Five of my favorite handwoven works are on display in a local exhibit. The Southwest Gourd and Fiber Fine Art Show is the current exhibit (through July 1) at the Kerr Arts and Cultural Center in Kerrville, Texas. This is a competitive show featuring artists from across the US. Steve made beautiful wooden hanging and mounting devices for my pieces. Winter Window is a double-binding rag rug that is displayed as a wall hanging. I thoroughly enjoyed the design process for this rag rug, so I am happy that Winter Window received a Judge’s Special Award.
If you hang a rag rug on the wall it becomes fine art. And I’m ok with that.
Warped for Good is ten years old today! To celebrate I offer you some stats and thoughts and thank you’s.
Number of years:10
I started this blog when I was still new to weaving. This is a learning journey, and you have been learning with me. THANK YOU!
Number of email subscribers:1000
I started with a handful of friends (about 8 or 10) and a few curious family members. I’m incredibly grateful to those first few who allowed me to test my writing skills on them! I am more than astonished that many, many people trust me to bring them news of what’s happening on my looms. I count all of you as friends, and I am so thankful to have you come sit in my studio with me!
Number of blog posts:781
Some of you remember when I posted twice a week. When Steve retired four years ago, I slowed down to one post a week.
Number of floor looms: 5
Warped for Good started with one 120cm Glimåkra Standard Countermarch loom. I didn’t mean to end up with five floor looms. It just happened. (We’re not counting the band loom or rigid heddle looms.) A big thank you to my friend Joanne Hall who threw open the door to floor loom weaving when I first knocked on that door.
Nickname:Miss Weave-a-lot
This is husband’s nickname for me because I weave a lot. Steve gets my heartfelt thanks for encouraging me every day.
Number of months taken off:6
I have taken a pause for the month of July the past six years.
Number of missed posts (except for the July pauses): 0 (zero)
Thank you to Steve for making things for me. Thank you to my Warped for Good friends for every email you send me. I’m especially thrilled when you show me pictures of what you are weaving!
Number of delayed meals:Too many to count (according to Steve)
Needless to say, I am thankful to have married a very patient man.
Why the name Warped for Good? Warped for Good is a metaphor for living a purposeful life as a believer in Jesus. God is the Grand Weaver who warps the loom. My life is the warp. Jesus Christ is the good. The weft is the daily living that aligns with the Master’s plan. Interacting with people, making friends, and sharing interests are all part of that plan. I’m truly grateful to my Grand Weaver for all the friends I’ve gained through this humble home of Warped for Good.
May you mark your milestones.
IMPORTANT INFORMATION: Warped for Good emails are ending today. Please bookmark this site so you can come right here and enjoy this weaving journey with me. Think about setting a reminder for yourself to come and see what’s happening on these looms. See you soon!
Handwoven remnants (aka scraps) do not get thrown away. Every scrap is good for something. Some scraps are so unusual it takes an extra dose of creativity to find a use for them.
This remnant of blue wool fabric is something I wove a few years ago during my Big Book of Weaving adventure. This structure uses a weft-cord technique, which creates interesting ridges in the fabric. The original project is a simple handbag. The remaining fabric has been buried in a box of remnants. Until now.
I had a great idea to make a bench cushion for my Julia loom from this unusual remnant. Guess what? All those ridges are not so comfortable to sit on (fortunately, I tested it first). My next idea, though, is a success! The blue bumpy scrap makes a nice lumbar pillow, adding special comfort to the rocking chair that belonged to my great grandmother.
I call it Figs and Coffee, but the figs and the coffee are barely recognizable at this point. The image will make sense when it is complete. In the meantime, I am continually intrigued by the fascinating interplay of colors. You can expect me to keep adding to the tapestry until it is complete. It’s nice to not be in a hurry.
I don’t want to tell you how many different colors I have of wool yarn. Most of it is 6/2 Tuna and 6/1 Fårö, but I have a good collection of other wool yarns, too. If it’s wool, I include it in my tapestry weaving. I have all of it arranged according to a 5-step value scale.
If I combine the colors of wool just right, I can make the exact color I need for a tapestry detail. This is the challenge on which I thrive. There are never enough colors. Or, so it seems. The truth is, I have more than enough color options. Besides, for tapestry, the exact hue of a color is not nearly as important as the value of a color in relation to the colors around it.
The Most High God, Creator of heaven and earth, Creator of color, makes himself known. Take a look outside. Everywhere we look there is more color than we know how to express. So, in our humble attempts to make yarn butterflies in exact colors, we are showing that we are indeed made in our Creator’s image.