Category: bands

Critter Napkins Change of Outcome

Karen

Twelve different critters, designed and woven with checked borders. This is combination drawloom weaving at its best, to create fun napkins that our grandchildren will enjoy using. However, as I unroll the length of 6-shaft broken twill fabric from the drawloom’s cloth beam–critter after critter, a new idea emerges. I’ve been weaving these critter napkins for quite some time, and have never considered another use for these woven animals–all of which have been seen on our Texas Hill Country property at one time or another.

Time for cutting off!
As the critters roll off the cloth beam, a new idea starts rolling off my mind.

Then, as I lay the fabric out across the floor, the fresh idea crystallizes. This would make a spectacular throw!

Armadillo, Fox, Porcupine, Jackrabbit, Whitetail Buck, Wild Turkey, Roadrunner, Longhorn Steer, Texas Spiny Lizard, Ringtail, Raccoon, and Blackbuck Antelope. And then as extra, three dogs from our children’s families – Luna, Toby, and Comet.

Just like that, and the critter napkins go out the window (figuratively speaking). Now I am imagining three panels of four critters each, sewn together into one large piece.

Laying out the washed and dried panels in different configurations to find the most pleasing arrangement.
Three panels of different lengths are arranged strategically. Sample weaving from the beginning and end of the warp will fill in the spaces at the top and bottom of the shorter panels. I am trying to find a woven band (at far end of table) from my “band box” to use for covering seams of the pieced ends.

Yes, this is the best use of this woven treasure that I have had so much delight in designing and weaving! All the fascinating creatures can be seen at once, on the front or on the reverse side.

This is something we can enjoy together with our grandchildren when they are at our home!

I decide to create a couple handwoven bands from the linen and cottolin threads in the critter fabric. These bands will be the perfect complement with which to finish this project.

I am designing stripes to weave a narrow band on my Glimåkra Band Loom that I can use with the Critter Throw. The stripe pattern on the far right is the one I am choosing to use.
Band is black on one edge and midnight blue on the opposite edge. This beautiful band is a joy to weave.
I thought I would weave just part of this warp, and then start on a wider band that will also be used for assembling the Critter Throw. Once I got started on this band, I wanted to keep going. I sat in front of the fireplace fire a few evenings in a row and happily finished off this 9-meter warp.
This is more handwoven narrow band than I need for this project. Much of it will go into my box of handwoven bands. You never know when you’ll need another band for something.
Designing a wider band that corresponds to the narrower band.
This band is about 2 cm wide, which is just right for what I have in mind. When I finish this 5.5-meter warp I will be ready to assemble the Critter Throw!

Handwoven fabric has surprising lessons for us woven in! We might be certain that we know what we are doing. I knew I was weaving critter napkins, and never questioned it. One view of the bigger picture, though, changed everything. God has a bigger picture of our existence than we realize. He invites us to see life from his view through faith in Jesus Christ. In the moment we give him our heart, everything changes, and that’s when we see what we were really made for.

May your changes be for the better.

Happy Weaving,
Karen

New Life for an Old Rigid Heddle Loom Blanket

Karen

My weaving interest started in 1982 when I happened across a rigid heddle loom class by Lynn Tedder at Johnson Atelier in Tulsa, Oklahoma. I acquired a 32-inch Beka Rigid Heddle Loom and began weaving during snippets of time as I was being a full-time mommy to one, two, and then three little ones. One of my very first projects on that simple loom was a wool color gamp sampler. I wove full width for a length equal to two panels that I then hand-stitched together to make a small blanket. That little blanket got a lot of use and wear, and at some point I packed it away because some of the edges had become a little ragged over time.

In 2019 I finished one of my first warps on the drawloom–Tuna wool fabric in which I wove designs for a simple vest I would make for myself. I created the pattern for the vest, and after doing several muslins, I wanted to do a mockup in similar weight to the wool fabric from the drawloom. I dug out that old rigid heddle loom blanket! Perfect for this assignment as a mockup.

I made a mockup for the drawloom vest. I cut the mockup vest from a plain weave color gamp sampler blanket I wove on my 32″ Beka rigid heddle loom in 1982. The blanket was made from two panels hand-stitched together down the middle.
Wool vest made in January 2020 from fabric woven on the drawloom.

Why not make that color gamp mockup into a wearable vest on its own? That is what I have finished this week. The pictures that follow tell the story.

I made the mockup vest with overlapped seams.
I am using handwoven bands to cover the seams on the vest. This pretty band was woven a couple years ago on a small band heddle that Steve made for me.
Double fold bias tape covers all the edges of the vest. First I stitch the tape to the edge of the vest, right sides together. You can see another handwoven band that I am using to cover the shoulder seams.
Next, I fold the bias tape around the edge and to the inside, and “stitch in the ditch” to catch the edge of the bias tape on the inside of the vest.
I found this two-part metal closure in my box of sewing odds and ends. It’s perfect for this vest. The thimble is one my grandmother used in her many hand-sewing projects.
Simple closure for a simple vest.
Sewing my handwoven label on the lower edge of the inside is the finishing touch.
Rigid heddle blanket, now a wearable vest!

When I think about how the Lord allowed me to discover the joy of weaving on a simple little frame loom… And how He has allowed me to enjoy growing in these skills, and how I get to have the pleasure of weaving on a not-so-simple large drawloom… It reminds me of Psalm 16:11 “You reveal the path of life to me; in Your presence is abundant joy; at Your right hand are eternal pleasures.”

Happy to wear a remnant of my rigid heddle loom days!

Thanksgiving: Giving thanks to the Lord for allowing us to know the joy of walking in His path of life.

Happy Thanks Giving, Karen

New Wash Cloths Out of Handwoven Remnant

Karen

My looms are all occupied, so it will be a while before I can weave some new wash cloths. In the meantime, I am making “new” wash cloths to replace the ones that we have used so much that we’ve worn holes in them. The pictures tell the rest of the story.

Linen wash cloths have been well loved and well used. Evidently, it is past time to make replacements. These will go in my remnants box and one day I’ll find a use for the parts that haven’t frayed.
Cotton warp, linen weft. This two-block twill was one of the first projects I ever wove on my beloved Glimåkra Standard first floor loom. I designed this fabric to make a Roman shade for our previous home. Parts of it are faded, but it is still beautiful, useable fabric. Perfect for a set of “new” washcloths.
For simplicity, I am using another washcloth to measure the size to cut for the “new” washcloths.
Cutting to size, taking into account seams on all four sides.
I probably should have pressed before cutting, but I didn’t think of it until now. The long narrow woven band was used for the pull cord on the Roman shades in our previous home. Perfect to pair with these washcloths for the hanging tabs.
First step for the mitered corners is to fold in the corner twice, and pin into place.
Second step for the mitered corners is to fold in the side hems twice and use quilters clips to hold in place.
Approximately 4 inches for each hanging tab. I zigzag the ends and then cut them apart.
Then I plan where the hanging tabs will go, testing how the cloth will hang.
Clip the hanging tabs into place.
Stitch the seams. At the mitered corner, I would like to have about four hands as I remove clips and hold things in place while I walk the presser foot around the corner. Whew!
Nearly perfect! Nobody needs to know these are secondhand Roman-shade wash cloths.
The new wash cloths are right at home between the other handwoven goods hanging on the bathroom wall.

Happy Weaving!

Karen

New Handwoven Band Is Just Right

Karen

I have an ample stash of handwoven bands. Still, I am making a new handwoven band that is “just right” for the strap on a simple shoulder bag I am making from a rag rug remnant. I pull several near-empty tubes of 12/6 cotton rug warp from the shelves to wind a five-meter warp. I enjoy finding bits of rug warp that can work together—all left over from various rag rug projects.

Using 12/6 cotton rug warp to thread the heddles on the Glimåkra two-treadle band loom.

I warp the band loom and start weaving. Ah, what a pleasure to make a specific strap for a specific bag! And all of it from what I have on hand. It’s a picture of the way love takes odds and ends like you and me, and finds a way to make us fit together.

Band for handbag strap is about 4.2cm wide. The warp is long enough for a handbag strap, plus a few meters extra. 🙂
Blue 12/6 cotton weft makes the selvedges look good, since it is the same blue as the outer threads on both sides of the band.
Band-loom weaving is rhythmic and relaxing. Some unevenness in the warp is evidenced by the slight curve at the fell line. I’m not worried. It will straighten itself out as I keep weaving.

It’s like preparing a simple meal for family. You figure out what you have, you scrape together what you can, and you spend time in the kitchen to put it all together. It’s not fancy, nor is it perfect. But it’s good. Love, after all, is the primary ingredient for a good family meal. Love is the primary ingredient for a lot of good things, isn’t it?

May your family meals be really good.

Happy weaving,
Karen

Last Little Bit of Warp

Karen

All the rugs in the set are woven, and there is a little bit of warp left on the loom. Not enough for another rug. Now what? This is where the fun begins! I have some ideas to play out on the loom. End-of-Warp experiments yield fantastic results.

I arrange remaining weft fabric strips into piles of blue, green, red, and yellow/white. Double binding uses a sequence of dark and light wefts. So, I work through the color piles in order, starting with the blues for one pick, and then, going in reverse order, the yellows/whites for the next pick. The result is vertical columns of adjacent blocks that have the color order going in opposite directions, with the reds converging in the middle.

Cushion cover: Off the loom, I fold this attractive rag weave rectangle in half, short sides together, and machine-stitch the two long sides closed. The remaining open end has handwoven bands, from my ever-ready band stash, for tie closures. Voila! With a cushion inserted, I have a new seat cushion for driving the truck. It’s perfect!

Ink and watercolor sketch as part of my new sketchbook practice.

May you use every last bit of your warp.

Happy experimenting,
Karen