Valentine Towel

Karen

“That red would make a very cheerful towel.” She was right! It is very cheerful. When someone whose weaving expertise I admire mentions a color, I want to use that color instead of the one I originally planned. This towel, with its red-and-white cheerfulness, is a testament to the positive influence of another person. The towel also makes me think of valentines. Perfect timing for this week. Do you remember giving innocent sentiments of love to classmates in elementary school on Valentine’s Day?

Cotton 10-shaft satin dräll towels.
Beginning of towel with red 8/2 cotton weft. Golden bleached 16/2 linen is used for a decorative band on the towel.
Colorful and cheerful square dot towels.
White linen border near the end of the red towel. Ten shafts and ten treadles for five-shaft satin dräll.
Square Dot towels. Red and white on coral!
Predominant red on the reverse side of the towel is cheerful indeed! One “Square Dot” towel remains on this warp.

Give. Now, we offer each other genuine expressions of love, not limited to one day of the year. When you give love you are giving something of great value—a part of yourself. God loved all of us by giving his dearly loved son. That’s the love that holds us and keeps us. His love influences us for the better. He so loved us, and so we love.

May the day of love come every day for you.

Love,
Karen

Tools Day: Tape Measures

Karen

A tape measure is a weaver’s best friend. Think about how many ways the tape measure serves you. I have one at each loom. Always. And I have a few others scattered around, hanging up, and in bags. Because you never know when you might need to measure something.

Tape Measure Uses

  • Take measurements to determine the desired size of the finished cloth, such as window measurements for curtains, floor space for area rugs, or length of skirt tiers for skirt fabric.
  • Measure the length of a guide string for winding the warp.
  • Find the starting point for the warp width in the pre-sley reed.
  • Double check the width of the warp after it is pre-sleyed.
  • Check the width of the warp on the back tie-on bar.
  • Center the reed in the beater for beaming the warp by measuring the distance from the warp in the reed to the outside edge of the beater on both sides.
  • Find the starting point to sley the reed by measuring half of the warp width outwards from the center of the reed.
  • Double check the width of the warp in the reed after it is sleyed.
  • Center the reed in the beater for weaving.
  • Adjust to the correct width of the warp on the front tie-on bar after the warp is tied on.
  • Mark the measured weaving length on twill tape or ribbon to use as a weaving length guide.
  • Measure how far one quill weaves.
  • Measure the distance between pieces that require unwoven warp, such as for fringe, or for tying knots between rag rugs.
  • Measure the distance from the first shaft (nearest the back of the loom) to the back tie-on bar (especially when you are hoping there is enough warp left to finish a symmetrical pattern).
  • Measure the width and length of fabric that is cut from the loom.
  • Measure the width and length of fabric that has been wet finished, dried, and pressed.
  • Measure your pleasure at the loom. Immeasurable!
Tape measure, in constant use at the loom. Let me count the ways...
Tape measure with imperial and metric units, both of which I use regularly. Metal ends have been removed from the tape to clearly see the tape’s markings, and because I slip the tape into a dent of the reed when I am marking the spot to start sleying.
Tape measure at the loom. Various uses.
Glimåkra Ideal loom, with tape measure in its usual place hanging on the end of the loom bench.
Tape measure usage at the weaving loom.
Glimåkra Standard loom, with tape measure ready for the next measuring task.
Preparing the loom for weaving.
Tape measure hanging over the back beam on the Texas hill country loom while pre-sleying the reed and positioning things to prepare for beaming the warp.
Tape measure hangs on peg strip above the work table.
Extra-long tape measure hangs on the peg strip above my work table.
Sometimes a long tape measure is needed!
Occasionally, I borrow Steve’s metal carpenter’s tape measure from his wood carving bench.
Travel tapestry supplies, including tape measure.
Compact retractible sewing tape measure rides in my travel tapestry bag. It has imperial and metric units.
No purse is complete without a tape measure, right?
No purse is complete without a tape measure, right? (A tape measure can outlive the business it promotes.)

What have I missed? Can you think of other ways your tape measure comes in handy?

May you be blessed in full measure.

All the best,
Karen

What the Shadow Reveals

Karen

Sometimes things do not go as you hope or expect. I thought this color-and-weave effect would be more distinct. Yes, I chose low-contrast colors. I wanted the pattern to be subtle. But this may be too subtle. I have to use my imagination to see anything other than a faint checked pattern. It’s not a complaint. It’s just not how I thought it was supposed to be.

Linen on the loom.
All 8/2 linen. Stripes in the warp and stripes in the weft. I intended more than a simple check pattern.

I am taking pictures from all different angles, thinking the camera lens might show more than I can see with my eye.

Warp and weft stripes in linen.
Detail of warp and weft stripes. A simple, yet pleasing pattern.
Weaving 8/2 linen upholstery fabric.
Crosswise view.
Linen upholstery fabric on the loom.
View at an angle. No significant difference.

And, to my great surprise, there it is! The pattern I am hoping for shows up when I snap a photo of the underside. What happened? It’s all in the lighting. In this case, I need shadows to reveal the pattern in the weave.

Color-and-weave effects in linen upholstery fabric.
Pattern shows up underneath.
Color-and-weave patterns in linen.
Same fabric, different look. This is what I intended all along. Hidden in the shadows.
Shadow reveals the pattern in this linen color and weave.
To test my hypothesis about the shadows, I cup my hand over the fabric. Where a shadow is formed the pattern is revealed.

Endure. When you walk through shadows of life, the patterns that are woven in you become evident. If you depend on the Lord’s might to walk through and endure day-by-day challenges, that same power will be with you when you walk into a major shadow and need endurance the most. In fact, it is in that shadow that the image of Christ is most clearly seen in you.

With you,
Karen

Weft Auditions for Square Dots

Karen

I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaft satin dräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!

Weft auditions for 5-shaft satin dräll hand towels.
The warp is tied on and the lamms and treadles are tied up. All ten sheds (one for each of ten treadles) are checked and small adjustments made in the treadle tie-ups. Weft auditions commence!
Trying different weft options. Cotton, cottolin, linen.
Similar colors in different fibers. Teal in cotton, cottolin, and linen. Coral warp as weft would be an interesting monochrome option.

There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.

Weft auditions! Colorful hand towels.
Sample includes sixteen weft colors (two or three rows for some). Four are chosen for the main colors for a set of hand towels. Two extra colors are selected to use for border designs.
Square Dots cotton hand towels in 5-shaft satin dräll.
First towel has Slate 8/2 cotton weft, with an accent of Silver 22/2 cottolin for a border stripe.

Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.

May truth be woven into your life.

With you,
Karen

Simpler Warp Stripes

Karen

Narrow stripes on the warp beam are stunning. But to wind a warp like that means frequently cutting threads and tying knots. Right? …not necessarily! You don’t have to wind a warp with stripes in order to have a striped warp on the loom. I didn’t know that. I thought that tying knots is the price you pay to get warp stripes. Winding this warp was a breeze! The secret? A separate warp chain and set of lease sticks for each color. I combined the threads, keeping them in proper order, as I put them on the back tie-on bar. That part was a little tricky, but will only get easier with practice.

Stripes on the warp beam are so enticing! Linen.
Unbleached and golden bleached linen pair up for this striped warp.

Knowledge. Knowledge gives us freedom to do things in a new way. This is why prayer is effective. Not praying for so-and-so to change, but asking that they may be filled with the knowledge of God’s will. And then, God takes it from there. Your prayer may be what it takes to initiate a new outlook on life for someone else. Much like finding a different way to put stripes on the loom.

May you find a new way to simplify.

Happy weaving,
Karen