Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.
Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.Weaving to the end.Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.
Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.
Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.
Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.
I am starting to see a fig. This tapestry is a short story about fresh figs and a cup of coffee. My full attention is on weaving while I’m at the loom. I’m always looking for the moment that a recognizable image forms in the woven wool and linen cloth. Attention flows from desire. And when I am weaving, there is no other place I’d rather be.
When I look through my monocular I get a distinct view of the first part of the fig.Colors of wool (primarily 6/2 Tuna and 6/1 Fårö) are combined in butterflies to represent color values and hues that will become an image of a cut fig–mostly recognizable from a distance. An exciting challenge!
When our affections are set on the Lord Jesus, there is no other place we’d rather be than sitting in prayerful conversation with him. And, I imagine he is delighted when he sees his own image formed in us.
Repeat good practices to form good habits. Since weaving is filled with repetition I try to be attentive to the effects of my techniques. With every touch of my hand – picking up a shuttle, straightening a line of weft, tightening the ratchet just so after advancing the warp – I have the end in mind. Quality is the goal. Consistency is the key. And, consistency emerges from good habits.
Tied back on after cutting offsample rug.Midway on the first section of the rug. Two more full pattern repeats will follow.Tidy selvedges. The fabric weft is turned under twice and pulled snugly against the outer warpends.After a series of weft stripes the second pattern repeat is being woven with red fabric strips for weft.
With every touch of our Grand Weaver’s hand, he has the end in mind. Little children were brought to Jesus for him to lay his hands on them and pray. Jesus said, “Let the little children come to me and do not try to stop them, for the kingdom of heaven belongs to such as these.” And he placed his hands on them… Consistency is the key. Jesus welcomes all who come to him with childlike faith. His consistency emerges out of his goodness.
I like to come prepared when we travel. Prepared to weave, that is. Our recent camping trip to Grand Canyon National Park, North Rim is no exception. Relaxing after a full morning of hiking? That’s tapestry time. Rainy day? No problem. Time to pull out my small tapestry frame and do some tapestry weaving.
Sitting on a log to do a quick sketch. Widforss Trail on a Sunday morning was a wonderful way to worship our Creator.Ponderosa Pines fill the North Rim Campground. It is refreshing to sit there for some relaxed tapestry weaving. Weaving from the back, meaning the face of the tapestry is facing away from me.Weaving outside in the cool afternoon.
To view the incomparable expanse of the Grand Canyon leaves me in awe. It’s as if the glory of our Creator is on full display. Oh, the colors, textures, and breathtaking drama!
Sunset brings a hush over the vast Grand Canyon. Vibrant colors, phenomenal textures, in an unfolding dramatic ending–this is the language of a weaver.Weaving inside the Casita Travel Trailer until the skies clear up. Messy back of tapestry because I’m not trimming any more than necessary – fewer scraps to keep track of.
Our hearts turn to recognize God’s authority when we view the wonders of his creation. And, in the awe of it all, we pause to consider the vastness of his personal love, such that the Grand Weaver grants us the pleasure of creating something small with colored bits of yarn. Oh, the wonder of it all!
Pondering the deep questions of life.There is still work to be done. This (second) Rain Girl is not in a hurry. She is ready for me anytime I decide to add more colored bits of yarn.
Spaced rep rag rugs have a graphic vibrancy that grabs my attention. Like regular rep weave, spaced rep is warp dominant. Unlike regular rep weave, the warp in spaced rep doesn’t completely cover the weft. That’s where rag weaving comes in, because the fabric-strip weft shows between the warps. The rag weft provides just enough color variation to satisfy a rag rug weaver like me.
Warp (12/6 cotton) is beamed and threaded. Ready to tie on.Oh, the exhilaration of a new warp on the loom!
The pattern for this rug comes from Älskade Trasmattor, by Hallgren and Hallén, p. 87. The threading has dark and light ends that alternate, with four distinct blocks (five, if you count the plain weave block). And thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp), with four different treadling sequences. All of these factors work together to make the geometric pattern in the rug. It sounds complicated. Truly, though, it is merely a collection of simple systems that all work together. And the possibilities are endless.
Spaced rep rag rug. Pattern from Älskade Trasmattor, by Hallgren and Hallén, is modified for the floor space I have in mind.Geometric pattern is primarily seen in the warp threads. The dark fabric strips for weft highlight the pattern even more.Cherry wood ski shuttle by Steve for the fabric weft, and an open-bottom boat shuttle for the warp thread weft.
You are intricately and wonderfully made. To people who know you, no doubt, you look complicated. Your maker, however, knows your simple systems that all work together. The Lord knows you by name. His plan for you follows a masterful design. In the grand weaver’s hands, the possibilities are endless!
May the pattern of your life set you apart.
Happy Weaving, and welcome back to my studio, Karen
