Tools Day: Loom Cart

Karen

Having a cart beside my loom is the next best thing to a loom-side assistant! A turquoise utility cart from IKEA sits beside my Glimåkra Ideal. An Elfa drawer system on casters is right beside the Glimåkra Standard, and keeps oft-used tools within arm’s reach.

The IKEA cart (Råskog Utility Cart) serves as a holding space for any project on the Ideal. Since this loom is not in the room where I keep my weaving supplies, it helps to have a rolling cart that holds items as needed. The three tiers hold tools and supplies for dressing the loom, like sley hook, extra Texsolv heddles, and treadle cords. While weaving, I keep extra shuttles and small tools on the top tier. All the weft thread or yarn for the project goes on the second or third tier. When I weave rag rugs, fabric strips that are sorted by design and/or color are piled up on the three tiers.

IKEA utility cart as loom-side assistant.
IKEA utility cart holds thread and wound quills while I try out weft colors on a new warp.

The Elfa cart enhances efficiency at the big loom. It houses frequently-used essentials, especially small tools and supplies needed to dress the loom. It is near my work table where I wind quills, so yarn for the current project goes in the deep bottom drawer. The woodblock top adds a nice touch that compliments the wood of my Swedish loom.

Elfa drawer system with casters for loom-side assistant.
Too many leftover quills from projects sit in the top drawer of the loom cart. Sley hooks, flat head pins, headlamp, pencils, tape, and other small tools and gadgets are in this top drawer.
Elfa drawer system as loom cart. Organized!
Second drawer has anchor pins and arrow pegs for Texsolv cord, box of choke ties, box of long treadle cords, box of short treadle cords. I found the little boxes at IKEA.
Loom room organization. Guide strings wrapped on empty tubes.
Guide strings for measuring warp are wrapped on empty thread tubes. This drawer also holds rolls of twill ribbon used for measuring weaving length at the loom.
Organization at the loom. Elfa cart solution.
Yarn in the bottom drawer is only a half step away from the winding station. All the cotton and wool weft for the current project is in this drawer, making it easy to grab what I need for winding more quills.

May your loom-side assistant serve you well.

Happy Weaving,
Karen

Weaving Slowly

Karen

After a solid hour of weaving, I have produced only two more inches (5 cm) of woven fabric. I am completely enthralled with the process, though, of this intriguing monksbelt weave. Some of the best things take the most time.

Monksbelt on the loom. Karen Isenhower
Walnut boat shuttle is an Ebay find. It appears to be an antique Swedish shuttle. I like the way it fits in my hand. The fabric measures 4 inches (10cm) from the beginning of the Rust and Brick section to the fell line.

I long to feel the completed cloth in my hands. This weft rep monksbelt is new to me. I honestly don’t know how the hand and drape of the final cloth will be. There is nothing I can do but wait. And, at two inches (5 cm) per hour, that’s a long wait. But I won’t give up. I have enough experience at the loom to know that this is going to be a treasured piece…if I don’t get impatient and cut it off early.

Monksbelt on the loom.

Monksbelt with 9 colors of Faro wool pattern weft. Karen Isenhower
Palette of nine wool pattern colors has been selected for this monksbelt project. Changing the ground weft and the pattern weft at differing intervals produces an active cloth, reminding me of musical counterpoint.
Monksbelt on the loom in the late afternoon.
Weaving in the late afternoon–a relaxing and satisfying experience. Temple awaits on the beater, to be re-positioned when the photo op is over.

Do you have a prayer waiting to be answered? Sometimes it takes a while. Does that mean that God didn’t hear, or that he doesn’t care? If we could see the invisible, I think we would see things being woven into place–at the right time, in the right way. Do not give up on God. Ask, seek, knock. And remember that our heavenly Father has good in mind for us.

May you rest in the wait.

Patiently,
Karen

Rosepath Mug Rugs

Karen

Even though I am pleased with the miniature rugs, this project taught me that I would rather weave large rag rugs than tiny ones. After three mini rosepath rag rugs, and now, a few small mug rugs, I am nearly finished. (See Rosepath Miniature and One Mini Rag Rug to see the mini rag rugs.)

Mug rug being woven with string yarn. Customized mini temple.
Mug rug is being woven using string yarn for the weft.

I have a new project I’m excited about. That’s all the motivation I need to get the current project off the loom. The thread for the new project will be here soon. A new warp is celebration time! It means more weaving. But the aim of weaving is always to make cloth. Whether tiny rugs or monksbelt yardage, everything I weave eventually gets cut off. And for a weaver, the cutting off is party time, too! That’s when we get to see and touch the results of our efforts.

Rosepath mug rug. Glimakra Ideal.
Rosepath mug rug, woven with fabric strips. White scrap header is removed during finishing.
Sampler effect, rosepath mug rug, woven with stringyarn.
Sampler effect is made by varying the rosepath treadling on this mug rug.

You and I are here for a purpose. Though not all the same, every person is significant. Heaven knows your name. And when your name is written in heaven’s book, it’s like a new warp, and all the angels have a party! The cutting off party will be grand, too, with Jesus being clearly pleased at the results of his handiwork.

May you make angels sing.

Happy cutting off,
Karen

One Color Too Many

Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton.
Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors.
One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower
Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen

Perfect Warp Tension?

Karen

Two fingers gently test the resistance of the threads, from the center of the warp, moving outwards to the right, and to the left. This is how I evaluate the warp tension. I don’t rush; and I give the effort all my attention. Weft rep, where the ground weft almost completely covers the warp, is especially susceptible to hills and valleys from uneven warp tension. After I have made several tension adjustments, I tie on the leveling string. Next is tying up lamms and treadles, and winding quills. Then, the joy of weaving this monksbelt begins!

Cotton warp with leveling string, getting ready to weave monksbelt!
Leveling string is in place across the beginning of the warp. Lamms, which can be seen below the warp, are tied up next. And then, the treadles are tied up. After that, weaving begins!

The ability to feel unevenness in warp tension is a learned practice. Being attentive is half the battle; and patience is the other half. Taking time on the front end reduces correction time after weaving has begun.

Sampling at the beginning of monksbelt project. 16/2 cotton and 6/1 Fårö wool.
Classic Swedish weave, monksbelt, is woven here with 6/1 Fårö wool for the pattern weft, over 16/2 cotton for the weft rep ground weave. Sampling has begun!

Skilled listening is a learned practice, too. Listening is more than hearing, isn’t it? Pay attention to how you listen. It matters. It takes a gentle touch to listen with a heart of understanding. When we listen with an unbending heart, we only hear what we want to hear. Patience on the front end results in fewer corrections later.

May you hear and be heard.

Gently,
Karen