Wild Turkey and More

Three looms are active right now. The drawloom has the napkin project, with a wild turkey on this one.

Wild turkey feet and legs weave up quickly. There are only a few single unit draw cords to pull at a time, plus one pattern shaft draw handle for the side borders.
Wild turkey feathers require many more single unit draw cords. Even the borders at this place in the pattern are done with single units. The cast shadow on the loom from the bell that hangs in the window makes a funny face at this time of day. Could be a silly turkey face? 🙂

The Julia has the wool goose-eye twill fabric that I plan to use for making myself a simple winter cape. Next winter should be here soon enough.

Wool cape fabric in goose-eye twill.

Last but not the least at all is the GlimĂ„kra Standard with curtains for our remodeled bathroom. This is a big project and I will be weaving on this for a while. M’s and O’s is enjoyable to weave. I like the counting for the squares and stripes, and the trading off of feet that this project gives me.

Curtain fabric in M’s and O’s is winding up on the cloth beam.

Happy Weaving,

Karen

Goose-Eye Squares in Wool

I like goose-eye twill. Do you? I’ve woven it in throws, towels, and rag rugs. I am not sure why this is such a pleasing pattern to me. Maybe because it speaks of classic simplicity.

Brage wool yarn is threaded in the heddles for goose-eye twill.
Testing the pattern. I want the goose-eye diamond to be “square,” so I will weave further to get a consistent beat. Then I will count how many rows it takes to make the diamonds “square.”

I have woven goose-eye twill with and without floating selvedges. This time is without. The advantage is that I can get a cleaner edge without floating selvedges. The disadvantage is that I can get messier edges without floating selvedges. It takes me a little practice to get the selvedges just right, catching some of the outer warp ends. After I get it down, the selvedges will be pretty tidy.

Squares of goose eyes make the overall pattern for this fabric that I hope to make into a small cape for myself. I am using yarn that I had on my shelf. The blue warp stripe is a little too loud for me, but it is what it is, so I’m going to make it work.

Persistence means you keep working at it until it works. And you overlook things (like the blue warp stripe) that it’s too late to change, and make the best of it. Persistence is a virtue when we persist with right things. Persist in faith. Persist in love. And always, persist in hope. Jesus waits for those who persist in leaning on him. Let’s lean in a little closer.

With faith, love, and hope,

Karen

Big Squishy Warp Chains for Christmas

Merry Christmas! Julia is getting dressed with 7/2 Brage wool for a lovely goose-eye twill. Warp chains like this are big and squishy, just begging to be hugged.

Winding the first of two warp bouts.
Thick and fluffy warp chain of 7/2 Brage wool.
Getting ready to beam the warp. Wool in five colors for goose-eye twill.
Getting things ready to spread the warp and then beam it on.

This project is going nearly full width on this 70 cm GlimĂ„kra Julia countermarch loom. My warping slats are exactly 67 cm. (I should have measured the warping slats before I started.) At 65.7 cm weaving width I’m asking for trouble. You can see the problem, right? Those ends can slip right off the edge of the warping slats on the warp beam. I got ‘er beamed, though, with the help of a friend. Hallelujah! The warp ends all ended up in the right place at the right time.

Successfully beamed, with less than a centimeter to spare on each end of the warping slats.
Threading the heddles is a restful, enjoyable part of dressing the loom, especially with wool this soft and squishy.

If we mortals celebrate such earthly victories, imagine the hallelujah’s that all heaven expressed when the Son of God came down to us in the right place at precisely the right time as baby Jesus. That manger in a stable in Bethlehem was not a centimeter nor a millisecond off. This was God’s plan from the beginning to come in person to bring back to himself all who would receive his offer of lasting grace. Hallelujah! The angel chorus rings out, “Glory to God in highest heaven, and peace on earth to those with whom God is pleased.”

May you see the Christmas story in a meaningful way.

Have a truly blessed Christmas,
Karen

Happy New Warp – Year in Review Video

The 2021 cloth is cut from the loom. Let’s unroll the year to see how it looks. I see cherished moments. Treasured memories. New friendships. Family relationships enjoyed. Mistakes made. A few heartbreaks. Sorrow and rejoicing are intertwined at times. Besides the finished fabric, there are a few odd remnants worth keeping in my heart. And, like most thrums, there are some things I am not going to hold on to.

Cloth beam on the Glimakra Julia. Linen dish cloths.
Final project of 2021. Linen dish cloths, with warp made from what was left on several tubes of linen. GlimÄkra Julia, using 8 shafts, 8 treadles.
Glimakra Julia - linen dish cloths!
Good-bye, 2021. Nine linen dish cloths, plus one large blue rectangle at the end. Washing dishes has never looked so good!

Three weaving highlights: 1. Eye of the Beholder—tapestry of my mom. The Lord used the making and finishing of this woven portrait to reiterate His nearness when I needed it most. 2. Siblings, tapestry from the previous year, earned the HGA (Handweavers Guild of America) Award at the Contemporary Handweavers of Texas Conference last summer. 3. The yellow huckaback three-tiered skirt, Tiers of Joy, ought to earn an achievement award. However, the real reward is a genuine sense of accomplishment through perseverance.

Rag rugs up next!
First warp of 2022. GlimÄkra Ideal. Double-binding rag rugs coming up. Hooray!

Know when to let go. 2022 is a new warp on the loom. Some things from last year don’t belong. We have a fresh start with no room for complaints. Threads on the loom are rich with hope, ready for the intersection of thoughtful wonder and exploration. Look for results of tangible beauty.

Please enjoy looking back at the weaving journey of 2021 with me. I’m grateful to have you here, and look forward to more good times together!

The three highlights: Process Review: Eye of the Beholder, Siblings Tapestry and Process Video, Process Review: Tiers of Joy!

May you know what to hold, and what to let go.

Happy New Warp (Year),
Karen

Process Review: Tiers of Joy!

Would you believe me if I told you I had the exact length of fabric needed to cut out the three tiers for this skirt, with not a millimeter to spare? It’s true. Despite a profusion of fitting conundrums, detail studies, do-overs, ripping outs, mind-bending problem solving, and to-the-thread close calls, I never considered giving up. That’s not true. I did think of throwing in the towel. But, thankfully, my cheerleader husband won’t let me take that option.

Handwoven skirt in the making.
Measure thrice, cut once. When I changed the skirt pattern, my original measurements no longer applied. I made paper patterns for the tiers. That’s when I discovered just how close the length of fabric was to the length needed.

I have a deeper respect now for my friends whose sweet spot is garment design and construction. This Tiers of Joy experience has reminded me that handweaving is my sweet spot. It’s the thing I do that makes me say, “I was made for this.” When I’m at the loom I am soaring. What is your sweet spot? Let the breath of God make you soar.

Tiers of Joy handwoven skirt! designed and woven by Karen Isenhower.

Happily, I have a memorable handwoven skirt to wear on my date with Steve to the Symphony of the Hills Christmas concert next week.

Here’s a short slideshow video of this thread-to-garment story:

I am giving thanks for you! I’m glad you and I get to walk through this weaving (and sewing) journey together.

May your heart soar with thanksgiving.

Happy Giving Thanks,
Karen