Process Review: Eye of the Beholder Tapestry and Video

I started planning this tapestry portrait of my mother one year ago. As I was concluding her portrait on my loom, it became evident that her real-life tapestry was also coming to a conclusion. I arrived at Mom’s bedside with the portrait in hand, warp ends dangling. Her smile in that cherished moment is one I will never forget. In the days that followed, she quietly slept. I silently braided the warp-end edging, trimmed the tails on the back, stabilized the tapestry through the lining, and stitched the lining in place. I carefully secured the last stitch. In the wee hours of the next morning, while she was asleep, the Lord Jesus called my mother home. Tapestry complete. Beautiful.

Weaving a pictorial tapestry. Making butterflies.
Making butterflies gets messy. Balls of yarn are everywhere as I combine strands of wool to get just the right blends of color. And then I rubber band every label back on its yarn, and every ball of yarn goes back in its proper bin.
Tapestry portrait. Eye of the Beholder.
I was overjoyed when I was able to see her eyes in the tapestry.

Eye of the Beholder is about my mother who taught me to appreciate beauty. This is a portrait of a woman with an eye for beauty, with beauty in her eyes.

I humbly share my process of weaving Eye of the Beholder in this video:

May you seek beauty that never ends.

Her daughter,
Karen

Tapestry Making

This may be the most difficult thing I’ve woven so far. It has been compelling, rewarding, and especially difficult to weave this tapestry. I can’t tell you how many times in this process I have said to myself, “What was I thinking?!” Yet, at the same time, I can truthfully say it’s been a joy.

Cutting off a tapestry from the floor loom.
Cutting off Eye of the Beholder tapestry.

How does one weave a portrait of her mother? With many hours of reflective thinking — a play on words, since I probably reflect my mother’s attributes more than I know. At long last, as the maker of this portrait tapestry, I am cutting the warp ends to release the cloth from the loom. I still have finishing work to do, and then comes rest.

Finishing the ends of tapestry just cut from the loom.
Finishing the ends.

The Lord God is your Maker. We worship him by allowing his master-weaver hands to do the weaving, and we willingly conform to his ways. When he is finished, his hands finally rest. And then we hear the invitation we’ve been waiting for. Enter your Maker’s rest. And the Kingdom of Heaven welcomes another tapestry Master-piece.

May you allow yourself to be woven.

With reflection,
Karen

Sneak Out to the Drawloom

Two of my looms are getting the lion’s share of my attention right now. That doesn’t keep me from sneaking out to the drawloom, though, for an hour here, an hour there. Those hours add up. I have everything threaded and sleyed. The reed is in the beater now, and I’m tying on the warp.

Six ground shafts on the drawloom. Threading.
Pattern heddles have been threaded. Ground heddles are being threaded. 888 16/2 cotton ends on six ground shafts.
Getting ready to tie on the warp on the combo drawloom.
Moving the reed and threaded ground shafts to the front of the loom is tricky. Having a second pair of hands (Steve’s) definitely helps.

148 single unit lift heddles and 45 pattern shafts are waiting in the wings. I’m setting up the combination drawloom again for maximum flexibility in designing. That also means I’ll have abundant possibilities for weaving. Oh, what exuberant escapades await! This anticipation keeps me skipping down the path of preparation, ever so steadily, as I dream of entering that magical world of drawloom weaving once again.

Getting the drawloom ready to weave.
I like to tie all the ends into small sections (about 1 inch at the reed) first. Then I tie them on the front tie-on bar, starting right of center, and then alternate left, right, and so on.

There is a door into an invisible kingdom. You may have seen it as a child. The door to God’s invisible kingdom is open. With childlike trust we give our heart to Jesus and his kingdom comes alive. In the here and now, as our preparation continues, we are ever mindful of the abundant existence of the ever after. What exuberance awaits!

May you see like a child.

Happy Weaving,
Karen

Waiting to Cut Off the Tapestry

I desperately want to unroll this tapestry so we can see the whole thing. The tapestry and its linen header are finished. But it’s not quite time to cut it off. First, I am weaving the rest of this beautiful linen warp. Not another tapestry, just a lacey rosepath weave using a tomato orange 6/1 tow linen weft.

One more row of weft for this Siblings tapestry!
With one more row of wool weft this tapestry is completed. Ten picks of linen in a plain-weave header follow. After that, a few rows of wool weft (leftover butterflies) are woven to secure the weft.
Linen on linen, with linen hemstitching.
Hemstitching secures the weft for this lacey weave.

It won’t take much time to weave this off, especially compared to the slower process of weaving the tapestry. Hemstitching, which does take time, will help keep this loosely-woven piece from unraveling when the warp is finally cut off. Soon enough, we will enjoy the full view of the completed Siblings tapestry.

View of the messy underside of the tapestry.
View of the messy underside of the tapestry.
Only a short distance remains on this beautiful linen warp.
Only a short distance remains on this beautiful linen warp.

Time. We all have it. And yet none of us knows how much of it we have. How many days have we been given? We don’t know. Time is temporary. Imagine a place where time isn’t measured. That’s heaven. Our short time here is but a pilgrimage to another destination. Our trust in Jesus opens heaven’s doors. In the meantime, the Grand Weaver’s warp will be woven, and not wasted, to the very end.

May you complete your pilgrimage in the time you’ve been given.

Blessings on your journey,
Karen

Imagine Rag Rugs on the Drawloom

Rag rug weaving on the drawloom! I can only imagine the delight. In the meantime, the drawloom is getting dressed. It takes time to group the pattern heddles into units, add lingos, thread pattern shafts, thread eight ground shafts, sley the reed, move the ground shafts and pattern shafts to their positions, and tie on. After I finish all that I can think about adding all the single-unit draw cords and finish tying up. Whew!

Winding a warp for the next drawloom project.
Warping reel is in a corner of the drawloom studio. When not in use, the reel is folded up and pushed against the wall.
Warp chains of 12/6 cotton rug warp. Drawloom rag rugs!
Warp chains of 12/6 cotton rug warp.
Drawloom - rug warp is ready for threading.
Warp is beamed and ready for threading.

I became acquainted with the single-unit drawloom at Joanne Hall’s studio (see Drawlooms in Montana), but this is my first go at it on the drawloom in my studio. Because of the reward that awaits, I will gladly tackle all the tasks of dressing this loom. Weaving rag rugs on a drawloom will be phenomenal!

Pattern heddles and weights for prepping the drawloom.
Pattern heddles are hanging on the breast beam for grouping into pattern units. A lingo is hung on each unit.
Threading the drawloom.
Pattern heddles have been threaded. You can see the lingos hanging below. Ground heddles are now being threaded. Straight draw threading on eight ground shafts.

Joy sees hidden treasure. We go to great lengths to unearth high-value treasure. Jesus did this, seeing us as the reward. That’s what Christmas celebrates. Jesus left his splendor in heaven to come to earth as a baby. He entered this world and endured the worst because of the joy set before him. He did it all for the joy of having us in fellowship with God. We come to him and find that we are the Grand Weaver’s reward.

May your joy be full.

Joy to you,
Karen