What do you do with a blank slate? Do you feel empowered or immobilized? It is easy to get stuck in over-planning instead of jumping right in and doing something. I am facing a blank slate now with the rya weaving. I finished the first two rya pieces on this warp(the first one HERE; the second one HERE), and now I have time to think about the color and design for the third piece. I have a good assortment of wool yarns to choose from, about twenty-five different colors.
First rya section is seen wrapping around the cloth beam, and the second piece is on its way there, with bits of the red wool strands seen hanging down. Now ready to begin the third set of rya knots.
Sometimes all the options overwhelm me and I freeze, doing nothing instead of doing something. I can think about the next steps all day long, but until I act on the ideas nothing happens.
Opportunities come and go. If we are immobilized because we fear making a mistake, we miss the chance to make a difference in the moment. Your best opportunity is right now! Whatever you have in front of you…whatever you know to do…no matter how small or seemingly insignificant…do it. Do the next thing now. And if you don’t care for how it comes out, …there’s always next time!
My feet follow an eight-step sequence on four treadles for this rosepath pattern. Even one step out of sequence makes a glaring error. I start out conscious of the order, repeating the numbers aloud while moving my feet. 3-2-1-4-1-2-3-4. After a while, my feet find a motor memory and I don’t need to concentrate as much. Now I’m in my sweet spot, throwing the shuttle back and forth, making cloth. (This flat cloth will be the back of a cushion with THIS rya weaving on the front.) I would like my attitudes to stay in their sweet spot, too.
If I always stop at the same spot in the eight-step sequence, when I do need to stop, I am much less likely to get confused about where I left off. I like to have a filled quill ready so I can keep moving, even when I need to replace an empty quill.
There are normal interruptions in weaving, like stopping to replace the quill in the shuttle. Most of my treadling errors happen after those interruptions. With my attitudes, the disruption that knocks me out of my sweet spot is an encounter with someone who is disagreeable, rude, or unkind.
When we give a blessing, though, even to the undeserving, we come out ahead. If I show empathy, kindness, and humility to someone who does not show it in return, I end up with the blessing. If I return evil for evil or insult for insult, however, I throw that blessing away and my misstep makes a glaring error in my own fabric. Giving a blessing is the best way to get back to that sweet spot.
Finish the finishing, please. I always have a pile of handwovens that need finishing. Don’t you? The finishing smorgasbord includes repairing skipped threads (unintentional floats), securing ends, fringe treatments, hemming, wet finishing, pressing, adding hanging tabs, embellishments, and more. You know you are finally finished when your handiwork is being used and enjoyed.
1. Twisted fringe on bamboo huck lace small tablecloth. This cloth covered an heirloom table, becoming the altar, at Melody’s wedding. (This short piece was at the end of the warp after weaving two shawls.) You can see the shawls HERE, and twisting the fringe HERE.
Twisted fringe gives an elegant finishing touch to this small huck lace table covering.
2. Added hanging tabs to handtowels. Installed Ikea rod with basket and hooks to hang handwoven handtowels in the powder room. (When you need tabs for towels, it helps to have a collection of inkle and band loombands.) You can see the most recent towels HERE – I kept one of the eight for myself; the rest became gifts.
Ikea basket and hooks hold assortment of handwoven towels for guests to use in the powder room.
3. Untangled the fringe of alpaca/tencel throw. (A wet finishing nightmare I don’t care to repeat.) You can see what it looked like before washing HERE.
Each strand of fringe was carefully separated one-by-one after leaving the alpaca/tencel throw in the washing machine a few minutes too long. Untangling took longer than tying the lattice fringe. Hours and hours.
4. Hand-stitched rolled hem on Swedish lace tablecloth. (I may use this as a curtain for my weaving studio window, hung on rings with clips, on a rod.) HERE are the long curtain panels that hang on windows in my home.
Swedish lace panel can be used as a tablecloth, or a curtain, or even a light, summery shawl. The hand-stitched rolled hem gives a delicate touch to this elegant piece.Swedish lace is shown to its best advantage when light is allowed to shine through the cloth. The pressed rolled hem adds a classy touch.
5. Hemmed small sample piece to carry around with me when I have a cup of coffee. (I grab this re-usable “scrap” instead of a paper napkin or paper towel. It also doubles as a coaster wherever I happen to sit down.) The original M’s and O’s towels are HERE; and HERE you can see what I mean about carrying my coffee cup around with me.
Scrap of handwoven fabric, from a cottolin warp of handtowels, follows my favorite coffee cup around.
6. Replaced nylon cord on handwoven Roman shades with a cord I wove on my band loom. (The “temporary” nylon cord stayed more than a year. We now enjoy seeing this on our kitchen door every day, finally fully finished.) The only place I have a picture of the original nylon cord, and of the fabric on the loom for the Roman shades is in my Projects on Weavolution HERE. (I’m not sure if you can see it without logging in to the site.)
Linen and cotton threads that match the handwoven Roman shades were used to weave the pull cord. Cord woven on Glimakra two-treadle band loom.Handwoven Roman shades finally have a matching pull cord. When the shades are lowered at night, the two-block twill structure is seen covering the whole kitchen door window. Woven on 8-shaft Glimakra Standard loom.Opening the shades to start the day and welcome you. Please come in!
May you reduce your finishing pile (I know you have one).
It is never an easy decision to call it quits and start over. Should I try to make it work and hope for the best? How do you know when to walk away? A good idea shapes the planning of a design, including color choices, materials, and weave structure. That same good idea forms an ideal that guides and critiques the choices along the way. When I saw that the rug on the loom (THIS one) was not lining up with that ideal, I knew it was time to start over. (This new start is much closer to my original idea.)
Brown rosepath design stands out because of contrasting light background. The print and teal pattern that borders the rosepath design brings in some of the color from the plain weave hem area.
Hold on to good. Let the virtue of goodness be a guiding star for decisions, behavior, and interactions with people. When our actions do not match that good ideal, it’s time to walk away from poor behavior and start over. We become zealous about other things, like good color combinations and perfect selvedges. (HERE is one of the best ways to improve selvedges.) Why not be zealous for good? I don’t mean pointing fingers at others. My own life is the only one I can inspect to see how it aligns with the ideal. The good idea is confirmed as the colors of gentleness and respect are noticeably woven into the fabric.
This rag rug is not coming out how I expected. The color balance is off. The green and brown do not have enough contrast in the central rosepath design. There is too much red, and it’s overpowering the neutral colors. It is time to call it quits on this one, and get a fresh start on a new rug. If I am going to put my name on something, I want the item to match what is in my mind’s eye. And this is not it!
Start of rosepath rag rug. Camera lens helps view the balance of design and color. This short sample will be used to make a bag instead of a floor rug.
I like to let my personality show in the items I produce. It would be nice if someone would see one of my rag rug creations and say, “That’s a Karen Isenhower rug!” Not to be famous, mind you, but just to have an identifiable style. A name carries promise. Consistency in the weaving extends the promise and identifies the maker. I’d like my life to be a weaving like that, too, making the fair name of Jesus recognizable.
