Tag: kuvikas

Quiet Friday: Kuvikas to Taqueté and video

Karen

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.
Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)
Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.
Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.
Finished Tencel kuvikas (summer and winter) glistens!
Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

https://www.facebook.com/1509042016009851/photos/a.1519556898291696.1073741829.1509042016009851/1933085693605479/?type=3&theater

Weave Amazing Taqueté Like an Octopus

Karen

I need this sample section to practice being an octopus at the loom. I switched from kuvikas to taqueté. Now I am weaving with two double-bobbin shuttles and two treadles at a time. With no intervening tabby treadles to balance my foot placement.

Kuvikas first, then taqueté. Same threading, different tie-up.
From kuvikas to taqueté. Changing the tie-up allows the loom to weave more than one structure with the same threading.

This taqueté uses the same threading as the kuvikas that preceded it. You’ve heard it said, “One change changes everything.” Try changing the tie-up. Everything changes. Treadling sequence, weft arrangement, and picks per inch. I’m struggling like a beginner with this double treadling, double double-bobbin shuttling. But I’m not quitting, because look what it weaves! The cloth is amazing.

Two double-bobbin shuttles for taqueté.
With no tabby picks in between, the double-bobbin shuttles take turns with each other.
Taqueté, with double treadling and double double-bobbin shuttling.
Each pattern block uses two treadles, pressed simultaneously. The treadling sequence changes four times for each complete row of pattern. Each block (a third) of the square-within-a-square pattern has five complete pattern rows.

One life change, good or bad, can bring a struggle. We try to move forward like we did before, but now it’s not working. Too many things are shifting at once. One thing changed, and now we are searching for sound footing. God is present even in our struggles. The warp is the same, the threading hasn’t changed, and the Grand Weaver is still at his loom. God is a very present help in trouble. God is now and near. Right now, right here. And then we get a glimpse of the cloth he is weaving… It is amazing!

May you endure through struggles.

Your weaving octopus,
Karen

Tools Day: Double-Bobbin Shuttle

Karen

The first time I wove fabric that required a doubled weft I did not use a double-bobbin shuttle. I didn’t own one. I used a regular boat shuttle and sent it across twice, going around the outer warp end. Those first thick and thin towels came out beautifully. So I know it can be done.

Weaving with a double-bobbin shuttle. Tips.
Square pattern peeks through from below. Double-bobbin shuttle carries the doubled tencel weft for this kuvikas fabric.

The first time I used a double-bobbin shuttle I wondered if it was worth it. It was awkward and clumsy in my hands. Since that rocky introduction a few years ago, I have woven many meters with my double-bobbin shuttles. They have become cherished tools and efficient accomplices to some of my favorite fabric-making endeavors!

Tips for Weaving with a Double-Bobbin Shuttle (and a short video demonstration)

  • Practice. Make sure you allow extra warp length for practicing. You will probably need it at first. Have fun and laugh, and refrain from throwing the shuttle across the room.
  • Winding Equal Bobbins. Wind the first quill. Lay it close to the bobbin winder where you can see it easily. As you wind the second quill, attempt to match it in size to the first one. (Winding two quills with equal amounts of thread is no small challenge.)
Winding equal quills for a double-bobbin shuttle.
Visibility of the first wound quill is key for judging how much thread to wind on the second quill.
Winding quills for double bobbin shuttles.
Knowing when to stop is the trick. The ideal is for both quills to become empty at the same time. This only happens in your dreams. But sometimes you can get pretty close.
  • Sending the Shuttle. Sending the double-bobbin shuttle through the shed is the same as sending a regular boat shuttle across. The best release is done with a flick of the forefinger so the shuttle speeds across. Then, the doubled weft naturally snugs the selvedge, and the two threads are neatly aligned across the shed. With a slower, more timid shuttle send-off, the quills unwind unequally.
Weaving with a double-bobbin shuttle.
Holding the shuttle palm up, the forefinger launches the shuttle to glide quickly through the shed.
Results of timid shuttle send-off.
Timid or sluggish shuttle send-off lays unequal lengths of threads in the shed.
How to tips for weaving with a double-bobbin shuttle.
Deliberate send-off of the shuttle helps the threads to lay across the shed in equal lengths.
  • Receiving the Shuttle. Receiving the shuttle can be the awkward and clumsy part at first. Especially if you are trying to practice a quicker send-off. I catch the shuttle as for any boat shuttle, palm up. And then, if needed, I fold my two bottom fingers around the threads, guiding them to fall equally across the shed.
Using a double-bobbin shuttle. Tips.
After catching the shuttle, I gently close my fingers around the two threads, as needed, to guide them to fall evenly across the warp.
  • Weave. Enjoy the process.
Shuttle shadows. Karen Isenhower
Shuttle shadows.

May your practice produce perfection. (Well, maybe not perfection, but at least improvement.)

Happy weaving,
Karen

Pattern in the Kuvikas

Karen

Each time I remove the temple I step back to review the progress. What does it look like now? It still looks like stripes. Four picks complete one row. The stripes lengthen, pick by pick. I hadn’t originally planned stripes, but seeing the results makes me hopeful.

Kuvikas stripes.
Lengthwise stripes on a solid-color warp are possible with a block weave, such as this kuvikas (summer and winter).

Every fabric has a structure–the particular way that warp and weft threads crisscross each other. This eight-shaft kuvikas structure sets the stage for weaving block patterns, like the square-within-a-square pattern or these stripes. It’s how the loom is set up. This loom is set up to weave kuvikas.

Love my double-bobbin shuttle!
Tencel pattern weft is in the double-bobbin shuttle. The regular boat shuttle carries 8/2 cotton for the tabby weft.

Truth is a constant. It doesn’t change with the wind. It isn’t subject to our whims. It’s how things are. Truth is the structure of creation’s fabric through good times and bad. Imagine the despair of Jesus’ closest followers as they watch him, their friend and Teacher, die in agony on a cross. Where is truth in this despair?

Kuvikas - Weaving lengthwise stripes on a solid-color warp.
Each complete row of pattern is made with four picks–tabby, pattern, tabby, pattern.

And then the unimaginable happens. Jesus comes back to them alive! This is the truth of God’s redemptive love–He died for us. Truth awakens hope. Speak truth to your soul. Wait in hope, for glorious fabric is being woven on His loom.

May you never lose hope.

With joy,
Karen

Kuvikas Squares Meet Stripes

Karen

After neglecting this Glimakra Standard loom for a few weeks, I lost my consistency in beating. The first panel, side one of a cushion, has a square-within-a-square pattern. And the squares are not all equal. If I tried to put the same pattern on the back panel, the cushion front and back would not match up at the seams.

Kuvikas (summer and winter).
Each block consists of twenty picks, so there are sixty picks for each row of the square-within-a-square pattern. Consistency in beating is crucial in order to have all the rows of squares equal in size.

Stripes to the rescue! The stripes use one of the four possible kuvikas blocks. I get a coordinating pattern without the fuss of trying to match up the sides. The stripes have a ribbed appearance–simpler than the squares, but still geometric. The patterns are different, but they work together and complement each other.

Kuvikas. Front and back cushion panels.
Two red picks separate the front and back panels of the cushion.
Kuvikas squares and stripes.
Repeating “block one” makes a simple stripe pattern. The square-within-a-square pattern is made by weaving two groups of blocks. Group 1: block two, block one, block two. Group 2: block three, block four, block three.

There are many different gifts in people; and the gifts all come from the same source. Each gift is like a pattern than can be used in a variety of ways, complementing the other patterns around it. Our Grand Weaver sees the whole project, and places the people with the gifts where they best fit in the overall fabric. You are made for a purpose. Your gifts are exactly what the rest of us need.

May your gifts bless those around you.

With purpose,
Karen