Combination drawloom. Pattern heddles hang on the heddling bars in units of 6 threads each. Each pattern unit is attached to an overhead single-unit draw cord with a lift heddle attached to a small metal clip. I use the clips so that I can leave the single-unit draw cords on the loom all the time, instead of removing and adding them for each project.
I’m one step closer to weaving these critter napkins. All the pattern heddles are hanging from the heddling bars in front of the back beam. I use little metal clips on lift heddles to attach each 6-thread unit to the single-unit draw cords. The next activity is distributing the pattern shafts—only thirteen this time, including the X shaft.
I hope you can overlook my “drawloom speak,” and just dream with me about the woven critters that will show up here soon!
May you keep getting ready for your next adventure.
I am constantly improving my methods of operating the drawloom. I pull and release draw handles and draw cords, check for errors, and throw the shuttle for each unit of threads (six times per unit with the current setup). Everything is in order. And, while I’m actively absorbed with this mental and physical choreography, I experience freedom from every other care.
Hem of towel is bleached 16/1 linen weft, and then green 16/2 linen weft. The pattern area of the towel is woven with royal blue 16/1 linen weft.Solid row of pattern across the warp requires that all pattern shaft draw handles are pulled. It always seems thrilling to me to see all the handles down at once!Lower border of the towel is the easy part. Pattern shafts are used for making a repeated pattern, and no single unit cords are involved.Pattern shaft draw handles are now relegated to the side borders. The center body of the towel uses single unit draw cords to create non-repeated pattern. The single units give me freedom to design a (planned) random snowfall expression.Snowflake Towel 01 is wrapping around the cloth beam. Snowflake Towel 02 is going over the knee beam. Snowflake Towel 03 is being woven. Snowflake Towel 04 will be the final towel on this warp. (But, who knows what I’ll be able to weave after that to the very end of the warp?)
These snowflake patterns are delightful to weave. There is enough consistency with the border pattern shafts to make it simple. And there is enough (planned) random snowflakes using single units and pattern shafts to keep it engaging. All I have to do is follow the graphed chart. As I weave, the snowflakes emerge, as if by magic. But it’s not really magic, is it?
Standard procedure is to always have a temple in place. I have rubber bands on the first and last draw handles for the side border pattern, and on the center handle for the border pattern (not pulled in this photo).Everything works together! …for the good of the fabric being woven.Sometimes one single unit is enough to make the next row of pattern.I keep the chart at eye level and constantly refer to it. Closely following the chart is the only way I can hope to weave something worthwhile on the combination drawloom.
If you believe in Jesus you must walk with him. And as you do, you come to know the truth. Truth is found by walking in it. The pattern on the chart is true, and gives direction. The delight comes as we see the real-time results emerge in our own hearts. That’s freedom in its purest form.
I’m in my own little world when I’m at the drawloom. No podcasts, no music going, no interruptions. It’s all deliberate focused attention on this thing I’m doing—following the chart row by row, drawing handles and cords, imprinting trees into cloth. It’s a delightful experience that I don’t want to end.
Single unitdraw cords pull up single units of threads. For the setup on this project one unit is 6 ends.Trees inside and outside.
The simple tree design is scattered across the fabric using the single unit draw system. At the start of this towel, the same tree design was woven on the side borders using the pattern shafts. With this combination drawloom I combine single units and pattern shafts to work in complex harmony, as an expression of my creativity.
Trees on the side borders, as seen on the cloth below the breast beam, were woven using pattern shafts. Each pattern shaft holds units of ends in a certain order, which enables me to duplicate patterns across the warp or on the sides, as with these trees.Near the finishing line for this towel.Clear ruler moves up the chart, line by line, showing me exactly which black or white single unit cords to draw. The checked borders are produced with the pattern shaft draw handles.
The Lord is ready to give us his focused attention. Our complexity is no threat to him. When we allow him to direct our hearts, pulling cords at the right place to imprint his will in us, he faithfully completes the work, to the very last detail. The Lord embraces those who fully trust him. His unseen designs become visible in the lives of those who belong to him. We can just imagine the delight this brings to our Maker.
I threaded 888 warp ends. I am getting ready to thread those 888 ends again. It’s part of the preliminary process for a new drawloom project. A drawloom has two sets of heddles. Thread the pattern heddles. Then, thread the ground heddles. I enjoy all the preliminaries because of what they bring about—a delightful new weaving adventure!
Before I start threading, I count out all the lingos (weights) I need for the pattern heddles. Then, I hang a lingo on each unit of pattern heddles. In this case, there are 148 units, and six heddles in each unit. I move all those prepared units (heddles with lingos) to the back of the loom, get comfortable on my loom bench, and start threading. After a few sessions, I am finished threading the pattern heddles.
Pattern heddles hang at the back of the loom for threading.On the walking path to my drawloom studio each day I see the startling blooms of our Texas hill country Bluebonnets. Just imagine the unseen preliminaries for this beauty!Threading continues.All 888 pattern heddles are threaded! Ground heddles are next…
Next up, I will thread long-eye heddles on six ground shafts. A few more start-up operations after that, and then we will see this big ol’ boat raise its sails and leave the shore for another exhilarating adventure in weaving!
May you enjoy the preliminaries for every new start.
I intended to weave this part quickly, and move on. But when I noticed I could see the end of the warp I changed my mind. I’m going to do something that will slow me down—inlay. It’s something I’ve been thinking about doing. Now’s my chance before I run out of warp.
One handle is drawn for the simple side borders design. The beginning blue border motifs were also woven using draw handles, connected to pattern shafts.
I am adding blue 16/1 linen inlay to the center motif. The same color blue is laid in at the center motif on the side borders, as well.
Blue linen inlay leaves floats between the raised pattern threads.
Draw the pull-handles for the borders – draw single unit cords – throw the shuttle – lay in the blue thread – throw the shuttle and lay in the blue thread two more times. Move up one row on the chart, and follow the same sequence as before. Ever so carefully, learning as I go. Delightfully slow as molasses. Intently paying attention, and thinking about what I would do differently next time.
Draw cord pegs just above the beater create interesting shadows.
Changing your mind changes your direction. When the Lord sees our thoughts turning in his direction, he reveals more and more of himself to us. Like small lines of color added a row at a time, the image becomes more and more distinct. With the warp we have remaining, there is still time to see the Grand Weaver’s image woven in us.
