Tag: quill

Stay Ahead of Empty Quills

Karen

What a delight to weave with just one shuttle for a change! It is relaxing to weave this Swedish lace wrap. Even moving the temple and getting up to advance the warp becomes part of the natural rhythm of weaving.

Exchanging empty quill for a filled one.
Empty quill is replaced with a filled quill from the loom bench basket. Smooth operation. My foot needn’t even leave the treadle.

There is one thing that breaks my stride. An empty quill. If I have to stop in the middle of a sequence to wind more quills, I lose momentum and sometimes I even lose my place. Solution? Stop ahead of time at a sensible place in the sequence and wind quills to put in my loom basket. Then, while weaving, it’s a seamless motion to change quills and keep going. It’s a pause instead of a dead stop.

Hemstitching at the end of this wrap.
Hemstitching at the end brings the weaving stage of this piece to a close.

We need to prepare for those times when people seem harder to love. It helps to think ahead, and fill our heart basket with the thoughts of kindness and humility that are essential to keep going. We have a good reason to love each other. We have been loved first. God so loved us that he gave his son. This is the Christmas news. God sent his son to be born here on this earth to be with us hard-to-love people and to save us. That’s good news worth celebrating!

May your heart basket be filled with love.

Christmas Blessings,
Karen

Tools Day: Double-Bobbin Shuttle

Karen

The first time I wove fabric that required a doubled weft I did not use a double-bobbin shuttle. I didn’t own one. I used a regular boat shuttle and sent it across twice, going around the outer warp end. Those first thick and thin towels came out beautifully. So I know it can be done.

Weaving with a double-bobbin shuttle. Tips.
Square pattern peeks through from below. Double-bobbin shuttle carries the doubled tencel weft for this kuvikas fabric.

The first time I used a double-bobbin shuttle I wondered if it was worth it. It was awkward and clumsy in my hands. Since that rocky introduction a few years ago, I have woven many meters with my double-bobbin shuttles. They have become cherished tools and efficient accomplices to some of my favorite fabric-making endeavors!

Tips for Weaving with a Double-Bobbin Shuttle (and a short video demonstration)

  • Practice. Make sure you allow extra warp length for practicing. You will probably need it at first. Have fun and laugh, and refrain from throwing the shuttle across the room.
  • Winding Equal Bobbins. Wind the first quill. Lay it close to the bobbin winder where you can see it easily. As you wind the second quill, attempt to match it in size to the first one. (Winding two quills with equal amounts of thread is no small challenge.)
Winding equal quills for a double-bobbin shuttle.
Visibility of the first wound quill is key for judging how much thread to wind on the second quill.
Winding quills for double bobbin shuttles.
Knowing when to stop is the trick. The ideal is for both quills to become empty at the same time. This only happens in your dreams. But sometimes you can get pretty close.
  • Sending the Shuttle. Sending the double-bobbin shuttle through the shed is the same as sending a regular boat shuttle across. The best release is done with a flick of the forefinger so the shuttle speeds across. Then, the doubled weft naturally snugs the selvedge, and the two threads are neatly aligned across the shed. With a slower, more timid shuttle send-off, the quills unwind unequally.
Weaving with a double-bobbin shuttle.
Holding the shuttle palm up, the forefinger launches the shuttle to glide quickly through the shed.
Results of timid shuttle send-off.
Timid or sluggish shuttle send-off lays unequal lengths of threads in the shed.
How to tips for weaving with a double-bobbin shuttle.
Deliberate send-off of the shuttle helps the threads to lay across the shed in equal lengths.
  • Receiving the Shuttle. Receiving the shuttle can be the awkward and clumsy part at first. Especially if you are trying to practice a quicker send-off. I catch the shuttle as for any boat shuttle, palm up. And then, if needed, I fold my two bottom fingers around the threads, guiding them to fall equally across the shed.
Using a double-bobbin shuttle. Tips.
After catching the shuttle, I gently close my fingers around the two threads, as needed, to guide them to fall evenly across the warp.
  • Weave. Enjoy the process.
Shuttle shadows. Karen Isenhower
Shuttle shadows.

May your practice produce perfection. (Well, maybe not perfection, but at least improvement.)

Happy weaving,
Karen

Empty Quills

Karen

No matter how much thread is on the quill, if you keep weaving, you will eventually come to a bare quill. Three at once, this time. Two with tencel in the double-bobbin shuttle and one with 8/2 cotton. A quill is a small item with an essential role. This mostly-hidden cardboard cylinder holds the threads that weave.

Kuvikas on eight shafts.
Kuvikas on eight shafts with 8/2 cotton warp, 8/2 cotton ground weave, and doubled 8/2 tencel pattern weft.

An empty quill is a stopping place. You have to stop. Wind another quill, or three, before you weave some more. Or, use quills from your loom bench basket that you had already wound. It’s the cycle of weaving. Weave. Stop. New quill. Weave. Stop. And so on.

The quill is mostly hidden until the thread runs out. Likewise, truth seems like a secret until it comes to light. And then you realize it holds the fibers of life. Truth is worth searching for. It is central to understanding our existence. Examine a thread of reality, keep pulling that thread, and unroll it. It always ends up at truth. Truth is that core, that weaver’s quill, around which reality is wound. For our Grand Weaver, truth always holds the threads that weave.

May truth be at your core.

Yours,
Karen

Shuttle Catching

Karen

I am already a quarter of the way on this baby wrap. Simple plain weave with one shuttle is fast and uncomplicated, making this the perfect setting to improve weaving technique. Surely, I can gain efficiency by examining some of my practices.

First quarter woven on baby wrap.
Twill tape has marks that show 1/4, Mid (1/2), and 3/4 of the length of woven baby wrap. The first quarter used about seven full quills of light blue weft.

Under scrutiny, I see that I am not consistent in how I catch the shuttle. It makes a difference where I make contact with the shuttle as it glides into my hand. I often have to reposition the shuttle in my hand to prepare it for the return throw. That’s not very efficient. Solution? Look at the hand that is catching the shuttle. All I have to do is turn my head to look, and the hand does the job. It’s amazing how that works. It pays to pay attention.

Beginning sample comes around the cloth beam. Baby wrap.
Beginning sample meets the cloth beam. View is from the front of the loom, looking under the breast beam.

Following Jesus can be compared to finding a breakthrough in weaving technique. It’s more than just meeting him, and trying to go the right way. That is weaving by habit, doing it like I’ve always done it. Jesus gives all to those who give him all. Breakthrough comes when I give up my habits to find a better way–his way.

He is no fool who gives what he cannot keep to gain what he cannot lose.

– Jim Elliot

May your eyes help your hands.

With love,
Karen

One Color Too Many

Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton.
Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors.
One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower
Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen