Two-block broken twill is a soothing pattern to weave because of its regular rhythm. Even though this is eight shafts, it is not complicated. Simple is good.
Four colors of weft are arranged in a repeated order. Warp is 22/2 cottolin. Weft is 8/1 tow linen. This is the second of twelve placemats on this warp on the Glimåkra Julia.
Instead of assigning a different solid color to each placemat, I am using all four weft colors in each one. The colors are arranged in an order that gives the appearance of gradated color. 8/1 tow linen: blue, then green, then teal, then black; repeat, repeat, repeat. There is no set number of picks for each color. Instead, I am changing from one color to the next in an irregular fashion, letting each color softly flow into the next. Regular two-block pattern; irregular color changes.
Keep it simple. The Lord’s pattern for our lives is not complicated. The Lord goes before us. As we follow him, all those irregular changes that happen in our lives turn into a lovely display of softly flowing gradated color. We can rest in that. From this color to the next…
How do you keep five floor looms busy? You sit at them, one loom at a time. Each loom has its own personality. Or, just maybe, the personality of the loom is more about how the loom makes me feel when I’m active with the loom to turn threads into cloth.
The 120cm Glimåkra Standard Vertical Countermarch is my Queen of Looms. Now:Spaced Rep rag rugs. Two more rugs on this warp. Next:Jämtlandsdräll (Crackle) rag rugs
The 100cm Glimåkra Ideal Horizontal Countermarch is my Workhorse of Looms. Now: Empty Next: Pictorial Tapestry (subject matter to be determined)
The 70cm Isenhower Little Horizontal Countermarch is my Princess of Looms. Now: Pictorial Tapestry sampler. Currently, “Figs and Coffee.” Next: unknown
The 120cm Glimåkra Standard Horizontal Countermarch with Myrehed Combination Drawloom Attachment is my Gentle Giant of Looms. Now: Being dressed for cottolin/linen napkins in 6-shaftbroken twill Next: unknown
The 70cm Glimåkra Julia Horizontal Countermarch is my Cinderella of Looms. Now: Two-block broken twill cottolin/linen placemats Next: Fabric for a stylish cape, using a vintage sewing pattern
Let’s take a look back to see how these looms showed their personalities in 2022!
How easy is it to threadheddles on the Glimåkra Julia? It may surprise you that I like to put my loom bench inside the Julia, and then sit there to do the threading. It’s comfortable for me. Watch the video below to see how I get in and get out of the small space.
Climbing into my little “playhouse” for threadingheddles.Sitting in the Julia loom is a comfortable way for me to thread the heddles. I like to keep the shafts low so I can see the back beam, and keep my shoulders relaxed, as well. I look down through the shafts to see the heddles as I thread them.
Don’t worry, that’s not the only way to thread this petite loom. In the video I also show how to bring the shafts forward so you can comfortably thread the heddles while sitting on the loom bench in front of the loom.
Heddles are threaded. It won’t be long now till we see some woven fabric!
Enjoy!
May you find ways to keep doing what you love to do.
As a little girl, I was fascinated with the puckered texture of seersucker. Remember pastel summer seersucker outfits? Thanks to Winnie Poulsen and her Linen-Cotton Crinkly Tablecloth (Väv Magasinet, Nr. 3, 2021), I now have a puckered fabric that reminds me of those seersucker days of summer.
This is a challenging project. Double width, two warps, fine sett, nylon fishing line for selvedgeends at the fold, and “sticky warp” the whole way. After repeated frustrations, I resign myself to the thought of repairing hundreds of skipped threads after this comes off the loom. I have doubts that I will even be able to unfold the cloth all the way.
Fold line before washing and drying.
Whew! Was I wrong! I had far fewer skipped-thread repairs than I expected (only about 15). And the finished tablecloth is a gleeful ending to a what-did-I-get-myself-into adventure.
After being washed, the cloth is rolled up on a 1 1/2″ PVC pipe and hung to dry.Fold line after washing and drying is barely noticeable.Summer puckered tablecloth lends cheer to the room.
Puckers are whimsical surprises from ordinary threads.
I hope you enjoy this video review of the process:
My friends, thank you for walking with me on this weaving journey! July is the month for Warped for Good’s annual pause. I’ll meet with you right back here the first Tuesday in August.
May you find a gleeful ending where you least expect it.
Some things are easier done than said. I said to myself that it’s too much trouble to tie retaining cords on the shafts. I am weaving almost full width on the Glimåkra Julia. I know that heddlescan slip off the ends of shafts. Still, I tell myself I can keep an eye on it. It won’t be a problem, right? Wrong.
Juila’s wide warp. So far, so good. I’ll pay attention and everything will be just fine. Famous last words.Oops. I took this picture after I had fixed most of the mess created by dangling heddles. When heddles slip off shafts they must be put back on thread by thread to maintain correct warp order. These were tangled enough that it took me a few tries to get it right.
Tie Retaining Cords on Shafts
Purpose: Keep Texsolv heddles secure on their shaft bars, especially when weaving a wide warp.
Supplies
Tape measure
12/6 cotton seine twine
Scissors
12/6 cotton seine twine (rug warp) to the rescue!
1 Measure shaft bar from hole to hole. (Julia shaft bar is 70 cm) 2 Figure additional length (about 40 cm) for tying two knots. (70 + 40 = 110 cm) 3 Cut seine twine to measured length for each upper and lower shaft bar. (Heddles can slip off lower shaft bars, too.)
4 Insert one of the seine twine cords through the hole on one end of a shaft bar. Tie. (I use the half-bow slip knot as described in Learning to Warp Your Loom, by Joanne Hall, p.38.)
Tie retaining cord to one end of the shaft bar. Any knot will do, but I like this half-bow slip knot because I can untie it simply by pulling the end of the cord.
5 Insert the other end of the cord through the hole at other end of the shaft bar. Tie.
Thread the cord through the hole at the end of the bar.Tie a simple knot and tighten it.Tie another simple knot, leaving a fold in the end of the cord.Pull the loop to tighten the knot.
6 Repeat steps 4 and 5 for each remaining upper and lower shaft bar.
All tied up and ready to go! When this project is finished I will wind up these retaining cords on an empty tube and re-use them for the next wide warp on the Julia.
Continue weaving with one less thing to think about.
45 minutes: Time it took to reposition heddles that had slipped off a few shafts and were in a mess because I didn’t notice it immediately. Less than 10 minutes:Time it took to cut string and tie retaining cords on 4 upper shaft bars and 4 lower shaft bars.
‘Nuff said.
May you take the time to do what needs to be done.
