Weave Two Connected Layers

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!
Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.
Double weave throw. Karen Isenhower
Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.
Double weave magic!
Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

Heddle Shortage

I am well into threading when I realize I neglected to take into account how many heddles I need for this project! I don’t have 2,064 even if I grab all of the heddles from the other loom. This double weave throw project is at a dead end until more heddles appear. I hurriedly place an order for more heddles…

Threading heddles for double weave.
This Glimåkra Standard is one of three looms that share my supply of Texsolv heddles.

Thankfully, the new heddles arrive quickly and the project is alive again.

This is what 1,000 Texsolv heddles looks like!
This is what 1,000 Texsolv heddles looks like! I didn’t want to run out again any time soon.
New Texsolv heddles - 1,000 of them!
Heddles come in bundles of 100, held together with twist ties. WARNING: DO NOT undo the twist ties before you put the heddles on the shaft bars. You’ll be sorry…
Clipping loops on new Texsolv heddles.
Before putting the heddles on the shaft bars, and while they are still tied into bundles, clip the loops at each end.
Clipping Texsolv heddle loops.
I clip the loops on both ends of the heddles. It is easy to move heddles wherever you want if the loops are cut, including repositioning individual heddles. (It is far easier to clip the loops while the heddles are still tied together.)
New heddles on the shaft bars.
There are 100 new heddles on each shaft. The heddles that are not used will be tied up and put away in my heddle box, ready for the next time I need more heddles.

Alive. This is the Easter season when we celebrate the resurrection of Jesus Christ. He died, and was made alive again! What makes it even more fantastic is what that means for us. We all have a goodness shortage. And without a source of true goodness, our lifetime self-improvement project is at a dead end. Yet, through faith in the powerful working of God, we are raised with Christ. We are made alive together with him. His true goodness becomes our living source.

New bundles of Texsolv heddles stand ready to be used!
Threading progresses. New bundles of heddles stand ready to be used!

May you be supplied with more than enough.

Happy Easter,
Karen

Halfway Milestone

Halfway is a milestone when you are threading 2,064 ends. This double weave in two blocks has threading such that I can listen to podcasts without losing my place. It’s a long stretch to the halfway point.

Threading heddles, from right to left.
Threading heddles, going from right to left.

Before threading, I find the center of the warp and the group of ends that are just past center. I drape those ends on the back beam to mark the spot.

Threading 2064 ends. Halfway point is identified.
Center of the warp is identified. The ends just left of center mark the spot.
Threading heddles in my "playhouse" in the loom.
Sitting in my playhouse to thread the heddles. No hurry.

I’m excited to reach halfway in the threading! It’s a turning point. Now, while they are readily accessible, I position all of the shaft-to-lamm cords to hang down, right at the center of the warp where they belong.

Halfway finished threading heddles! Only 1,032 to go. :)
Half of the threading work is done! Only 1,032 ends to go. 🙂
Cords aligned at the center of the warp.
Center of the warp. Good time to align the cords that go from the lower shaft bars to the upper lamms.
Threading heddles for double weave on a Glimakra Standard loom.
Threading for the double weave throw continues, a few minutes here, an hour there, until all the ends are in heddles.

Have you ever reached a turning point in life, and knew it was time to position things? We try to be good and loving. But we’re never as good as we think. And we end up loving only the people we want to love. We have been separated from God. Our misdeeds push us away from him. Easter is resurrection, but before that is the cross of Christ. God so loved us that he closed the separation between us and him with the cross. That’s the turning point he offers to us, to set things right. Our part is to believe.

May you look forward to the second half.

With you,
Karen

Crabba or Not

Sometimes I really don’t know what I am doing! It’s uncomfortable. I make a guess and hope for the best. I almost skipped this section of the tapestry/inlay sampler because I don’t understand the instructions for crabba in The Big Book of Weaving. I’ve heard of crabba, and have seen pictures, but I have no experience with it.

Tapestry / inlay sampler. All linen.
First two attempts at weaving the diamond-shapes of crabba. 1) Too faint. 2) Too flat.

Consequently, I am attempting to weave something that resembles the crabba motif, with  “rhomboid pattern shapes and stairstep contours.” My first little diamond all but disappeared. Pattern weft needs to be thicker. My second attempt flattened into a flying saucer. Aha! I need at least two pattern picks of each row. Finally, I wove three more diamond motifs. Crabba, or not, they are now a part of this inlay sampler.

Color gradation in linen background, with inlay in diamond shapes.
Color gradation continues in the background under the inlay diamond shapes.
Tapestry / inlay sampler. All linen. Morning light!
Visiting the loom in morning light brings a reminder that much of weaving is learning by doing. And much of life is that way, too.

We can’t know everything. But we can keep learning, even when we don’t understand the instructions. Instead of quitting, step up and make an attempt. Raise your hopes. Stir up your faith to hope for the impossible. Your brave steps today set you up for greater progress next time you face a hurdle. Place your faith in the Lord, the instruction-giver. Sometimes He lets you learn by doing.

May you hope for the best.

~~Houston update: After diverting to Texas hill country because of the Hurricane Harvey flooding last week, Steve and I finally returned home to Houston this weekend. We are very thankful to come home to a dry house, untouched by the flooding that has devastated so many in our city. Relief efforts will continue in Houston for some time. Thank you for your prayers.~~

Hopefully,
Karen

Wild Linen Rya

Rya knots and loops of threads look chaotic at first. These linen rya knots will never be tame, but that’s to be expected. Linen butterflies have created a swath of wild rya “flowers” planted in a smooth linen “lawn.”

Making rya knots with a bundle of linen threads.
Continuous weft bundle forms loops between rya knots.
Linen rya knots.
Loops are clipped. Green butterfly is for the background plain weave weft.

Each section of rya starts with a butterfly made of several strands of linen in assorted weights and colors. I tie each rya knot on a pair of warp ends, leaving a loop between knots. There are two to three passes of plain weave between each row of knots. When I finish a butterfly, I go back and clip all the loops. After the loops are cut, I trim the tops of the threads to even out the rya “flower garden.”

Linen rya knots on a linen weft-faced background.
Tops of the rya threads are trimmed. I intentionally leave a few shorter and longer threads, for interest.
Linen rya knots on a weft-faced linen background. Tapestry/inlay sampler.
Linen rya knots on a weft-faced linen background. Wild linen “flowers” growing out of a smooth linen “lawn.”

When things around us look a mess and don’t make sense, full of knots and loops, there is one thing we must do. Keep holding on to faith. Fight to keep your faith strong. Faith in Christ Jesus will carry you through uncertainty and will reveal the first ray of hope. The loops will be clipped, the threads will be trimmed. A garden of color will emerge. Faith waits for that.

May your faith be strong.

All the best,
Karen