Tools Day: Click Test

It is not easy to see sleying errors in this fine-dent reed. I unknowingly quadrupled the ends in four of the dents, instead of the specified two ends per dent. When I check as I go, I find the errors while they are still easy to fix.

How to check and double-check for sleying errors:

  • Tie ends into threading groups, using a loose slip knot. (I do this before threading the heddles.)
  • Sley one threading group. (I sley right to left.)
  • Visually check the sleyed group of ends for skipped dents and crowded dents.
  • Do a Click Test. Use the hook end of the reed hook to count the dents by running the hook along the reed…click, click, click… Make sure the number of clicks matches the number of dents needed for that group of ends.
    —This is how I caught my errors. When the dents came up short in the Click Test, I knew I had some crowded dents that I had failed to catch in the visual check.
  • Move ends and re-sley as needed.
  • Sley each remaining group of ends, checking as you go, visually and with the reed-hook Click Test.
Reed is sleyed. Dressing the loom for double-weave towels.
Two ends per dent in this 70/10 metric (equivalent to an 18-dent imperial) reed.

May your errors be few and fixable.

Happy sleying,
Karen

Looms in Transition

July was a roller coaster that took off before I had a chance to buckle my seatbelt! As you may recall, I had just disassembled my Glimåkra Standard loom at the end of June. Happily, that loom is now set up in our Texas hill country home, with a few heddles already threaded. Next, we sold our Houston house. I had prayed that the house would sell quickly. But I was as surprised as anyone when the house sold in one day! Now, a few short weeks later, the house stands empty, ready for a new family to call it home. And, Steve and I are enjoying apartment life in this transition season.

Swedish looms are basically portable.
After all the boxes are unloaded, the loom parts are put back in the trailer to take to the house.
Loom is placed where grand piano used to be.
Loom is reassembled and positioned in the area where previous home owners placed their grand piano.
Reassembling the Glimakra Standard loom.
Little by little, the loom is put back together. Warp beam has a cottolin warp on it, wrapped in a sheet for the move.
Twelve shafts for this double-weave project.
Twelve shafts for this double-weave project.
Threading twelve shafts.
Threading.
Threading 12 shafts. View from the back beam.
View from the back beam.
Threading 12 shafts for double weave.
Twelve shafts–much like threading three four-shaft looms right next to each other.

The Ideal loom with the Lizard tapestry had to be dismantled for moving… (more on that in future posts).

Getting ready to dismantle this loom...with the tapestry on it!
Ideal loom with the Lizard tapestry, before dismantling…

Pray. Abiding prayer is that ongoing conversation we have with God as we face the roller coasters that show up at our doorstep. He invites us to bring everything—big and little. Selling the house quickly is a little thing. Saving people is a big thing. Maybe sometimes God answers the little things to remind us that He is here for the big things, too.

May you pray big things.

In Christ,
Karen

Dismantled Loom

As June comes to a close, it’s time to sign off for a short while. Meet me right back here the first Friday of August! And head on over to Instagram ( @celloweaver ) to keep up to date with all my daily happenings on and off the loom!

Some things are on hold right now. My “weaving studio” suddenly looks like the spare bedroom it used to be. The big loom is dismantled! Fortunately, it is not a problem for this smart Glimåkra Standard loom to hold onto the warp that I’ve already wound onto the warp beam. The good news is that this cherished loom is being relocated to our Texas hill country home, where it will take the stage as if it were a grand piano.

Preparing loom for dismantling with warp on the loom.
White sheet from my box of old sheets (for scrap rag weft) is used to wrap the warp on the warp beam. It is tied securely with some long fabric strips.
Dismantling my loom for moving.
Shafts are tied together at the ends with seine twine. Fabric strips are tied around to hold the shafts together in a bundle. The bundle of shafts is placed on an old Flintstones beach towel, and then wrapped up like a big burrito and tied up with more fabric strips.
Dismantling the Glimakra Standard.
Piece by piece, loom is dismantled.
Relocating this Glimakra Standard loom.
Fully dismantled, the loom becomes sticks and pieces of wood. Ready for relocation!
Boxes labeled "KEEP WITH LOOM," for loom being relocated.
Loom essentials are in boxes labeled “KEEP WITH LOOM.” The wooden mallet will be one of the first things needed.

Hold. Several meanings for this word come to mind. Sometimes our familiar patterns of daily life are on hold. There’s a pause, a held breath. But during that pause, our plans and threads of normal practices are securely and lovingly wrapped up on a strong beam of hope. Wrap the spare cloth securely over your precious warp ends so that when it’s time, you can unroll the warp and finish dressing the loom for spectacular twelve-shaft double weave towels. Hold fast to Christ as Christ holds all your interrupted threads of being.

PS The Lizard tapestry is in full swing on the not-dismantled Glimåkra Ideal.

Lizard tapestry on Glimakra Ideal loom.
Lizard tapestry on the Ideal loom now has my singular attention. Thirty centimeters complete.

May you have a fantastic July!

Lovingly,
Karen

Melody Towels

I am stepping out of the box with this combination, trusting that what is seen only in my mind’s eye will have an extraordinary impact. This warp will become towels for my daughter Melody. I chose cottolin threads in colors that remind me of the colorfully painted homes we saw on our visit to Chile a few years ago when Melody was living there. Aqua, light poppy, marigold, and orchid.

New warp on the warping reel.
Mix of colors that remind me of Chile.
Warping reel. Winding a new colorful warp!
First of three bouts on the warping reel.
Beaming the warp with a warping trapeze.
Beaming the warp with the help of the warping trapeze.
Cottolin towel warp being beamed.
Warp beam with new cottolin warp for towels.

We trust what we can see—a chair to hold us, and an airplane to fly us. But unseen things are also part of our trust—the chair maker’s glue, and the air that aerodynamic engineers depend on. Earth and heaven, seen and unseen. Jesus, seen on earth, made the unseen God visible. Trust the unseen.

May you step out of the box.

Trusting,
Karen

Weave Past the Mid Mark

“Mid” marks the halfway point on every pre-measured tape I make. I like to know when I’m starting the second half of something. It’s a target before I reach it, and a passing milestone after I cross that line.

Middle line marks the halfway point in the weaving.
Pre-measured twill tape has a line at the halfway point, marked “Mid.” Tail from a spliced warp end will be trimmed in the finishing process.

As I’m weaving this throw, my thoughts jump ahead. I will have a few skipped threads to fix, and spliced warp ends to clip. I think about how I will hem the piece, and wash and dry it. In what special manner shall I present the finished throw to my beloved daughter-in-law? And, my mind goes to the twelve-shaft double weave towels for my daughter that are up next, with the flowery threads beckoning me from the shelves.

Cotton double weave on the loom.
Double weave with eight shafts. 8/2 cotton.
Shelves of weaving thread!
Do you see the aqua, poppy, marigold, and orchid cottolin threads that are ready to jump off the shelves and be woven into hand towels?

I’d like to know where I am in the span of my life. There is no “Mid” mark, though, is there? I’m not in charge of that measured tape. Faith in Christ, love, and perseverance—these form a foundation. A solid foundation is security for life. In this security, I think about what I need to repair and resolve and finish. And how to leave intangible gifts that outlive me. And I think about the glory that awaits. Imagine fabric of unbridled creativity in colors only heaven knows!

May your second half be better than your first.

With you,
Karen