I have a single skein of colorful cotton/bamboo sock yarn that a sweet friend gave to me. I’m not a knitter. What can I do with a mere 50 grams of silky-soft yarn? My 13.5” Glimåkra Emilia rigid-heddle loom is perfect for the task. When I’m at home I weave on floor looms. When I travel I like to take Emilia along.
This is called “Make Do” warping while away from home.Emilia is beamed and the heddle is threaded. Ready to tie on and start weaving.Now, a trip to visit some wonders of creation in Texas. Time to bring Emilia along. Weaving in “La Perlita,” our Casita Travel Trailer.Weaving outside the Casita in the shade of a tree is a relaxing way to spend the afternoon.Two shades of bamboo thread are used for the weft–hot pink and coral–woven in alternating blocks of color.Santa Elena Canyon in Big Bend National Park. Poppies in the foreground provide color inspiration for more weaving projects.Hemstitching at the end of the scarf, easiest to do while still on the loom.
One skein of this yarn yields just enough to make the warp for a short scarf with fringe. I am using Xie Bamboo thread for the weft, left from the huck lace shawl I wove for myself to wear to my daughter’s wedding six years ago (See Quiet Friday: Coral Shawl for a Memorable Occasion). This thinner weft gives me a loose weave, and the color blends in a way that allows the changing color of the warp to take center stage.
Back home again, doing the finishing. Fringe is trimmed to an even length.Trimmed.Twisting fringe. (For more on twisting fringe, see Tools Day: Fringe Twister.)Fringe twisted.Before hand washing.Scarf has been air dried, and the fringe knots have been trimmed. This soft short scarf is just right to wear with a light jacket in the Texas autumn air.
Now that this scarf is finished, the only thing left to do is make sure I have a new warp ready for Emilia in time for our next travel adventure.
Finish the finishing, please. I always have a pile of handwovens that need finishing. Don’t you? The finishing smorgasbord includes repairing skipped threads (unintentional floats), securing ends, fringe treatments, hemming, wet finishing, pressing, adding hanging tabs, embellishments, and more. You know you are finally finished when your handiwork is being used and enjoyed.
1. Twisted fringe on bamboo huck lace small tablecloth. This cloth covered an heirloom table, becoming the altar, at Melody’s wedding. (This short piece was at the end of the warp after weaving two shawls.) You can see the shawls HERE, and twisting the fringe HERE.
Twisted fringe gives an elegant finishing touch to this small huck lace table covering.
2. Added hanging tabs to handtowels. Installed Ikea rod with basket and hooks to hang handwoven handtowels in the powder room. (When you need tabs for towels, it helps to have a collection of inkle and band loombands.) You can see the most recent towels HERE – I kept one of the eight for myself; the rest became gifts.
Ikea basket and hooks hold assortment of handwoven towels for guests to use in the powder room.
3. Untangled the fringe of alpaca/tencel throw. (A wet finishing nightmare I don’t care to repeat.) You can see what it looked like before washing HERE.
Each strand of fringe was carefully separated one-by-one after leaving the alpaca/tencel throw in the washing machine a few minutes too long. Untangling took longer than tying the lattice fringe. Hours and hours.
4. Hand-stitched rolled hem on Swedish lace tablecloth. (I may use this as a curtain for my weaving studio window, hung on rings with clips, on a rod.) HERE are the long curtain panels that hang on windows in my home.
Swedish lace panel can be used as a tablecloth, or a curtain, or even a light, summery shawl. The hand-stitched rolled hem gives a delicate touch to this elegant piece.
Swedish lace is shown to its best advantage when light is allowed to shine through the cloth. The pressed rolled hem adds a classy touch.
5. Hemmed small sample piece to carry around with me when I have a cup of coffee. (I grab this re-usable “scrap” instead of a paper napkin or paper towel. It also doubles as a coaster wherever I happen to sit down.) The original M’s and O’s towels are HERE; and HERE you can see what I mean about carrying my coffee cup around with me.
Scrap of handwoven fabric, from a cottolin warp of handtowels, follows my favorite coffee cup around.
6. Replaced nylon cord on handwoven Roman shades with a cord I wove on my band loom. (The “temporary” nylon cord stayed more than a year. We now enjoy seeing this on our kitchen door every day, finally fully finished.) The only place I have a picture of the original nylon cord, and of the fabric on the loom for the Roman shades is in my Projects on Weavolution HERE. (I’m not sure if you can see it without logging in to the site.)
Linen and cotton threads that match the handwoven Roman shades were used to weave the pull cord. Cord woven on Glimakra two-treadle band loom.
Handwoven Roman shades finally have a matching pull cord. When the shades are lowered at night, the two-block twill structure is seen covering the whole kitchen door window. Woven on 8-shaft Glimakra Standard loom.
Opening the shades to start the day and welcome you. Please come in!
May you reduce your finishing pile (I know you have one).
Our Melody was princess of the day. You could see the white chairs from a distance that told the world, “Wedding!” It was a romantic outdoor setting, under a canopy of majestic old oak trees, appropriate for wedding vows spoken with lifetime integrity. Lights in the trees, mason jars with flowers, and popsicles brought whimsy and laughter to the celebration. (There was an evening breeze that made the air surprisingly cool. I was thankful for the warmth of my handwoven huck lace bamboo shawl.) Everything beckoned guests to come closer. And if you were close enough, you could smell the fragrance of the purple larkspur in Melody’s bridal bouquet!
Melody’s bridal bouquet in her grandmother’s Fostoria vase, rests on my handwoven bound rosepath piece that is laying on the hope chest built by her father. Melody’s memorable wedding dress completes the scene.
Our heavenly Father is like that, beckoning us to come take a closer look. Close enough to enjoy warmth in the breeze, smell the flowers, and wonder at the mystery of true love.
Bride and Mom sharing laughter and smiles just before the wedding!
May you come close enough to enjoy the details prepared for you.
A hemstitched edge deserves twisted fringe. You have to overlook the amount of time it takes to put this finishing touch on your handwoven articles (often as much, or more, time than it took to weave the cloth in the first place). You do it because you care about the end result. The hemstitching and fringe are the mat and frame for your work of art. Begin well and finish well.
Step 1: (First, with fabric not yet washed and dried, cut all fringe strands on both ends of article to an equal and even length.) A pair of two-pound walking weights holds the fabric in place for tying knots. This fringe twister tool has a long handle and four little alligator clips.
Step 2: Tie an overhand knot a fingertip-length away from the end, securing four ends together. (Other projects may have more than four ends grouped together.) This extra step holds the secret to clean cut fringe ends (see step 7).
Step 3: Let each little alligator grab a knot in it’s teeth, four in a row. Crank the handle around until the twisted threads begin to kink back on themselves. Count the number of turns of the handle and repeat that same number of turns for each grouping.
Step 4: Grab the strands from the first two alligators’ mouths, being careful not to let the strands unwind. Combine the two thread groups and tie an overhand knot a fingertip-width away from the first knots.
Step 5: After the knot is tied, let the strands unwind in your hand, keeping them from tangling with neighboring threads. Snug the knot by holding the knot and pulling on the two smaller knots, one at a time.
Step 6: Wet finish the fabric by a method suitable for the type of thread or yarn being used. Air dry completely, or other suitable method for drying. While still damp, separate and straighten each twisted fringe.
Step 7: First set of knots are cut off, removing the frayed ends, and leaving clean cut ends.
Step 8: Wear your lovingly handmade creation to a very special occasion, such as to your daughter’s wedding.
This is a lesson for raising children and letting them go, too. You weave for years, give time-consuming attention to the finishing touches while they are in your hands, and then you let them go. Wedding in four days!
Have you ever experienced a chain of events, where the dominos start falling, and you just try to keep up? That is the story of this shawl. My daughter got engaged, so I bought a dress to wear at her wedding. The dress is sleeveless, so I wanted a shawl to wear over my shoulders. Not knowing where to find a matching shawl, I decided to weave one. To weave a shawl, I had to finish weaving these towels that were on the loom, plan the draft for a shawl, and order thread.
New 10/2 bamboo thread samples added to my thread/yarn record book.
The excitement of dressing the loom, trying out weft color options, weaving the delicate huck lace pattern, twisting fringe, wet finishing the cloth, and waiting for the wet cloth to dry, is all intensified because of the meaning of the event where I will wear the shawl. The shawl, itself, is a minor player that will serve best if it is not even noticed. The attention will be on Melody and Eddie as they pledge their love and faithfulness to each other, embracing companionship for a lifetime. Three weeks to go!
Reed is sleyed with two ends per dent in a 12 dent reed, which means the sett is 24 ends per inch.
Every thread stands at attention, each in their proper place. Let the weaving begin!
Trying out the weft colors in the late afternoon on the dark coral warp. First, coral weft; and then, hot pink weft.
Pink coral shawl was woven first. The hot pink huck lace weft floats are on the back side of the cloth, visible as the cloth angles toward the knee beam.
Hemstitching at the beginning of the coral shawl. Notice the subtle border treatment that starts with plain weave and three closer rows of huck lace before the body of the shawl.
Twisting groups of warp ends together to create twisted fringe that embellishes the ends of the shawl.
There is nothing that makes me more nervous than wet finishing. A mistake at this point can ruin the handwoven masterpiece. For this reason, I first wet finished the sample piece, and then the pink coral shawl. Now, I am confident about throwing the coral shawl into the washing machine with a half-capful of no rinse delicate wash concentrate.
After gently rolling the wet cloth in towels to remove excess water, I lay it out smoothly on my longest countertop, and leave it to dry overnight.
After the cloth is fully dry, knots at the ends of the twisted fringe are trimmed off, removing frayed ends and leaving clean-cut ends.
