sample – Page 7 – Warped for Good

Wavy Twill Rythym

October 21, 2016October 20, 2016 Karen

I’m happy when I find my weaving rhythm, and I’m almost there with this scarf. This alpaca yarn is a weaver’s dream. No warp ends are breaking, and the weft compliantly scoots into place. That means I can put most of my attention on other details.

All those "oops" as I learn the treadling at the beginning of the warp. — Getting the kinks out at the start of the warp. 1-2-3-4-5-6-7-8; 1-3-5-7; 2-4-6-8. I always plan enough warp to be able to practice first. I have plenty of “oops” in the first few inches.

This wavy 8-shaft twill has straight twill threading, which means the pattern is in the treadling. It’s not difficult treadling…once you get the hang of it. But, as usual, it takes practice. It is tricky to find and correct errors because of the subtle curve in the pattern. The more practice I get, the smoother the weaving goes, and the fewer errors I make. There is no shortcut to the kind of confidence that comes from attentive practice.

Alpaca scarf, weaving in the afternoon sun. — Weaving in the afternoon sun. Whimsically weaving a bit of sunlight into the cloth.

Alpaca scarf on the loom. 8-shaft wavy twill. — When weaving rhythm takes off, quality improves, as does weaving enjoyment.

Did you know you are gifted? There are skills and insights that come easier for you than for other people. The gifts that God put in you, that are in your DNA, set you apart. Practice them to gain confidence. Put your attention on using your gifts. You may be surprised how much your gifts bless others. Finding your rhythm is worth the effort it takes. (And, on the subject of DNA, here’s an interesting perspective from Sarah H. Jackson, Textile Artist.)

May you unwrap your gifts.

With you,
Karen

Quiet Friday: Eight-Shaft Block Twill Rugs and More

September 23, 2016September 20, 2016 Karen

The sample piece, a long rug and a short rug with string yarn, and a short rag rug. I look on these results with fondness. A challenge and a joy to weave! The two string yarn rugs will have bound hems when I get a chance to do that. I have world map fabric for the hems. The sample piece and the rag rug piece are destined to become cute bags. I have all the supplies–band loom-woven strap, and yarn to make a band loom-woven strap, lining material, and a handwoven remnant to use as inside pockets. Now, all I need is time. And we all have as much as we need of that.

In case you needed a smile today! — In case you needed a smile today. Our dear Lucia Annabella.

May you have all the time you need.

All the best to you, my dear friends,
Karen

Bright Blue Batik Rag Rug

June 28, 2016June 27, 2016 Karen

I had planned on a dark brown hem, but when I wove my sample, the brown print by itself didn’t “say” anything. I considered a blue hem. The blue batik is beautiful, but by itself is too “loud.” By alternating the bright blue and the dark brown I get the results I want for the plain weave hem of this double binding rag rug.

Beginning of rag rug using beautiful blue batik fabric. — Header at the beginning of the rag rug is woven with warp yarn. The white prints on the dark brown fabric strips happen to line up with each other, giving an ikat-like effect in the weft.

The blue batik fabric plays a major part in this rug. When I start the double binding, you will see the blue in all its splendor. The hem is a border, though. The hem is an introduction and closing to the body of the rug, like a greeting and farewell of a conversation. The quiet brown enhances the bright blue by giving it the subtlety it needs for the hem.

Wisdom is strong and beautiful like this bright blue batik. And quietness, like the dark brown print, compliments the wisdom. Silence is wisdom’s friend. Restraint in speaking gives you the advantage of knowing someone else’s view. Staying cool-headed helps you to understand another person’s position. It’s in the quietness that wisdom has the most to say.

May your silence give meaning to your words.

Quietly,
Karen

Shuttle Catching

May 24, 2016May 23, 2016 Karen

I am already a quarter of the way on this baby wrap. Simple plain weave with one shuttle is fast and uncomplicated, making this the perfect setting to improve weaving technique. Surely, I can gain efficiency by examining some of my practices.

First quarter woven on baby wrap. — Twill tape has marks that show 1/4, Mid (1/2), and 3/4 of the length of woven baby wrap. The first quarter used about seven full quills of light blue weft.

Under scrutiny, I see that I am not consistent in how I catch the shuttle. It makes a difference where I make contact with the shuttle as it glides into my hand. I often have to reposition the shuttle in my hand to prepare it for the return throw. That’s not very efficient. Solution? Look at the hand that is catching the shuttle. All I have to do is turn my head to look, and the hand does the job. It’s amazing how that works. It pays to pay attention.

Beginning sample comes around the cloth beam. Baby wrap. — Beginning sample meets the cloth beam. View is from the front of the loom, looking under the breast beam.

Following Jesus can be compared to finding a breakthrough in weaving technique. It’s more than just meeting him, and trying to go the right way. That is weaving by habit, doing it like I’ve always done it. Jesus gives all to those who give him all. Breakthrough comes when I give up my habits to find a better way–his way.

He is no fool who gives what he cannot keep to gain what he cannot lose.

– Jim Elliot

May your eyes help your hands.

With love,
Karen

One Color Too Many

April 1, 2016March 31, 2016 Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton. — Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors. — One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower — Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen