft fabric strips as I can. I have containers for those odd pieces (remnants). That is where I look when I want to make something.

Rag rug “scrap” became a seat cushion last year for me to use in the car.

Two cut-to-fit kneeling pads go in the cushion cover. I added handwoven bands for ties. The ties don’t stay tied, and they aren’t really needed. I let them hang as if they are chunky fringe.

The seat cushion I made for myself last year works great. Now I want to make a seat cushion for me to use in the other car. Time to get out that container of “scraps.”

I find four potential “scraps” to use for another cushion cover. The rag rug pieces aren’t quite big enough, but would work if I added some fabric to them. The colorful magenta and stripes piece would work as a top, with some other fabric for the bottom.

Blue striped eight-shaft twill in 8/2 cotton is just right! This is fabric I wove a few years ago for chair covers for my mother-in-law. It has a good weight to it, with quite a bit of give. And the blues are very pretty!

I am folding the piece in half lengthwise. This fabric has a pretty strong bias pull, so it makes sense to pin the seam before sewing.

Walking foot on my sewing machine makes all the difference, especially with this bias-strong fabric. The walking foot helps keep the two layers of fabric together, instead of the top layer stretching ahead of the bottom layer.

Two simple seams, and I’m finished with sewing! I am leaving the end open so it is super easy to add or subtract the fillers for the cushion. No ties this time.

Press the seams from the right side. Nothing matches at the seams because this long piece was made with intentionally irregular stripes.

Two kneeling pads are cut to fit. They will go inside the cushion cover. This gives me a good firm cushion to elevate my sitting position in the car. There is enough room in the cusion cover that I can add a little more height, or I can remove one of the kneeling pads for a lower sitting position.

Less than thirty minutes for this project, from selecting the fabric to inserting the pads. That’s exactly why I always put on extra warp! You never know when you will need an odd piece of handwoven something…

Happy Weaving, Karen