Two Threads Are Better than One

Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.

Winding a linen warp. Always 2 threads together.
Choke ties secure the warp bout around the starting pin on the warping reel.
Smooth warping tip: Always wind a warp with at least two threads at a time.
I hold two threads in my right hand, with my little finger separating them, to wind the warp. My left hand turns the warping reel. I purchase enough thread to be able to wind with two tubes at a time. Any thread that remains unused goes toward another project.

I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaft satin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.

One of my weaving spaces.
Various stages of weaving. Winding 16/2 unbleached line linen to warp the Standard loom. The Baby Loom (Glimåkra Ideal) in the background is in the middle of rag-rug weaving.
Ten shafts for dräll in five-shaft satin.
Ten shafts in place on the Big Loom (Glimåkra Standard) to prepare the loom for weaving dräll in five-shaft satin.

There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?

May you keep the end in mind.

Yours,
Karen

Quiet Friday: Day at the Drawloom

There is a unique and special weaving place I have been privileged to enjoy on a few occasions. Homestead Fiber Crafts in Waco, Texas. You can immerse yourself in weaving there, in a setting that is entirely peaceful and pleasant. A rare find. And the people there are an important part of the treasure. Plus, tea and fresh biscotti from the bakery. And sometimes, homemade chocolate chip cookies, too.

(Don’t miss my little slideshow at the end of this post. Watch all the way to the end to see my favorite side of the finished piece.)

Last year, I heard about Fiber Crafts’ Weaving Extravaganza, where looms are dressed for various projects and you can reserve a loom for the day (or half day). And their big, beautiful drawloom was included. Sign me up! I wove a towel with chicks and “EGGS.” Sure, there are some pattern mistakes. But that doesn’t detract from the enjoyment of this learning experience.

Drawloom weaving.
Last year’s drawloom piece.

Now, this week I am at the drawloom again, relishing every moment. A black warp sets the stage for elegance, and I choose a poinsettia pattern that has been drawn on a piece of graph paper. Red and blue linen weft become brilliant in the black warp. I learn how easy it is to make an error in the pattern. And how hard it is to undo an error. But skill comes with practice. Finally, on my fifth (and sixth, and seventh) row of poinsettias, I complete the pattern without errors. And, the pattern mistakes on those first four rows only serve to prove the adage, “Practice makes perfect.”

Here’s a short Instagram clip of the sights and sounds of sitting at the drawloom in a room with other active weaving looms.

Myrehed combination drawloom frame
Myrehed combination drawloom frame.
Glimakra Julia loom. Drawloom towels hanging on wall. Homestead in Waco.
Other drawloom towel examples hang on the wall beside my friend Elisabeth. She is weaving a beautiful cotton waffle weave towel on a Glimåkra Julia loom.

May you expand your experience.

Happy weaving,
Karen

Dots of Sunshine at the Selvedges

This double-weave cotton baby blanket has sunshine yellow for the bottom layer, and aquamarine for the upper layer. The selvedges are delightfully dotted with specks of the sunshine yellow as the two wefts interlock at the sides.

Double weave cotton baby blanket on the loom.
Second baby blanket on this warp. First blanket used aquamarine weft for the bottom layer. This blanket has aquamarine weft for the top layer.

Weaving with two shuttles always requires extra attention to know which shuttle goes where. And with double weave, especially, I need to know where to set a shuttle down, which shuttle goes across first, which thread goes over or under the other thread, etc. Consistency matters because the proper arrangement of weft threads at the selvedge will appropriately “stitch” the two layers closed. And the final result here is a cohesive baby blanket with decorative edges. Besides looking pretty, the carefully-placed weft threads hold the edges together.

Cotton double weave baby blankets on the loom.
View of cloth under the breast beam reveals the bottom layer of this two-layer cloth.
Sunshine yellow weft thread decorates the selvedge.
Sunshine yellow weft thread creates a decorative stitch at the selvedge.

Love is like that, too. Love holds people together. It stitches our loose edges into a cohesive fabric. It makes us into something that can work together instead of going our own way as separate pieces. Love from you refreshes the hearts of others and puts a delightful decorative edge on all your relationships.

May all those who encounter you know what it is like to be loved.

Love,
Karen

Make Magical Fabric

Another magical experience at the loom! Double weave lets you weave two separate layers of fabric simultaneously. And then, the top and bottom layers can switch places in defined blocks. I don’t know who thought this up, but they were brilliant!

Double weave cotton baby blanket on the loom.
Cotton baby blanket for a dear friend’s first grandchild. This friend is amazed at the weaving process, and says that this woven fabric looks calming. Careful arrangement of the two shuttles ensures that the double-weave selvedges are woven closed.

The hard part was tying up the treadles. For a countermarch, working with eight shafts requires a more delicate balance under the loom. For a while, I was concerned that I might not get more than two decent sheds on this. But after several adjustments, I finally got a great shed with every treadle! Someone who looks at the final cloth will never know the effort that took place behind the scenes. But they may wonder at the amazement of handwoven cloth. Or not. (You’ve probably met someone who is not duly impressed with handwoven goods.)

Double weave baby blanket on the loom.
Long stripes in the middle of the baby blanket. I added dashed lines at the ends of the stripes for added detail interest.
Double weave cotton baby blanket on the loom.
Beginning sample reaches the cloth beam. Sample area at the beginning of the warp was used to test weft colors and to practice getting the appropriate weft density.

What do we see as ordinary that, truth be known, is full of wonder? One person may interpret an unusual event as an amazing sign from God. Another person experiences the same event and considers it nothing more than happenstance. If I say I won’t believe until I see evidence, I will never find evidence that satisfies me …even if I come face-to-face with a miracle. Keep the wonder. When you see handwoven cloth, let the work of the Maker’s hands bring wonder and awe. And know there are significant hidden details that are beyond our grasp.

May your fabrics be magical.

Happy weaving,
Karen

Quiet Friday: Painting with Yarn and Animated Images

I have often wished I had the skill of artistic drawing. How wonderful it would be to portray a slice of creation using pencil lines, or pastels, or with watercolors and a paintbrush. Instead, though, I’ve been delighted to find that I can “draw” and “paint” with threads and yarn. By capturing a slice of creation through my iPhone camera lens, the hard part has already been done. All I have to do is translate the photo into a woven image. And what a joy that is!

Here is a glimpse of my process of weaving the Texas hill country Cactus and Bluebonnets transparencies.

(Don’t miss the amazing animated images at the end of this post that my son, Daniel, made of these woven transparency projects!)

Yarn for a woven transparency.

Planning a woven transparency.

Beginning cactus woven transparency.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Cactus woven transparency just off the loom!

Woven transparency cactus. Karen Isenhower

Planning a woven transparency.

Beginning bluebonnets in a woven transparency.

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Bluebonnets woven transparency just off the loom!

Woven transparency bluebonnets. Karen Isenhower

Bluebonnets photo morph to woven transparency.

May you find joy in what you’ve been given to do.

Happy Weaving,
Karen