This is one of those weaving projects that puts you on top of the world. Everything about it. Linen, ten shafts, five-shaft satin weave, ten treadles, gorgeous Moberg damask shuttle, single-shuttle rhythm, full-body weaving, magical fabric. I did have more than my share of knots in the warp, and a few skipped threads and selvedge loops. But you will see no evidence of those glitches now. All you will see is the natural beauty of linen, with its characteristic unevenness. And the reflective satin dräll weave, with its light-catching trickery.
The warp is Bockens unbleached 16/2 line linen. Two of the towels use 16/1 golden bleached linen for the weft. At my husband’s request, the remaining three towels have 16/2 linen weft, in ecru. The thicker weft helps make these into robust absorbent handtowels. A table square finishes off the set.
Enjoy the process with me as I reminisce over the start-to-finish pleasure of weaving these towels.
Ten shafts and ten treadles. Isn’t it fascinating how all those parts synchronize and work together to turn threads into cloth? It’s a mystery unless you’ve been in the weaver’s seat. Even then, it’s a wonder. Especially when you see linen threads turn into this amazing five-shaft satindräll!
There are three towels left on this warp, but I am weaving the remainder as one long piece. I will cut it into separate towels after it’s off the loom. Or, I might change my mind and leave it long as a table runner.
Warp is unbleached linen and the weft is ecru, also linen. The subtle difference in color highlights the dräll pattern in the fabric.
Mystery. The mystery of the ages is that Christ can dwell in us. Understand that? No, but I do understand a weaver sitting at the loom, managing the threads and throwing the shuttle to produce a specific fabric. What if I invite Jesus Christ to take control of everything being woven in my life? That is a mystery worth pursuing.
At the final inches of weavablewarp, my regular boat shuttle will not fit through the shed. I wove the first half of this final rug thinking I had more than enough warp left to complete a symmetrical design.
Final rug on this warp. I planned a symmetrical design that reverses at the center of the rug.As the back tie-on bar comes over the back beam I am concerned about whether I have enough warp to finish the second half of the rug.
Drama at the end. I still need to weave the ending warp thread header. Time to pull out my secret weapon—a low-profile shuttle. No worries or fretting. The slim shuttle deftly (with a little prodding) weaves the eight picks of the warp thread header that concludes this final rug. Whew.
Low-profile shuttle saves the day. I’m so near the end of the warp that there is not enough room in the shed for my regular boat shuttle to fit through.Very end of the warp is seen right behind the shafts. After the eight picks of warp thread header, I wove as many picks of scrap weft as I could…by hand.
When we face adversity, and our usual coping methods are not working, we feel the pressure and anxiety. It’s time to activate our secret weapon—a gentle and quiet spirit. Gentleness and quietness are beautiful embellishments to the hidden person of the heart. This humble spirit enables you to glide through the tightest situations. Best of all, those last picks you carefully weave will keep the lovely rag rug you’ve been working on from unraveling.
When my long-held dream of weaving on a floor loom became a possibility, I started my journey with questions. What are the pros and cons of the different types of looms? After considerable research, a winner emerged—the Swedish countermarch loom!
Pros and Con of Countermarch Looms (My experience is with Glimåkra. Other countermarch looms may differ.)
Pros
Weave anything. Rag rugs to lace-weight fabric.
Hanging beater. Swinging beater has momentum that enables a firm beat. No strain to shoulders, arms, or wrists. Asset for weaving rag rugs, and superb control for cloth with an open weave. Beater placement is adjustable, making it possible to weave longer before advancing the warp.
Rear-hinged treadles. Pressing treadles is effortless, no matter how many shafts. No strain on back, legs, knees, or ankles, even with robust weaving. Because treadles are close to each other, I press correct treadles with sock- or bare-footed ease…without having to watch my feet. Ample foot rest makes it easy to trade feet when using many treadles.
Clean shed. Stepping on a treadle raises and lowers shafts at the same time, so a great shed is not only possible, but usual.
Glimåkra Ideal with horizontal countermarch. The cords from the countermarch jacks at the top of the loom go straight down through the warp to the lower lamms. The lower lamms connected to treadles cause shafts to lift when a treadle is depressed.
Even warp tension. Because shafts are both raised and lowered, tension is equal on raised and lowered warp ends. Even warp tension is good for all types of weaving. This even tension makes a tight warp possible. Perfect for linen, and for rugs.
Gimåkra Standard loom with vertical countermarch. Cords from the countermarch jacks go over the side of the loom to the lower lamms below. The upper lamms (not pictured) attached to treadles cause shafts to sink when a treadle is depressed.
Threading and sleying ease. Loom bench sits “inside” the Glimåkra Standard loom, comfortably close to heddles and lease sticks for threading and for sleying the reed.
Bench sits in the loom for threadingheddles. I call this my little playhouse.
Texsolv heddles. Heddles can be easily added or removed from shafts (shafts are also easily added or removed). Quiet. Easy to thread.
Perfect fit. A petite person like me can weave on a large loom (my Standard is 47”/120cm) as comfortably as someone with longer arms and legs. Able to sit in upright posture for weaving.
Wooden. The loom is primarily wood. Bonus if you appreciate natural beauty of wood. Held together with wooden wedges and a few bolts. No screws or wing nuts.
Scandinavian clarity. Because of the Swedish loom, I adopt Swedish weaving practices and have an interest in traditional Scandinavian textiles. The loom fits the style. Streamlined design, precision, systematic and logical processes, and beauty with function.
Con
Treadle tie-ups. Shafts are connected to upper lamms and lower lamms. Treadle cords with a bead at one end are hung in the lamms. Lamms are then attached to treadles. Treadle tie-ups normally fall under the Pros category, because this is what enables the loom to have the clean shed it’s known for. But since I just finished tying up ten shafts to ten treadles (that’s 100 treadle cords), this is my least favorite part right now. 😉 (The weaving pleasure more than makes up for it, though.)
One hundred treadle cords hang from upper and lower lamms. The only thing left is to attach all the cords to treadles. 😉Treadle cords are attached. Little anchor pins lock each cord into position under the treadle. After a few adjustments, the shed on each treadle is good. The loom is dressed! Five-shaft satindräll coming up!
Conclusion:
When I weave on my Glimåkra Standard countermarch loom, I am soaring like an eagle. I’m sailing with the spinnaker up. I am a pipe organ maestro. I am dreaming while fully awake. This is everything I imagined weaving could be, only better.
Testing weft options. Gorgeous handcrafted damask shuttle, Chechen wood, made by Moberg Tools. Five-shaft satin dräll–a weaver’s dream.
For more in-depth information about countermarch looms, comparisons of looms, and other fantastic resources, see articles written by Joanne Hall, found at Glimåkra USA.
