This throw has fringe. It seems appropriate for a homestyle cotton wrap. Fringe says comfortable, casual, and playful. I do not mind the time it takes to twist the threads to make this tactile edging. It’s a satifying close to a worthwhile project. After all, who can resist running their fingers through soft twisted fringes?
Knots on the ends of the fringes are trimmed off after washing and drying the throw.
Reminisce with me through the start-to-finish process of making this eight-shaft undulating twill throw for my lovely daughter-in-law Lindsay.
Our transition to Texas hill country is finalized this week! The looms and I will be residing in the same house again. Let the weaving resume! One loom is dressed and waiting for me. Tied on above, and tied up below. Ready to weave!
The warp is tied on to the front tie-on bar in 1-inch bundles, with 1/2-inch bundles at the selvedges. And then, I add the leveling string which makes it look neat and tidy and READY.
The upper and lower lamms are positioned, and the treadle cords are added and secured. It’s fascinating how simple and basic the whole system is. And how something this simple and basic can be the framework for boundless creative expression.
I sit on the treadle beam when I position the lamms, and then place the treadle cords in their holes. I’m always intrigued by the view of the warp and heddles from this vantage point.
Treadle tie-ups don’t frighten me. It all makes sense, and is part of the loom-dressing process that I enjoy.
If we think of prayer as something that gets us out of a crisis, or words to say in order to get what we want from God, we miss the whole point of prayer. And we face disappointment. Prayer always works. The work is not our clever words, nor the checking off of our wish list. Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. We pray because we trust him. Christmas—the birth of Christ—shows us that God always steps in at the right time.
Before everyone arrives for our Thanksgiving family gathering, I am making pie crust for the pecan pie, dough for my “famous” cranberry bread, and doing the prep to make Gram’s turkey dressing. Each family is bringing their contributions to the meal (feast). Thanksgiving Day is a flurry of activity with too many cooks in the kitchen—just how we like it! And sitting at the table with the feast before us, we give thanks. Thanks to each other, and to our Creator. We are blessed!
Thanksgiving feast prep. It takes two pastry chefs to make the perfect pecan pie.
And before everyone arrives I also manage to sley the reed on the Standard. A different kind of dressing—loom dressing.
I sit “inside” the loom on my loom bench to sley the reed.
After the reed is sleyed, I remove the loom bench, lower the shafts, and move the countermarch to the front of the loom. Then, I place the reed in the beater and make sure it is centered. Next step–tying on!
Getting dressed. Oh the beauty of a fresh warp going over the back beam! Magical.
A feast for the eyes and hands and heart. Thankful indeed!
Threadingfourshafts is straightforward because the heddles fit perfectly between four fingers and a thumb. Threading eight shafts is tricky because we don’t have that many fingers! Thankfully, threading eight shafts can be as straightforward as threading four shafts. I like to think of it as four shafts in the back, and four shafts in the front.
Set a small group of heddles apart on each shaft to prepare for threading the next group of ends.
Pick up the next threading group of ends and bring it to the front, on the left side of the separated heddles.
Lace the threading group of ends under, over, under, over the fingers of your left hand, palm up.
Left hand becomes tensioning device for threading the heddles. I like to put my index finger in between the two parts of the cross, as separated by the lease sticks.
Wrap left hand index finger around the group of heddles on shaft one (the shaft nearest the back of the loom), the middle finger around heddles on shaft two, the ring finger around heddles on shaft three, the pinky around heddles on shaft four, and bring the thumb around to hold it all loosely together.
Each warpend is taken in order from between the lease sticks, and then threaded through the heddles in order.
Thread the first four heddles—1, 2, 3, 4.
With the right hand, hold the group of warp ends taut, and open the fingers of the left hand to release the heddles.
Keeping the group of warp ends loosely laced around the fingers, slide the left hand toward you to thread the next four heddles—5, 6, 7, 8. Position your fingers around the heddles on each shaft, as you did for the first four shafts.
Left hand slides toward the front of the loom to thread the next four heddles. It helps to hold the warp ends taut with the right hand while the left hand is repositioned.
After threading the second set of heddles, follow the same procedure as before and slide the left hand back again to thread 1, 2, 3, 4.
Continue sliding the left hand forward and back, until the threading is completed for that group of ends.
Check the threading group for accuracy, and then tie the group of ends together in a loose slip knot.
Always check for accuracy before moving on to the next threading group.
Complete the threading across the warp. And then, step back and admire the beauty of a beamed and threaded loom.
Shafts are raised high for good access and visibility for threading, and for checking for accuracy.
Threading is complete. Cotton throw. 8/2 cotton, undulating (wavy) twill on eight shafts.
May you find efficient methods for the work of your hands.
I want to wrap up in this cozy throw already. But I need to weave it first. This is an undulating twill throw that I am making for sweet Lindsay, one of my daughters-in-law. Of course, I am including enough warp to make a small throw of my own.
Every step of dressing the loom is fascinating. I easily get immersed in the enjoyment of the process. All the while, I’m dreaming of the finished work.
Warping trapeze is in place at the front of the loom. Ready to beam these soothing colors onto the warp beam.
Warp is beamed. Warp ends are counted into groups of 32 ends each, for efficiency and accuracy in threading. This will be threaded for undulating twill on eight shafts.
Dressing the loom leads to the making of cloth. Dressing our lives leads to the making of good character. Prayer is of utmost importance in dressing our lives. Prayer is not a single step in the process, but a posture of faith throughout the process. Earnest prayer reaches God. The power of prayer is not in our words, in the threads we express, but in the Grand Weaver. He receives our humble threads and weaves them into his will to bring about his beautiful cloth. Fascinating, isn’t it?
