Tag: weft

Two Short Rugs Finish the Warp

Karen

Two short rugs finish off this warp. One has a treadling sequence that produces a delightfully different pattern; and the other one has fabric strips for weft, making it a rag rug. I am scheduled for back surgery this week, so I have been working hard (a few minutes at a time) to get this project off the loom. I know I am facing some new limitations in the coming weeks.

Stringyarn weft for 8-shaft block twill rug.
New treadling sequence. Stringyarn weft makes a well-defined pattern.
Rag rug in an 8-shaft block twill. Karen Isenhower
Fabric strips, cut 2cm (3/4″) wide, are used for the weft. The intriguing pattern in the weave structure is more subtle with print fabric than with the stringyarn weft.
Time for cutting off! 8-shaft block twill rugs.
Time for cutting off!

Pain and weakness heighten our understanding of what truly matters. Faith, family, friends. The Lord, Himself, is a safe place for those who come to him for shelter. When we are feeble, he directs our hearts to a place of strength. He invites us into the protective shelter of his mighty and loving presence. You’ll find me resting there. And don’t be surprised to see a portable loom in my hands before too long.

May your heart be at rest.

Yours,
Karen

PS I have prepared and scheduled my Quiet Friday post in advance so you won’t have to miss the unrolling of these eight-shaft block twill rugs!

Simple Eight-Shaft Twill?

Karen

This eight-shaft twill, woven with string yarn weft, has a delightful raised-surface texture. The distinct pattern makes it interesting to weave. The treadling is /5.6.7.8./ /1.2.3.4.5.6.7.8./ /4.3.2.1./ /8.7.6.5.4.3.2.1./ This sequence completes one full diamond in the pattern. Simple enough, right?

Raised surface of eight-shaft twill, woven with string yarn weft.
Ski shuttle is able to hold a large amount of the string yarn weft. The string yarn produces a raised surface on this eight-shaft twill.

Simple, but not easy. The treadling reverses direction every twelve picks. I can’t tell you how many times I forget which direction I am going. When I make an error, I don’t see it until I’m two or three inches past. I’ve had to undo and do over several times. But when I get it right, for longer and longer stretches, it is a satisfying weaving experience. Everything on the loom is set up for my success. It’s the internal and external distractions that keep me from experiencing the best.

Midi stringyarn for weft in woven bathmat.
Midi stringyarn has about 26 fine strands of cotton thread grouped together.
Eight-shaft twill woven bath mat. Karen Isenhower
Terra cotta tiles come to mind…

We want life to be satisfying. My soul longs and searches for living water. Internal and external distractions keep me from getting a satisfying drink, but God has everything ready for me when I come. Our souls were made to long for God. Is he really there? Yes, the Grand Weaver is. There is no better way to explain the warp on the loom.

May your distractions disappear.

Happy weaving,
Karen

Odds and Ends Rag Rug

Karen

What can you do with odds and ends? Plenty. I do use new cotton fabric for my rag rugs. But I refrain from buying new fabric until I absolutely have to. It’s a good challenge to combine available colors from previous rag rug projects to make a new design. There are two piles of color for this double binding rag rug. The blue pile and the brown/black pile. The color blocks switch places in the rug about every seventeen centimeters, with a three-pick white chain pattern in between.

Double binding rag rug. Red warp shows up as little red spots.
Collection of blue fabric, and a collection of brown and black fabric form the basis of this double binding rag rug.

I enjoy combining multiple shades of a color, such as the blue in this rug, to add character. Every odd fabric strip finds a place to belong. It ends up looking cozy and friendly. All the mismatched pieces somehow fit together.

Double binding rag rug.
Chain motif draws a line where the colors switch. Three picks form the chain. Print, white, print (the center section shows the reverse.)

We belong to somebody. We belong to the one who made us–the Creator of everything. He weaves the fabric strips together to make his beautiful design. Scraps become useful, and colors are mixed and rearranged in interesting ways. Together, the woven mixture has a purpose. A rag rug, made from odds and ends like us, puts the creativity of our Maker on display.

May you know where you belong.

Love,
Karen

Swedish Overshot Experience

Karen

Experience builds on experience. The more I practice the classic Swedish weave structures, the more freedom I have in the process. Dice weave, halvdräll, and, now, this monksbelt, are all related. These are variations of overshot. I am putting what I know into practice, even though this is the first time I have woven monksbelt on my own loom. (My prior experience with monksbelt was first in a workshop with Joanne Hall, and then, under Becky Ashenden’s tutelage at Vävstuga Swedish Classics.)

Colorful Fårö wool is used for the monksbelt pattern weft.
Colorful Fårö wool is used for the monksbelt pattern weft.

Plan projects from start to finish, dress the loom single-handedly, use complex threading and complicated treadling, and weave with multiple shuttles. Do you relish these challenges? It is possible to weave things that don’t require as much training or practice. You can find a pattern on Pinterest or in a magazine, and do what “everybody” is doing. Not much is required of “everybody” in the crowd.

Classic monksbelt pattern with innovative color variations.
Classic monksbelt patterning is repeated with different color variations.
Swedish overshot, such as monksbelt, uses two shuttles--one for fine thread, and one for the thicker pattern weft. Warp is 16/2 cotton. Ground weave weft is 16/2 cotton. Pattern weft is 61 Fårö wool. Sett is 22 1/2 ends per inch. Weft density is 30 pattern picks per inch, with 2 tabby picks in between.
Swedish overshot, such as monksbelt, uses two shuttles–one for fine thread, and one for the thicker pattern weft. Warp is 16/2 cotton. Ground weave weft is 16/2 cotton. Pattern weft is 6/1 Fårö wool. Sett is 22 1/2 ends per inch. Weft density is 30 pattern picks per inch, with 2 tabby picks in between.

But some people strive to learn, and practice what they learn, building on previous experience. Consider truth. You are responsible for the truth you know. The more you are taught, the more that is required of you. And as you practice the truth you know, you discover the freedom that comes along in the process.

May you grow in experience.

Happy weaving,
Karen

Designing at the Loom

Karen

For the most part, I am designing this monksbelt at the loom. Even so, I have guidelines regarding color order, sequence of tabby and pattern colors, and treadling order. Each time I remove the temple, I make mental notes for the upcoming segment. When I advance the warp, I step back to get a better idea of where I’ve been, and where I want to go.

Monksbelt with Faro wool pattern weft.
Two tabby picks of blue 16/2 cotton are between each Fårö wool pattern pick. Purple wool weft is carried up the selvedge a short distance under the blue wool weft .

The challenging part is the weft rep tabby. I make a high arch with the tabby weft, and change sheds before beating the weft in. Inconsistency shows up as streaks, especially with darker weft, like the blue tabby I’m on now. When it seems like too much effort to get it right, I have to remember that I am not just making yardage; I am developing skills and habits for successful weaving.

Saturated colors bring high contrast to the monksbelt pattern.
The intensity of saturated colors provide high contrast. Lavendar wool appears gray when deep purple and dark blue are introduced.

It takes planning and caring to build a home. It takes wisdom. Homes are built with wisdom. It’s like designing at the loom. We can’t see into the future, but we can set guidelines that help us make a good design. There is always a challenging part, in every stage. All the more reason for consistency in our convictions. Home is not just a place. Home is where we learn to love.

May your home be your family’s favorite place.

Designing,
Karen