Tag: eight shafts

Weave Past the Mid Mark

Karen

“Mid” marks the halfway point on every pre-measured tape I make. I like to know when I’m starting the second half of something. It’s a target before I reach it, and a passing milestone after I cross that line.

Middle line marks the halfway point in the weaving.
Pre-measured twill tape has a line at the halfway point, marked “Mid.” Tail from a spliced warp end will be trimmed in the finishing process.

As I’m weaving this throw, my thoughts jump ahead. I will have a few skipped threads to fix, and spliced warp ends to clip. I think about how I will hem the piece, and wash and dry it. In what special manner shall I present the finished throw to my beloved daughter-in-law? And, my mind goes to the twelve-shaft double weave towels for my daughter that are up next, with the flowery threads beckoning me from the shelves.

Cotton double weave on the loom.
Double weave with eight shafts. 8/2 cotton.
Shelves of weaving thread!
Do you see the aqua, poppy, marigold, and orchid cottolin threads that are ready to jump off the shelves and be woven into hand towels?

I’d like to know where I am in the span of my life. There is no “Mid” mark, though, is there? I’m not in charge of that measured tape. Faith in Christ, love, and perseverance—these form a foundation. A solid foundation is security for life. In this security, I think about what I need to repair and resolve and finish. And how to leave intangible gifts that outlive me. And I think about the glory that awaits. Imagine fabric of unbridled creativity in colors only heaven knows!

May your second half be better than your first.

With you,
Karen

Weave Two Connected Layers

Karen

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!
Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.
Double weave throw. Karen Isenhower
Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.
Double weave magic!
Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

Building Blocks in Double Weave

Karen

Troubles. What troubles? All is forgotten now that the shuttle is ready to soar. After my threading misadventure and correction, I’m ready to weave! But first… The treadle tie-ups need adjustments. And then, after weaving a couple inches, a few more adjustments. Now the shed is nearly perfect on every treadle. Ready, set, wait a minute… Sample. Which shuttle goes where to lock in the weft? How many picks make a square? Is my beat consistent?

Waterfall of colorful threads over the back beam!
Like a spectacular waterfall, warp ends splash with color over the back beam. First adjustments have been made to treadle tie-ups. Ready to start weaving the sample.
Sample first. Double weave throw about to begin.
Sample gives opportunity to practice and experiment. Checking shed clearances, weft color tryouts, synchronizing two shuttles, consistent beating–a few of the reasons why it makes sense to sample first.

After completing the sample, I am now weaving the wide dark plum beginning border of the double weave throw. In a few inches I will be enjoying the colorful blocks that we have all been waiting for. Building blocks. Success, setbacks, adjustments, and practice, all build a foundation of weaving experience.

Beginning dark plum border of a double weave throw.
Here it is. The real thing. The beginning border of the actual double weave throw.

Build. If I’m not careful, my attention goes to the building up of myself. Yet, love focuses on others to build them up. It’s through a process of success, setbacks, adjustments, and practice that love flourishes. When your strong desire is to see the colorful blocks of the weave, you press through until you see it. Love is even stronger than that. Our example is Christ. His love makes the pattern of love possible in us.

May you build on what you learn.

Happy weaving,
Karen

Double Weave Throw – Take Two

Karen

Nothing about the original draft is incorrect, but when I wrote it in pencil on my planning sheet, I transposed one. little. thing. The threading key. “X = plum; black square = other colors.” Exact opposite of what is written in the draft from The Big Book of Weaving, by Laila Lundell. (See When You Misread the Threading Draft, where I discover my dilemma.)

One little mistake. Big consequences.
Blind to my own mistake, even as I double check my handwritten draft.

Thanks to Fiberworks weaving software I am working out a solution. I adjusted the tie-up, so the treadle tie-ups on the first, third, fifth, and seventh shafts trade places with the tie-ups on the second, fourth, sixth, and eighth shafts. It works. And now, the one little threading error that is clearly visible seems like a breeze to correct!

Ready to weave a cotton double weave throw.
Tie-up adjustments bring the correct warp ends to the surface. Solid stripes of color are set to produce the desired design when woven.
One threading error. No big deal at this point.
One blue warp end stands out like a sore thumb. I’m glad to find this one threading error at this stage in the process.

There are times when my whole perspective needs an adjustment. It’s time for love. Love adjusts our view. At the heart level, love brings about changes in us. It re-sets our attention and motivations. Because God loved us, we can love, too. We don’t see, understand, or know everything now, which shows how incomplete we humans are. But the love that heaven knows is something we get to participate in here and now. Our cloth is far from perfected, but our love adjustments give us a glimpse of cloth from another realm.

May you make necessary adjustments.

Love,
Karen

When You Misread the Threading Draft

Karen

What if you finish tying up the loom, eight shafts and eight treadles, having beamed, threaded, and sleyed 2,064 ends, and the first thing you see when you step on the treadles is… that you misunderstood the threading draft? Do you undo everything and re-thread? Not likely, if it took you eleven-and-a-half hours to do the threading in the first place. I am taking a deep breath. Time to walk away and think. Maybe I can adjust the tie-up, or maybe I can use it as is—a serendipitous design. Should I laugh or cry? My idea to serve my loved ones with handwoven gifts (See Weaving a Gift) is getting off to a rough start.

Double weave throw. Warp is tied on.
Warp is tied on. Ready to tie up the treadles.
Tie-up completed for eight shafts and eight treadles.
Lamms are connected. Treadle cords are positioned. Treadles are tied up. Eight shafts and eight treadles.
Double weave throw.
This view should show solid dark plum all the way across.
Double weave throw on the loom.
This view should show stripes of solid colors, not two-color stripes, with solid bands of dark plum in between.

Serve. I want to offer my best, especially when I’m making a gift for someone dear to me. It helps to look beyond the person, though, and realize my true service is to the Lord. Heart, soul, mind, and hands. I bring my misunderstandings and missteps of the heart to my Master Weaver, who has taken it on himself to make things right. And I’m reminded that as I serve someone with my weaving hands, the true gift is love. This double weave throw will be a reminder of that.

May you recover from your mistakes.

Humbly,
Karen

UPDATE: I have had a chance to put the draft on Fiberworks weaving software and work with it to adjust the tie-up. I think I found a solution. Stay tuned!