Dressing the drawloom the second time is easier than the first time. No slip ups or confusion. Just smoothly moving from one step to the next. (Read to the end to see what to expect for July.)
Winding skeins of wool yarn into balls.
With my first drawloom warp the most challenging part was distributing the pattern shafts. (See Q and A with Joanne Hall and Drawloom Dressing.) This time something clicked and the light bulb turned on. Instead of blindly following steps, I now understand what I am doing, and why. And I am having fun in the process!
Winding the warp on the warping reel, making two bouts.Warp chains of 6/2 Tuna wool, ready to dress the loom.After beaming the warp, the loom bench is moved to the back of the loom for threadingheddles. Pattern heddles first, and then, ground heddles.With the reedsleyed, it’s time to return the ground shafts to the front of the loom and put the reed in the beater.Warp is tied on, and the leveling string is doing its job.Inkle band serves to separate pattern heddles as I distribute the pattern shafts.Pattern shafts are resting nicely on the pattern shaft holders. Their little hooks grab the Texsolv that connects them to the draw cords and handles.Pointed threading can be seen in the arrangement of the heddles on the pattern shafts.Drawloom setup is complete except for tying up the treadles. Treadle tie-ups on a drawloom are refreshingly simple.Testing pattern sheds by pulling some of the draw handles. After a few small adjustments, she’s ready to weave!First sample. 6/2 Tuna wool warp and weft, 4-shaft broken twill on the ground shafts, sett is 5.5 ends per cm, 16 pattern shafts with 1 extra shaft for the edges.
Friends, It’s that time again, when Warped for Good is put on pause for the month of July.
Thank you for sharing in this journey with me!
What’s on my looms: I am near the end of the blue double weave blanket on the Standard, and I am planning a new pictorial tapestry for that loom. The drawloom is dressed and in motion. And the Ideal loom is still sitting ready for rosepath rag rugs. Also, Steve and I have a Casita trip planned that will include some leisurely backstrap band weaving.
What’s on your loom right now? Share with us in the comments.
See you the first Tuesday of August! (In the meantime catch me over on Instagram @celloweaver.)
May your second times be better than your first times.
You will be happy to hear that my drawloom is all dressed and set up. And it works! Every glide of the shuttle reveals exceptional magic in the cloth. Even better than I had hoped.
Pattern heddles are long, with a normal 1/2-inch eye. Breast beam is used for sorting pattern heddles into units and then adding a 2-lb weight (lingo) to each unit. In this case, four heddles make one unit.Inkleband from my “band stash” helps me separate pattern units that will be placed onto a pattern shaft.
I had a few nervous moments while dressing this expansive loom, struggling with the pattern shafts. I learned the hard way that attempting a shortcut can mean taking much longer to complete the task. But, in the end, everything straightened out. Whew!
Oops. I successfully distributed pattern units onto one pattern shaft, moving it onto the pattern shaft holders. So, I thought, Why not do two shafts at a time? Uh oh. Not a wise move for a beginner like me.Ten pattern shafts, plus one extra shaft for selvedge threads. After fixing my little mishap, I took my time to finish transferring pattern units to the pattern shafts.Drawloom’s first project is mostly practice and samplers. This pattern is taken from Learn Damask in a Day, by Tina Ignell in VävMagasinet, January, 2011, pgs. 40-41.Eight-pointed star is seen often in traditional patterns. This eight-pointed star with diamonds is found in Drawloom Weaving, by Joanne Hall, p. 12. I created the border design at the loom.Light catches the warp threads in the 4-shaft broken twill as the cloth goes around the breast beam.
May your struggles turn into triumphs.
Your friend, Karen
~What are your questions? Joanne has answers~
Janet, who is interested in drawloom weaving, asks these questions. Joanne Hall provides the answers.
Q: I am trying to determine where to put a drawloom. How much floor space does a drawloom take? And how much additional area will I need around the loom?
A: These are good questions. Many weavers think about these things when they become interested in getting a drawloom.
Glimåkra 120cm Standard, with Myrehed drawloom. Photo from Drawloom Weaving, by Joanne Hall.
Width – For either the 100cm, 39.5-inch Ideal or the 100cm Standard, the width of the loom is 4 1/2 feet. Part of this is the ratchet wheel that sticks out 5 inches from the loom frame. The 120cm, 47-inch loom would be 8 inches wider.
Length with the loom extension – Without considering space for the bench, the depth is 7 1/2 feet. The Ideal loom will have the same depth as the Standard loom. The Standard loom can be set out another 1 1/2 feet further, which may be nice if one wants to have 50 pattern shafts.
One occasionally needs to stand on the left side of the loom during warping. You need to stand at the back of the loom and walk along the right side the loom to move the ratchet wheels. When beaming the warp, it is good to have two or three feet of space either at the front or the back of the loom. During warping, you will need space at one side of the loom to move the pattern shafts and warping sticks in and out of the loom.
So, you need about 6 – 7 feet by 12 feet, but some get by with a few inches less.
Q: Can any Ideal or Standard loom be converted to a drawloom? What are the “must haves” to look for in a used loom that will be set up as a drawloom?
Joanne Hall at the 100cm Ideal loom with single unit drawloom. (The drawloom extension is no longer made for the Ideal loom.) Photo from Drawloom Weaving, by Joanne Hall.
A: I frequently hear from weavers who send me photos of a loom and drawloom that they have found online. They want to know if $3800 is a good price for it. Often it is 40 years old and is being sold by the grandson, who cannot answer your questions.
If you are hoping to save a little by finding a used loom, it is best to purchase a used Glimakra Standard loom of any width and any age and then purchase the drawloom new. That way, you can get help when you need it. Plus, the Myrehed drawlooms have advantages over the older-style drawlooms.
I love my Myrehed drawlooms and once you try it, you will find that it is not so mysterious, but instead, a lot of fun to weave on.
Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.
View from Hall Lane, in front of Joanne and Ed’s home.
Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.Single unit drawloom in Joanne Hall’s weaving studio.Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.Pulled pattern shaft handles are secured in the hook bar.Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!
Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.
Deb separates pattern heddles that will be placed on the next pattern shaft.After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.One weight hangs on the long heddles of each six-thread pattern unit.In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!
Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.
Wool shaft drawloom sampler, at home now in my drawloom studio.Reverse side of wool sampler was face up on the loom.Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.Draw cords and handles are in place. Forty more will be added soon.Shaft drawloom is ready. Single unit drawloom parts will be added later. Please excuse me now while I go wind a warp!
May your imperfections be greeted with grace.
Love and grace, Karen
~What are your questions? Joanne has answers~
Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.
