Process Review: Rosepath and Butterflies

I allowed the remaining warp to sit on the loom for a little while after cutting off the Eye of the Beholder tapestry. It crossed my mind to be completely done with it. Go ahead, discard the bit of warp that is left, I told myself. But this is linen. I have a hard time discarding linen.

New tapestry, just cut off the loom.
Cutting off Eye of the Beholder tapestry.

The warp on the loom is threaded in rosepath, with a coarse sett of 3 ends per centimeter (7.5 ends per inch). The potential weaving length is no more than 20-30 centimeters. Then, the “what if” happens. What if…I use leftover butterflies from the tapestry as weft for a short rosepath design? One thing leads to another. Now, I have a new favorite purse. The tapestry memories live on!

Linen warp and wool weft in rosepath.
Stick shuttle works to carry various lengths of wool butterflies across the linen warp.
Tapestry butterflies put to use.
Tapestry butterflies are put to use. (Butterflies accumulate with every tapestry.)
Rosepath garden.
Butterflies in the rosepath garden.
Rosepath with leftover tapestry wool butterflies.
Cutting off beautiful linen and wool rosepath!
Cutting off.
Finishing the ends.
Finishing the ends.
Rosepath and Butterflies Purse.
Rosepath and Butterflies Purse.
Handwoven purse, with lining and pocket.
Inside of purse is lined, with a pocket added, of course.
Handwoven strap made from 12/6 cotton rug warp.
Strap is 4.5cm wide and was woven with 12/6 cotton rug warp on the Glimåkra 2-treadle band loom. I sewed the strap to the bag, keeping the warp edging of the rosepath fabric visible, with the braids at the ends as embellishments.
Rosepath and Butterflies Purse. Handwoven.

May you know when to ask, “What if?”

Be blessed,
Karen

What Five-Shaft Huckaback Can Do

It takes only four blocks to weave these lovely summer “flowers.” This five-shaft huckaback uses one tabby treadle and four pattern treadles. My right foot operates the tabby treadle and my left foot manages the pattern treadles. One treadle remains on the floor (not tied up) between the tabby and pattern treadles, putting a helpful space between right foot and left foot.

Skirt fabric!
Flower pattern will be on the second and third tiers of a three-tiered skirt.

Each of the four pattern treadles produces its own block. It couldn’t be simpler. It’s always right foot, left foot. Yet, I can weave the wrong sequence, even while I’m patting myself on the back. For that reason, I stop and examine my work after every few picks. I want to make sure my weaving aligns with the treadling sequence on the draft.

Weaving fabric for 3-tiered skirt!
Summer flowers in huckaback (huck lace).

Have you noticed how easy it is to judge someone else’s motives? And how hard it is to notice our own? I can fool myself. The Lord knows us better than we know ourselves. It’s his mercy that shows us our impure motives. His grace shows us how to walk in his ways. His love keeps us coming back to align our hearts with his.

May your fabric have grace woven in.

Happy Weaving,
Karen

Quills of Summer Yellow

Yellow is everywhere right now. A profusion of wildflowers stretches across our backyard, and much of it is yellow. The bright yellow linen weft fits right in! This is skirt fabric in the making. Wearing the skirt will be as if I’m wearing my own little summer flower garden.

Five more wound quills ready to go!

One shuttle, one color. There are no decisions to make about the weft. Just keep these quills full of glowing yellow thread. When the last of the filled quills is in the shuttle, I weave until I find a good stopping place. Then, it’s time to get up and wind a handful of quills again. Replenish before the quill in the shuttle is bare.

Huckaback skirt fabric. Linen weft.
24/2 cotton warp, 16/1 linen weft, 5-shaft Huckaback.

To be full of faith is to be faithful. We say we trust Jesus. But can Jesus trust us? Faith-ful means you not only believe in him, you abide in him. You believe, and you live what you believe. Day, after day, after day. Quill, after quill, after quill. Replenish regularly to keep getting filled up. Never depleted. Always ready for the next pick.

May you never be depleted.

Happy Weaving,
Karen

Process Review: Happy Blues

Cutting off is like reading the ending of a good short story. Even though you are eager to get to the end, when you reach the final paragraph it seems to soon for the story to be over. Fortunately, even though I am cutting off these happy blues, I still get to enjoy the fabric a while longer as I bring it through the finishing process.

Handwoven cotton fabric. Happy Blues.
All blue. 8/2 cotton in eight-shaft twill. Soft and cushiony.

The 8/2 cotton fabric is woven, washed and dried (multiple times), and ready for its final step. I will cut and hem individual pieces to be used as covers for the arm rests and the headrest for my mother-in-law’s recliner. I can’t think of a better place for this story to end up.

Enjoy this little video slideshow of the making of this cloth:

May you keep starting and finishing good stories.

Love,
Karen

Tried and True: How to Count to Three – and Other Weaving Tips

We weavers are resourceful. We enjoy finding solutions that make our time at the loom more efficient, while raising the quality of our weaving. We’ve done some of these little tricks so much we don’t think about them anymore. And then, some innovations are things we think up on the spot because necessity, as you know, is the mother of invention.

Keep Count

Necessity: Keep from losing my place with treadling repeats.
Solution: A strip of blue painter’s tape with “3 2 1” and a rubber band, placed on the breast beam. Move the rubber band on the tape (from right to left) to track repeats.

Weaving tips - low tech solutions.
I need help counting to 3 when it comes to treadling repeats. On the Glimåkra Standard loom, I am able to loosen the warp enough to lift the breast beam so I can put a rubber band on it. Without a removable breast beam, one could use a separate small piece of tape instead of a rubber band to keep track.
Keep track of repeats. Blog post with tips and tricks.
Low tech solution for keeping track.

Shuttle Catch

Necessity: Keep from fumbling the catch, having to reposition the shuttle in my hand to send it back across the warp.
Solution: Keep my eye on the shuttle. If I turn my head to watch the movement of the shuttle, my catching and throwing improves immediately. This makes my selvedges improve, too.

Weaving tips and tricks. Easy tip on how to catch the shuttle perfectly.
It is easy to throw and catch the shuttle without actually looking at your hands. I have to consciously remember to turn my head to follow the shuttle with my eyes.

Leave No Trace

Necessity: Keep from leaving slightly perceptible lines in the woven cloth that reveal every time I stop to move the temple and advance the warp.
Solution: When it is almost time to advance the warp, I move the temple and then weave one or more pattern sequence(s) before advancing the warp. This helps me leave no trace of starting and stopping.

Tips and tricks for the weaving loom.
Almost ready to advance the warp, I remove the temple and reposition the pins on my guide tape. Then, I put the temple back on, near the fell line.
Tips about when to advance the warp.
After moving the temple, I weave one or more complete treadling sequences before advancing the warp.
Three simple weaving tips for efficiency and quality!
After advancing the warp, I know exactly where I left off because of my tape-and-rubber-band counter. My eyes are on the shuttle to continue this segment of weaving.

Do you have a simple tip that improves your efficiency and/or quality at the loom? Please share in the comments.

May you notice what you’re doing.

Happy Weaving,
Karen