Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!
Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.
Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.
Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.
Stained Glass scarf/wrap in Handwoven Nov/Dec 2018
Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.
Stained Glass scarf from Handwoven Nov/Dec 2018
Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!
Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!
Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

Final Batch of Butterflies

That last little bit of lizard toe? It’s long gone. This week I am making significant progress on the tapestry. My pace is picking up and the end is in view. What a joy ride this has been!

Last tip of a green lizard toe at the breast beam.
Last tip of a green lizard toe makes its way around the breast beam.
Coming to the end of this lizard tapestry!
End of the measure tape is in view.

I am closing in on the final ten centimeters. That means it’s time to evaluate the ten centimeters just passed. And to make a few more butterflies, enough to take me all the way to the end.

Four-shaft tapestry. Butterflies are prepared for each new section.
Butterflies are prepared in advance for each ten centimeters of weaving.

Forgiven people forgive. Think of forgiveness as the lavish supply of yarn that’s been given us through the name of Jesus. There is no shortage. And we make our butterflies from that supply. People fail us, disappoint, and even do damage. Being ready to forgive is like making butterflies in advance. Thankfully, our small wool butterflies are close at hand for us to weave grace in the moment it is needed.

May you have a lavish supply.

Love,
Karen

Quiet Friday: Threads of Love

Talk about thick and thirsty towels! Double weave makes these hand towels thick. And the linen in the cottolin threads makes them highly absorbent. The colors are fantastic together. When our daughter Melody moves with her little family to Chile, she can set up her new home with these made-for-her towels. My love is woven into every single pick.

I have included two short little videos just for the fun of it. Enjoy!

This project started in my weaving studio in our Houston home, where I beamed the warp.

Colors for Towels

Winding a warp for double weave towels.

Beaming the warp for towels.

And then we decided to move! We sold the house and moved into an apartment. The big loom was dismantled, with the towel warp on the back beam. Then, we moved all the pieces to our Texas hill country home.

Dismantled loom for moving.

Moving a Glimakra Standard loom.

Putting the Glimakra Standard loom back together.

Recently, I spent a week there to finish dressing the loom and weave all four towels. Whew! (Here’s what I did that week: Testing Color Surprises with My Little Helper and Weaving Deadline)

Threading 12 shafts. Double weave towels coming!

Lower lamms ready to go!

Starting the hem on double weave towels.

Double weave cottolin towels on 12 shafts. Karen Isenhower

From the back beam. Double weave on 12 shafts.

Double weave towels. Loom with a view!

Squares in a double weave towel.

Towels on the cloth beam. Karen Isenhower

Double weave towels on the loom.

Double weave cottolin towels on the loom. Karen Isenhower

Towels on the cloth beam.

Glimakra Standard loom in Texas hill country.

Cutting off!

Cutting off! Double weave towels.

Fresh double weave towels, ready for finishing.

I wove hanging tabs on my band loom. And I discovered that I could showcase both sides of the colorful towel if I stitch the hanging tab on the side of the towel, off center.

Glimakra band loom.

Hanging tabs for towels woven on Glimakra band loom.

Hanging tab stitched to side of towel.

The towels are hemmed and pressed, ready to brighten the day!

Double Weave cottolin towels. Side A.

Double weave cottolin towels. Side B.

Double weave cottolin towels! Karen Isenhower

Cottolin towels, hanging from the side. More pics on the blog.

May you put threads of love into everything you do.

Love,
Karen

No Hurry at the Little Loom

I hope you haven’t forgotten about this sweet little loom at our Texas hill country home. It is refreshing to be able to start right back up and weave another placemat. This is a breeze, even with two double-bobbin shuttles. Color and weave brings plenty of design play. Over the weekend I was able to squeeze in enough weaving time to finish one more placemat.

Color and weave cotton placemats.
New placemat begins. Two red picks will become the cutting line that separates placemats.
Peaceful setting for unhurried weaving.
Peaceful setting for unhurried weaving.

There is no hurry or urgency with this project. Other events, transitions, and necessities have taken precedence the last few months. It’s nice to have a ready loom that doesn’t hold a deadline. Simple two-treadle plain weave during a transitional season is a welcome respite.

Color and weave cotton placemats on the loom.
Two doubled-weft picks of dark coral make a line of contrast in the color-and-weave cotton placemat.

Faith is trust. It’s the simple framework we long for when life gets complicated. Trusting the Lord is like knowing what to expect when you throw the shuttles, yet still being pleasantly surprised as you see the fabric form in front of you. His grace removes the hurry and the worry. We find his grace through faith. And isn’t that exactly the respite we need?

May you have a break from hurry and worry.

Happy weaving,
Karen

Weave Beyond Your Momentum

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture.
Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.
Detail of lizard tapestry.
After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.
Four-shaft tapestry. Glimakra Ideal.
Little by little…
View of the tapestry in the direction it will hang.
Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen