Tag: weaving hacks

Tools Day: Cartoon Support

Karen

Alignment, security, and visibility are the main things I think about in regard to attaching and supporting the cartoon. In order to weave a tapestry this size, or any size for that matter, you need a good way to manage the cartoon. My cartoon is drawn onto a thin Pellon product (Pellon 830 Easy Pattern, 45″ wide) that is meant for pattern making. This material is easy to pin, doesn’t tear, and only barely wrinkles.

Alignment
Align center of cartoon to center of warp.

A blue dashed line from top to bottom of the cartoon marks the center. I also have a pencil mark on the exact center of my beater. When the blue line on the cartoon is perfectly aligned with the center warp end, as seen from the mark on the beater, I know my cartoon is in the correct position.

Beginning a new tapestry.
Pencil mark on the beater is above the center warp end.

Security

  • Pin the cartoon in two places on each side of the woven tapestry.
    This warp is too wide for me to reach all the way to pin the cartoon in the center. So, on both sides of the weaving I place one flathead pin near the selvedge, and another one as far as I can comfortably reach toward the center. I move the pins forward each time I am ready to advance the warp.
Beginning a new four-shaft tapestry.
Two flat-head pins hold the cartoon under the tapestry weaving on the right-hand side.
  • Hang a support slat under the cartoon.
    I learned this from The Big Book of Weaving, by Laila Lundell, p. 239, 2008 edition. I used this method previously for a rag rug that had a cartoon for a large inlay pattern. It also works well for holding the cartoon for a woven transparency.
Positioning a cartoon under the warp.
Seine twine loop with rubber band hangs from beater cradle. Slat holds cartoon up against the warp.

Supplies: 12/6 cotton seine twine, 2 rubber bands, long warping slat

1 Make a loop with the seine twine to hang from the beater cradle to just below the warp, with a rubber band on the loop.

2 Tie the ends of the loop with a bow knot or a weaver’s tie-up knot (this useful knot is described in How to Warp Your Loom, by Joanne Hall, p. 39).

Cartoon management for tapestry.
Top of loop tied in a bow knot.
Weaver's tie-up knot helps hold the tapestry cartoon.
Weaver’s tie-up knot is perfect for this application, since it is quick and easy to undo and re-tie if repositioning is needed.

3 Make another loop the same way, with rubber band, and hang it on the other beater cradle.

4 Place the warping slat in the hanging rubber bands, underneath the cartoon.

5 Adjust the length of the loops so that the slat lightly presses up on the cartoon and the warp.

One way to manage a tapestry cartoon.
Rubber band gives flexibility to the seine twine loop that is holding up the cartoon.
  • Pin the rolled-up cartoon underneath.
    I roll up the Pellon cartoon under the warp and pin it once on each side. As the warp and cartoon advance I can reposition the pin as needed.
Cartoon management for tapestry.
Under the warp, the cartoon is loosely rolled up and pinned.
  • Move the slat toward the breast beam, out of the way, to beat in the weft.
    Because of the rubber bands, the slat support has flexibility and does not impede the movement of the beater.

Visibility
Move the slat near to the fell line.

With the slat under or near the fell line, it presses the cartoon up to the warp. By doing this, I can easily see what comes next as the tapestry weaving develops row by row.

Managing a cartoon for tapestry weaving.
Placing the slat under the fell of the weaving raises the cartoon to visibility where it is needed most.

I wait for my ordered yarn to arrive. Meanwhile, I dream of this tapestry becoming a reality as cartoon meets wool.

May you have the alignment, security, and visibility you need.

All the best,
Karen

Tools Day: Measure Once

Karen

It occurs to me that I am unnecessarily doing something the hard way. Repeatedly. For every new project, I pull out my tape measure to find the right set of lease sticks. The tape measure also helps me select the temple needed for the current weaving width. No more! I do like my tape measure, but why am I measuring these things every time? Why not measure them once and label them?

Solution

  • Measure the lease sticks and write the length in centimeters and in inches on one stick of each pair, in pencil.
  • Use a wood burner to trace the pencil markings. (My husband Steve does this part for me.)
Weaving tip: Measurements on lease sticks.
Wood burner is used to write the length measurement on the end of a lease stick. Centimeters and inches are indicated because I use metric or imperial units, depending on the project.
  • Thread a cord through one end of each pair of lease sticks, to keep pairs together. Hang the lease stick pairs with the measurements clearly visible.
Weaving tip: Measured lease sticks paired together for hanging.
Looped cord is threaded through the lease stick holes to provide an easy way to hang pairs together.
Paired lease sticks, ready for hanging.
Paired lease sticks, ready for hanging.
Lease sticks hanging in the weaving studio.
Pairs of lease sticks hang beside my worktable in my weaving room. My ol’ Beka rigid heddle loom on the wall happens to provide just the right little hanging post for the measured lease sticks.
  • Look up the temple sizes on a website that sells them, and write the size range in centimeters and in inches on each temple, in pencil.
  • Use a wood burner to trace the pencil markings. (Steve, again.)
Weaving tip: Measure the temples.
Range of temple widths is important information when I’m choosing a temple. Weaving width of a project must fit in that range.
  • Store the temples in a manner in which the marked measurements are easily seen.
Weaving tip: Find the right temple size the first try!
No more trying different temples to find one that fits. Now I can look at the markings and select the correct temple the first time.

Now I have permanent at-a-glance measurements for each of these frequently-used tools!

May you find something to simplify.

Happy weaving,
Karen

Heddle Shortage

Karen

I am well into threading when I realize I neglected to take into account how many heddles I need for this project! I don’t have 2,064 even if I grab all of the heddles from the other loom. This double weave throw project is at a dead end until more heddles appear. I hurriedly place an order for more heddles…

Threading heddles for double weave.
This Glimåkra Standard is one of three looms that share my supply of Texsolv heddles.

Thankfully, the new heddles arrive quickly and the project is alive again.

This is what 1,000 Texsolv heddles looks like!
This is what 1,000 Texsolv heddles looks like! I didn’t want to run out again any time soon.
New Texsolv heddles - 1,000 of them!
Heddles come in bundles of 100, held together with twist ties. WARNING: DO NOT undo the twist ties before you put the heddles on the shaft bars. You’ll be sorry…
Clipping loops on new Texsolv heddles.
Before putting the heddles on the shaft bars, and while they are still tied into bundles, clip the loops at each end.
Clipping Texsolv heddle loops.
I clip the loops on both ends of the heddles. It is easy to move heddles wherever you want if the loops are cut, including repositioning individual heddles. (It is far easier to clip the loops while the heddles are still tied together.)
New heddles on the shaft bars.
There are 100 new heddles on each shaft. The heddles that are not used will be tied up and put away in my heddle box, ready for the next time I need more heddles.

Alive. This is the Easter season when we celebrate the resurrection of Jesus Christ. He died, and was made alive again! What makes it even more fantastic is what that means for us. We all have a goodness shortage. And without a source of true goodness, our lifetime self-improvement project is at a dead end. Yet, through faith in the powerful working of God, we are raised with Christ. We are made alive together with him. His true goodness becomes our living source.

New bundles of Texsolv heddles stand ready to be used!
Threading progresses. New bundles of heddles stand ready to be used!

May you be supplied with more than enough.

Happy Easter,
Karen

Halfway Milestone

Karen

Halfway is a milestone when you are threading 2,064 ends. This double weave in two blocks has threading such that I can listen to podcasts without losing my place. It’s a long stretch to the halfway point.

Threading heddles, from right to left.
Threading heddles, going from right to left.

Before threading, I find the center of the warp and the group of ends that are just past center. I drape those ends on the back beam to mark the spot.

Threading 2064 ends. Halfway point is identified.
Center of the warp is identified. The ends just left of center mark the spot.
Threading heddles in my "playhouse" in the loom.
Sitting in my playhouse to thread the heddles. No hurry.

I’m excited to reach halfway in the threading! It’s a turning point. Now, while they are readily accessible, I position all of the shaft-to-lamm cords to hang down, right at the center of the warp where they belong.

Halfway finished threading heddles! Only 1,032 to go. :)
Half of the threading work is done! Only 1,032 ends to go. 🙂
Cords aligned at the center of the warp.
Center of the warp. Good time to align the cords that go from the lower shaft bars to the upper lamms.
Threading heddles for double weave on a Glimakra Standard loom.
Threading for the double weave throw continues, a few minutes here, an hour there, until all the ends are in heddles.

Have you ever reached a turning point in life, and knew it was time to position things? We try to be good and loving. But we’re never as good as we think. And we end up loving only the people we want to love. We have been separated from God. Our misdeeds push us away from him. Easter is resurrection, but before that is the cross of Christ. God so loved us that he closed the separation between us and him with the cross. That’s the turning point he offers to us, to set things right. Our part is to believe.

May you look forward to the second half.

With you,
Karen

Transferring Warp Ends Takes Courage

Karen

There are four pairs of overlapping warp chains, with stripes to line up. I created a mess. A few options to consider: 1. Give up. 2. Weave it as is, destroying the design. 3. Use two sets of lease sticks, and expect problems with threading (2,064 ends). 4. Transfer all ends to a single set of lease sticks, arranging threads in order for each stripe.

Eight warp chains...to correct a huge winding error.
Each of four warp chains were duplicated when I realized I had wound only half the correct number of ends in each chain.

Option 4 seems the riskiest. If I lose the cross while transferring threads, I have an even bigger mess. It’s all or nothing. Go for it! Fortunately, my apprentice, Juliana, arrives in the nick of time to give me a hand.

Transferring color stripes to one set of lease sticks.
Lease cross is tied separately for each color “partial” stripe.
Transferring two warp chains to a single set of lease sticks.
Stripes from the two warp chains are transferred to a single set of lease sticks. Now the stripe colors are at their full correct width.
Preparing to transfer warp ends.
For the four center warp chains, each section of color is separated and tied at the cross. It takes an extra set of hands to transfer them in order to the primary set of lease sticks.
Delicate transfer of warp ends accomplished!
All warp ends are now successfully transferred to a single set of lease sticks. Let the loom dressing begin!

It worked! All the threads are successfully transferred to one pair of lease sticks. What a relief! I can beam the warp knowing that all is well. A beautiful double weave throw is imminent.

Pre-sleying the reed at the loom.
Warp is pre-sleyed at the loom. So far, so good.
Double weave warp ready to beam!
Ready to beam! Looking forward to this dressing and weaving experience.

We all have made a mess of our lives, and we know it. We hear of options to fix things, but one seems the riskiest: Transfer everything to God. But what if I mess that up, too? There’s good news. God transfers us. When we place our trust in Jesus Christ, God transfers us from our messy state to his good order. And the result is a weaving that showcases his workmanship—a beautiful you.

May you take a worthy risk.

With you,
Karen