I have an enormous brown paper cartoon hanging under the warp, suspended by a contraption of wood, string, and rubber bands.The pattern area of this rag rug begins with rya knots. The dark colors of the rya pile contrast with a background of whites, off-whites and light prints. The rya knots follow a geometric design that I drew onto the brown paper with a Sharpie.
Brown paper under the warp hangs over a slat which is suspended with seine twine and rubber bands.
As the designer and weaver, I already see the finished rug in my mind’s eye, and understand what is needed to complete it. I am weaving this rag rug for our own home, so naturally I am already thinking about where it will be placed. This makes it personal, and the slow weaving process grants me the opportunity to know this rug, inside and out.
Tightly-woven selvedges. Doubled weft gives extra fullness and weight to the rug, as well as contributing to strong rug selvedges.
Yes, it is important for me to know my Maker, but even more important that He knows me. All of life has meaning when God knows you by name. He knows what is needed to give our lives purpose. And the slow process becomes that much more personal as he weaves the design that he has seen all along.
Thread on a carefully wound quill comes off effortlessly. I love the feel of the boat shuttle chasing back and forth between my hands, with no resistance whatsoever from the unwinding thread. I wind a few quills at a time and drop them in the loom basket that hangs on my bench. Then, when I empty a quill, I simply reach into the basket and quickly replace the thread in my shuttle, and continue weaving. It is satisfying to do something as enjoyable as weaving, and have it end up as lovely cloth.
Freshly-wound quill in the boat shuttle replaces an emptied quill. The new weft thread will overlap the end of the former thread, and be secured with the swing of the beater, and changing of the shed.
I do hope to make beautiful things, but it’s more than that. The weaving procedure, itself, seems beautiful to me. Such strategy. Such alignment of movement and function. There is a deeper satisfaction than merely being pleased with the final results.
Beauty serves a purpose. Beauty points us to our Maker. Yes, purple mountain majesties and intricate iridescent hummingbird feathers do point to a masterful creator. But I am also talking about the beauty of how things work, and how people are responsive to love, and how everything in our solar system fits together. It’s amazing. It’s beautiful. What a Grand Weaver we have!
I normally pin a measuring ribbon to the cloth being woven, moving the pins as I advance the warp. This rug is different. I am using a graph paper sketch; and beside each block on the sketch I have written the number of inches to weave. The tape measure that hangs at the end of my weaving bench makes it easy to follow the plan, measuring frequently as I go. This requires mindfulness as I weave, paying attention to the pattern.
Two cotton batik prints are used for the first section of blocks in this double binding rag rug. The graph paper pattern hangs with the weaving draft in a plastic page holder on the end of the loom for quick reference.
I have the end in mind, and this may turn out to be my favorite rag rug ever! (Have I said that before?) It is true that my favorite thing to weave is usually that which is currently on the loom…
Tape measure hangs on the right end of the weaving bench. This tape measure records inches and centimeters. I use both imperial and metric units, depending on what I am measuring.
The Maker of heaven and earth is mindful of you. Cherishes you as his favorite. I know that seems incredible; but as a weaver, I understand it. When you create, you care about the process and the results. As the ones created, we find ourselves in his story. The living Creator God invites us to himself. So, we come to his studio to meet the Mastermind behind the marvelous creations.
An embroidered trim is what I have in mind for this scarf. Hemstitching is just that. Instead of the usual single strand, I am using two strands of the 8/2 cotton weft in a contrasting color to accentuate the embroidered look. The hemstitching marks the beginning and the end. You can make hemstitching barely noticeable if you want, or you can make it so bold it can’t be missed, like I am doing with this one.
Hemstitching, with Contrasting Color:
Preliminary
Weave an inch/2.5 cm or more of fabric for a header.
Thread a blunt tapestry needle with a single or doubled strand of weft thread four times the weaving width.
Starting an inch/2.5 cm away from the right-hand selvedge, weave the needle over and under, next to the first weft thread in the weaving, going toward the selvedge.
Pull the stitching thread almost all the way, leaving the end woven into the selvedge. Capture the woven end within the first several stitches of the hemstitching.
Step 1
From right to left, take the needle under several warpends. In this example, the needle goes under six ends.
Step 2
Pull the thread all the way through, keeping it taut at the woven edge.
Step 3
Take the needle back over the same (six) warp ends, and go under the same (six) warp ends, bringing the point of the needle back up between wefts, two or more rows away from the woven edge. In this example, the needle comes up between the third and fourth rows of weft.
Step 4
Pull the thread all the way through, keeping it taut at the woven edge.
Finishing
Repeat Steps 1 – 4 across the entire width.
Finish by needle weaving the stitching thread back into the selvedge for an inch/2.5 cm. Trim off the remaining stitching thread end.
Hemstitching at the end of the woven fabric:
Starting on the right-hand side, secure the end of the stitching thread as before, and follow Steps 1 – 4 for hemstitching across the width. The only difference is that the needle comes toward you under the cloth in Step 3, instead of away from you.
Cotton lace-weave scarf in springtime colors. Bold hemstitching at the end.
Everything that has a beginning has an end. Since the beginning of time, and through the ages, our Maker has been unfolding His mystery of life and love. There will come a day, though, when the mystery is finished. Certainly, there will be bold hemstitching at the end of the cloth as the Maker, the Grand Weaver himself, brings time as we know it to a close.
May your days begin and end with an embroidered edging of love.
Pretend this rug is a painting. Can you guess what the picture is? I have an image in my mind as I weave this rag rug. Sunset over land and sea. I saw a beautiful sunset last night that used these very colors! It was spectacular! And when the sun is setting in one place, it is seen rising somewhere else. (Do you remember when I wove another rag rug similar to this one? You can see it HERE.)
Moving the temple out of the way gives full view of the rug in progress. Blocks of color in this double binding weave hint at quilt blocks.
We count on the sun rising and setting every day. So, why do we worry? We tell ourselves there is not enough time, the day is too short. We can’t seem to make ends meet (did a weaver make up that phrase?). The one who positioned the sun knows how time works. And, surely, our Maker knows how to make our ends meet.
Most people worry. But you do not have to worry. Your heavenly Father knows precisely what you need. He is glad to provide for you from his kingdom resources. When I weave an imagined sunset into a handcrafted rug, it is a simple replica. When we see the actual display of sunset colors in the sky, let it be a reminder to put our trust in the One who is weaving our story.
