I am this close to the end of the rug… This series of double-binding rag rugs has been super fun! The question is: What’s next? I think I can squeeze out one more (short) rug on the warp after this one. Will I be able to do the final cutting off before the year’s end? I’m going to try! But then, what after that? I have some ideas… Perhaps I’ll start a new pictorial tapestry on this Ideal.
Measurement tape shows how close this rug is to its final picks.View under the breast beam shows the rug being rolled up on the cloth beam.I never cease to be amazed at the possibilities of a weave structure as simple as four-shaftdouble binding.
We are this close to the end of the year. Is there a project you still hope to complete before this year’s end? Share what it is in the comments.
Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.
Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.Weaving to the end.Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.
Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.
Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.
Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.
How easy is it to threadheddles on the Glimåkra Julia? It may surprise you that I like to put my loom bench inside the Julia, and then sit there to do the threading. It’s comfortable for me. Watch the video below to see how I get in and get out of the small space.
Climbing into my little “playhouse” for threadingheddles.Sitting in the Julia loom is a comfortable way for me to thread the heddles. I like to keep the shafts low so I can see the back beam, and keep my shoulders relaxed, as well. I look down through the shafts to see the heddles as I thread them.
Don’t worry, that’s not the only way to thread this petite loom. In the video I also show how to bring the shafts forward so you can comfortably thread the heddles while sitting on the loom bench in front of the loom.
Heddles are threaded. It won’t be long now till we see some woven fabric!
Enjoy!
May you find ways to keep doing what you love to do.
I am starting to see a fig. This tapestry is a short story about fresh figs and a cup of coffee. My full attention is on weaving while I’m at the loom. I’m always looking for the moment that a recognizable image forms in the woven wool and linen cloth. Attention flows from desire. And when I am weaving, there is no other place I’d rather be.
When I look through my monocular I get a distinct view of the first part of the fig.Colors of wool (primarily 6/2 Tuna and 6/1 Fårö) are combined in butterflies to represent color values and hues that will become an image of a cut fig–mostly recognizable from a distance. An exciting challenge!
When our affections are set on the Lord Jesus, there is no other place we’d rather be than sitting in prayerful conversation with him. And, I imagine he is delighted when he sees his own image formed in us.
It’s an ordinarydouble-binding rag rag in many ways. Standard draft, normal 12/6 cotton rug warp, weaving with two shuttles. Honestly, though, I’m thinking of it as art for the floor. With that in mind, I have a yellow stripe going across the rug. It’s a line of contrast to draw the eye. As the brief glimpse of yellow weaves under the intermittent blocks of red I am satisfied. My plans on paper have revealed themselves on the loom. Something unexpected draws the eye. And I get excited all over again!
Design element at the 1/3 mark.Yellow stripe makes its way across the rug “under” the red blocks.Double binding lets me play with design. By changing the color of weft on the shuttles at strategic times, I can create an eye-catching element in the rug. Art for the floor.
Expect the unexpected.
May you find satisfying ways to express creativity.
