Tag: faro wool

My Four-Shaft Tapestry – Will it Work?

Karen

Is this going to work? Yes, I think so. I am testing things out. So far, so good. Can I follow the cartoon? Yes. Do I have a good way to hold the cartoon in place? Yes. And to put the color and value key where I can see it? Yes. Do I have enough yarn in each of the colors, values, and thicknesses that I need? No. I see some gaps, especially in the mid-to-dark value range. I am ordering more yarn today. Is four-shaft tapestry going to be as delightful an experience as I’ve long hoped? Most probably, yes! Word of the day: Yes!

Wool yarns for four-shaft tapestry.
Testing, testing. Blending of yarns, blending of colors, checking value contrasts.
Blending yarn colors and thicknesses for tapestry.
Blending yarn colors and thicknesses gives interesting results. This is practice for some of the background area of the tapestry.
Testing new approach to tapestry weaving.
Finding out if I can follow details on the cartoon. Experimenting with adding floats in places as texture to enhance the design.
Trying out four-shaft tapestry.
Will I be able to handle multiple yarn butterflies? I think so.
Practicing technique for a new tapestry on the Glimakra Ideal loom.
Testing some of the green hues for part of the main subject of the tapestry. Also keeping an eye on selvedges, so they don’t draw in.
Testing various elements before starting the *actual* tapestry.
Plenty of warp is available for practice. I want to test all the critical elements before I start the *actual* tapestry. This tapestry will be woven horizontally.

Words. I am affected by words—spoken by others, and spoken from my own mouth. Grace in our words can be an invitation of kindness and relief to someone who is testing our framework. When Christ’s words dwell in us, the richness of his words affect our being. And then, our words of yes and no are grace-filled bearers of hope.

May you see hope on your horizon.

With hope,
Karen

Four-Shaft Tapestry Adventure

Karen

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry.
Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.
Cartoon is on a table behind the loom undergoing cartoon prep.
Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry.
Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.
Distinguishing between different values in the wool yarn assortment.
Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

Quiet Friday: Lucia Portrait Tapestry

Karen

A little here, a little there, and eventually I finish another small tapestry. This little woven portrait of my granddaughter Lucia was a huge challenge. I knew that from the beginning. In fact, I had about three beginnings with this intimidating project. My aim is not to make a masterpiece, but to keep making. And making, and making. Every time I go beyond what I think I can do, I learn more.

This Lucia Portrait Tapestry is best viewed from a distance. Up close, the details seem abrupt and harsh. But when I look at her from across the room, I see the picture of a child’s face.

I trimmed the weft tails on the back, steamed the piece, and made a half Damascus edging. The edging and the weft tails near the sides are stitched down. The hems are turned under and stitched. I plan to mount this on a linen-covered square, and hang the finished piece where it can be easily viewed from a few steps back.

Ending a small frame loom tapestry.
Small tapestry ends with a short hem, warp thread header, and a scrap header. I overestimated how far I could comfortably weave. This is a less-than-optimal distance from the end of the warp for weaving.
Trimming weft tails on the back of the little tapestry.
Most of my tapestry weaving is done in the evenings as part of my winding-down routine. In this session the back of the tapestry gets a haircut.
Finishing a small tapestry. Cute slideshow video.
Straggler weft tails are reigned in with a little sewing thread.
Small tapestry portrait. Slideshow video of the process!
Finished Lucia Portrait Tapestry is 4 1/4″ x 4 7/8″.

Enjoy this slideshow video. The ending is sure to make you smile!

May you keep making.

Love,
Karen

Tapestry Portrait Progress

Karen

Once I get going, it’s not easy to put this Lucia tapestry portrait down. Each new row is another chance to turn it over and see how she’s coming along. A long car drive gives me a good stretch of weaving time. While Steve drives, I weave on my small tapestry frame. As a result, I am making considerable progress on Lucia this week.

Detailed cartoon gives direction for color blending and color changes. Magnets along the side of the frame loom hold the tapestry needle that I use for the weaving.

I am trying to withhold judgment until it is finished. And a close-up view shows details of the yarn, but doesn’t give a good perspective of the portrait overall. I am learning quite a bit through this process, un-weaving when necessary, and moving forward ever so slowly.

Small tapestry portrait in progress.
Lucia portrait. Three strands of Fårö wool for weft gives good options for color blending.

Beloved. Lucia is one of my beloved granddaughters. No matter what details happen in her life, she has my affection. Your beloved is someone you care for deeply, earnestly desiring their highest good. Spouse, children, friends, blog readers…those you choose to give yourself to. You want them to “be loved,” not only by you but by the Master tapestry weaver. To know the Grand Weaver’s love is to know you are loved in detail. It includes forgiveness, which looks a lot like un-weaving. He knows exactly how to weave the portrait of you, his beloved.

May you be loved.

Love,
Karen