Halfway Milestone

Halfway is a milestone when you are threading 2,064 ends. This double weave in two blocks has threading such that I can listen to podcasts without losing my place. It’s a long stretch to the halfway point.

Threading heddles, from right to left.
Threading heddles, going from right to left.

Before threading, I find the center of the warp and the group of ends that are just past center. I drape those ends on the back beam to mark the spot.

Threading 2064 ends. Halfway point is identified.
Center of the warp is identified. The ends just left of center mark the spot.
Threading heddles in my "playhouse" in the loom.
Sitting in my playhouse to thread the heddles. No hurry.

I’m excited to reach halfway in the threading! It’s a turning point. Now, while they are readily accessible, I position all of the shaft-to-lamm cords to hang down, right at the center of the warp where they belong.

Halfway finished threading heddles! Only 1,032 to go. :)
Half of the threading work is done! Only 1,032 ends to go. 🙂
Cords aligned at the center of the warp.
Center of the warp. Good time to align the cords that go from the lower shaft bars to the upper lamms.
Threading heddles for double weave on a Glimakra Standard loom.
Threading for the double weave throw continues, a few minutes here, an hour there, until all the ends are in heddles.

Have you ever reached a turning point in life, and knew it was time to position things? We try to be good and loving. But we’re never as good as we think. And we end up loving only the people we want to love. We have been separated from God. Our misdeeds push us away from him. Easter is resurrection, but before that is the cross of Christ. God so loved us that he closed the separation between us and him with the cross. That’s the turning point he offers to us, to set things right. Our part is to believe.

May you look forward to the second half.

With you,
Karen

Monksbelt Grid

I think of monksbelt as a grid. The grid, created in the threading, has blocks that I get to fill in with color. The only thing I have to do is follow the treadling draft and keep the two shuttles in their proper order. The rest is play. It is amazing what you can do with nine pattern colors, several background colors, and a simple grid. 

Classic monksbelt with a modern look. Karen Isenhower
Swedish monksbelt has two blocks in the pattern. Ground weave and pattern colors are changed in irregular intervals, giving a modern look to a classic weave structure.

A grid is a framework, a structure, that gives boundaries to the space. We need a grid for coloring our decisions, for outlining our beliefs, and for drawing our convictions. Our hearts can be fooled, so don’t trust your heart to tell you what is right. What seems right may be wrong. We need a higher standard for forming the patterns of our life. It makes sense to stay with the grid that the Grand Weaver, our Maker, planned when he dressed the loom. Then, filling in the blocks with color is pure joy.

May you find colors that delight you.

With joy,
Karen

In Time for Christmas – Or Not

It’s beginning to look a lot like Christmas! I am excited to have halvdräll up next on the big loom. Warp chains are white cottolin. The weft is white cottolin for the tabby, and red linen for the pattern. Red and white for Christmas. However, if it is not finished by December 25th, there’s always Valentines Day, right? I would love to have this table square ready for Christmas, but I am not willing to make shortcuts on quality to make that happen. It will be finished when it is finished.

Winding a white warp on the warping reel.
Warping reel is used to measure a warp of bleached 22/2 cottolin. A counting tie goes between every 50 ends.
White cottolin and red linen.
Red 16/1 linen pattern weft will add Christmas (or Valentine) flair to the bleached 22/2 cottolin.

Do you ever find yourself being controlled by circumstances instead of convictions? Convictions are firm beliefs that guide our actions. Convictions are like signposts on an unfamiliar path. It’s like having time-tested weaving techniques that help you navigate any new weaving adventure. In time for Christmas, or not.

May you stay on course. 

With Christmas in mind,
Karen

What If it Is Not as You Expected?

The stamped fabric print is subtle and ethereal. The print goes through to the reverse side, too, which shows that the color is saturating the threads. Thankfully, there is more than just surface color, which means I can expect the woven-in print to last for the life of the fabric.

Printed warp on the loom.
View from below the woven fabric. The face of the fabric is seen rolling onto the cloth beam.

I had hoped for brighter colors, but with this fabric paint the intensity of color fades as the paint dries. And then, when the weft crosses the print it reduces the brightness even more, of course. That said, I am not disappointed. It is different from what I expected, but it will still make a pretty tiered skirt.

Stamped warp on the loom.
Stamped warp is transformed as it crosses the fell line.

Prayer can be different from what we expect, too. Believing and praying brings amazing results. It’s not always the results we had in mind, though. The truly amazing thing is this: The prayers of believing people are somehow combined with the power of God to bring about his will. It’s his good will that gets printed deep into the fabric of our lives. Disappointment gives way to thankfulness as we see results over time that are more than just color on the surface.

May your disappointments be few.

With you,
Karen

Wear and Tear Rag Rugs

If the ends are not secured first, before hemming, the rug will unravel. Therefore, I end the weaving with ten rows of rug warp, and then three inches/eight cm of a scrap fabric header. When I cut the rug from the loom I leave four inches/ten cm of warp for tying knots.

Information for hemming rag rugs.
Walking weights hold the rug in place while I carefully remove the header and tie knots.

The header is removed little by little as I make my way across the rug, tying pairs of warp ends into square knots, and cinching them up to the edge of the rug. I trim the ends to 1/2 inch/1 cm. Next, I fold and steam press the hem. With a blunt tapestry needle and a length of warp yarn 1 1/2 times the width of the rug, I stitch the hem closed by catching the warp threads. The warp ends are fully secured and closed up in the hem. This rug will endure through years and years of wear and tear.

Tips for hand hemming rag rugs.
First I stitch the side of the hem closed, and then I stitch the hem, catching the warp ends with a blunt tapestry needle. This creates a nearly invisible hem seam, making the rug completely reversible.

Guard what you believe. It is what you believe that determines what you think, from which your behavior is formed. When beliefs are convictions, rather than mere philosophical ideas, they are firmly knotted in place, hemmed in by wisdom and truth. Nothing will unravel this cloth.

May your convictions stand the test of time.

Happy Finishing,
Karen