Bluebonnets Are Growing on My Loom

I promised a baby blanket to a dear friend whose first grandchild is coming soon. That’s why I am working on this transparency with extra focus. I need the loom. After being away from home longer than expected, I am now trying to make up for lost time.

Weaving a transparency. Flower stems so far.
Flower stems rise out of the “ground.”
Woven transparency in progress.
Weaving from the back. All weft turns are on the back, leaving little bumps and ridges, while the underneath front side stays smooth.

Some sections take an hour or more to weave an inch. But I am finding transparency weaving to be pure enjoyment. I don’t mind lingering. And, if it weren’t for that baby blanket I would slow down even more. This is handweaving at its best. This is good. All I do is select the threads and put them in place, and the woven image magically appears.

Woven transparency in progress. Mora wool pattern weft.
Four strands of 20/2 Mora wool for each butterfly, giving ample opportunity for color blending.
Weaving Texas bluebonnets in a transparency.
Even a simple design like this requires many little butterflies to complete the image (sixteen for this row).
Texas bluebonnets in a woven transparency...in progress!
Cartoon is held in place with three pins. The dotted line on the cartoon is aligned with the center warp end. I love the small spaces of linen between some of the flower petals.

In reality, good things don’t appear by magic, do they? Even with the loom, a plan is made, warp ends are lined up, and the handweaver puts many skills into action. When we experience good in life, it isn’t happenstance or magic. The Lord is good. He is the source of goodness. And it’s by His grace that we are able to see his goodness. Thank you, Lord.

May you be touched by goodness today.

Love,
Karen

Better than Black

The black and white towels I made last year were a big hit, and I wanted a repeat of that. So, when I started planning this unbleached cotton towel warp several weeks ago, I fully intended to make the border stripes black. It would be a stunning effect. I even ordered the black thread. But this week when I put my tubes of cotton thread on the table, I ended up saying no to the black. Even though that’s what I was sure I wanted. As a result, I don’t have the striking black accent; but I do have the soothing charm of beige and brass. (Thank you for your wonderful input on the color combinations in Pretty Fine Threads! I loved hearing your thoughts.)

Warping reel with 8-meter 24/2 cotton warp.
Choke ties are added about every meter, and the lease cross at the bottom is carefully tied for this eight-meter warp.
First of four bouts, 224 warp ends each.
First of four bouts, 224 warp ends each. Soft as a kitten.
Cotton warp ready for dressing the loom.
Beige and brass threads add understated elegance to the unbleached cotton warp.

I want to have what I want. I want to do what I’ve planned. I don’t like to tell myself no. But that’s exactly what Christ asks of those who want to follow Him. Say no to yourself. He’s not offering the easy way out. But when I let go of what I want, I come to find the gift of grace that has been prepared for me. And that’s when I realize that my loss was actually my gain.

May you know when to say no.

All the best,
Karen

Weaving Rugs Under Mugs

I don’t mind slow weaving. The progress that is measured in hours, not minutes, is satisfying. I don’t mind fast weaving, either. It’s a chance to be productive. These mug rugs fall in the fast-weaving category. I can whip up a few of these in an afternoon.

Rep weave mug rugs. Cottolin and stringyarn.
Plain weave hems fill the space between rep weave mug rugs.

I hope to get 20 to 25 of these little mug rugs from this six-yard warp. I have to admit, it’s fun to weave something easy once in a while. Now, I can measure progress in minutes, instead of hours. We determine the value of things according to time and effort, don’t we? How long did it take, and how much effort? Some woven items are destined for elegance, and others are, simply, rugs under mugs.

Rep weave mug rugs on the loom.
Mug rugs begin to circle the cloth beam. Turquoise Cottolin weft thread alternates with black midi stringyarn. Block changes are made by weaving two thick picks in a row.

Grace doesn’t measure value that way. The Lord’s generous grace demonstrates true equality and fairness. His grace places equal value on people, not taking into account how “good” they are, or how much effort they extend to do “good” things. Grace is distributed equally. The Lord offers it to all, not because of who we are or what we have done, but because of who he is, and what he has done. That’s good news. The mug rugs may end up on an elegant table, after all.

May you receive and extend grace.

Happy weaving,
Karen

PS Plattväv Towel Kit update: Still in progress! You will be the first to know when the kits are ready.

Almost Ruined Transparency

The cotton chenille looks as if it is magically suspended in space. But it’s the linen that suspends it. 16/2 unbleached linen weft crosses 16/2 golden bleached linen warp. The two shades blend into one as they are woven for the transparency background.

Weaving a transparency. Linen warp and weft. Cotton chenille pattern weft.
Weaving a transparency from the back. The front side of the pattern can be seen after it comes around the breast beam.

Unfortunately, I had 16/1 golden bleached linen (16/1 is half as thin as 16/2) on my winding table, for the plattväv towels on the other loom. I wound a quill with the 16/1 and wove the transparency with it. It’s the wrong thread size and color. For 8 1/2 inches! Too far to undo without irreparably damaging the linen warp. This is disappointing. How did I let that happen? Take a deep breath… Move forward, and finish out the weaving with the correct 16/2 linen.

Linen weft change is a mistake. Oops!
Two densities of linen. The 16/2 unbleached linen weft adds depth to the 16/2 golden bleached warp. The 16/1 golden bleached weft gives a lighter look to the web.
Just off the loom! Handwoven transparency.
Just off the loom! First transparency attempt, and a great learning experience.

We all fall short. We do the wrong thing. That’s a weight to carry. Jesus breaks the yoke of our burden, and lifts the weight. We have been set free! When we finish the weaving, the chenille pattern will be the main attraction, not the error. By amazing grace, the error is overcome by the light shining through the transparency.

May your burdens be lifted.

With you,
Karen

Two Long Alpaca Scarves

The end is near. I can see the end of the pre-measured tape. These two long scarves could be named “too long” scarves. The repeating pattern of this eight-shaft twill is very…repetitive. And the color is very…monotone. Soft and warm, they will certainly be beautiful scarves…eventually. Can you tell I am ready to be finished?

Soft and cozy handwoven long alpaca scarves.
Soft 3-ply alpaca yarn is used for the warp and the weft. The end is in sight!

I don’t always have patience. I want things to hurry up; I want to be finished now. And I don’t want trouble along the way. Obstacles make me lose my patience; and my attitude becomes unattractive. As much as I try to stay positive, the negative thoughts can get the best of me. When we’re at our worst we need kindness the most. Kindness changes us. Kindness reminds us to look at what is being woven.

Woven fabric at the cloth beam. Warping slats between the scarves keeps the unwoven yarn (for fringe) from slipping off the cloth layers at the sides.
Woven fabric forms layers around the cloth beam. Warping slats are added at the cloth beam between the scarves to keep the unwoven yarn (for fringe) from slipping off the cloth layers at the sides.

We all need and desire kindness, even when we don’t deserve it. Grace is pure kindness toward the unworthy. God gives great grace. He takes an unworthy subject like me and pours on kindness. In that grace I find the patience I need for today. Oh, how lovely that scarf will be!

May you give and receive generous amounts of kindness.

Giving thanks,
Karen