Tag: Glimakra

Sley, Sley Again

Karen

I have never re-sleyed a warp after weaving the sample. Until now. It’s a drastic measure; but it’s better than fighting with the warp the whole way. I’m doing inlay on a rag rug, with rya knots and other techniques. It didn’t take long to see that the ends needed to be spaced further apart. But this is why we sample, right?

Beginning sample of rag rug weaving with rya knots.
Rya knots quickly add bulk to the rag rug sample. Three rows of rag knots are already creating a little hill in the weft.
Cutting off a sample piece. Painter's tape as cutting template.
Four inches are marked on a piece of painter’s tape to use as a template for cutting the warp. I want enough length on the sample piece being cut off to be able to tie the ends in square knots.

It was not an easy decision to re-sley. I had anticipated an enjoyable day of rag rug weaving. Instead, I spent the day cutting off, pulling the ends out of the reed, switching reeds, re-sleying, dealing with extra warp width, tying back on, and beginning a new sample. Is this called learning the hard way? Nope. This is simply called learning.

Rag rug sample with inlay techniques.
Warp has been re-sleyed and is ready for weaving a new sample. First sample piece includes rya knots, loop technique, and HV technique on weft rep, using fabric strips for weft and weft inlay.
Rag rug sample, trying out rya knots.
After re-sleying, I start a second sample. I am happy to see that the rya knots fit into place without adding excessive bulk to the weaving.

Weaving, relationships, and purposeful living. Learning takes time–a lifetime. I want the Lord to teach me how to live. Even when it means messy beginnings and do-overs that use up my day. We have a lot to learn. Lord, teach me, and lead me on your path. More than a prayer in crisis, this is a lifetime prayer for a lifetime of learning.

May you know when to start a do-over.

Still learning,
Karen

Thread, Thread Again

Karen

I enjoy threading the loom, but who wants to thread the same thing four times? The first time, I thought the selvedge threading confused me, leaving me with extra ends. I took it all out and started over. It still didn’t come out right. I counted all the threads at the lease sticks. 404. And counted again to make sure. There must be a threading error, right? I started over again, vowing to be more careful this time…

Threading the loom for rag rugs.
Threading 404 warp ends goes quickly when there are two threads per heddle… Unless you make a mistake and have to start over two or three times.
Threading Glimakra Standard for a rag rug, two ends per heddle.
Rag rug warp, threading two ends per heddle.

I depend on my planning sheet. That sheet of paper has all the pertinent details. Besides the draft, it has the sett, width in reed, number of warp ends… Oops! I found the mistake. I miscalculated the number of warp ends. But I threaded the loom three times before I traced the problem back to this calculation error! I was working from a faulty planning sheet. Fortunately, I can adjust the selvedge threading to accommodate the extra threads, and thread the loom successfully. Finally!

Selvedge threading for rag rug on Glimakra Standard loom.
Two ends go through each heddle, except at the selvedges, where there are three ends per heddle, four times each side, plus two more times each side to make up for the miscalculation of warp ends.

Human promises can fail, like my faulty planning sheet. The Lord’s promises never fail. A weaving draft and project sheet are proven true as the loom is dressed and fabric is woven on the loom. The Lord’s promises are proven true as we live our lives by his directions. We can depend on that.

May you need to thread only once.

Truly yours,
Karen

These Sensational Towels!

Karen

What can compare to the thrill of unrolling freshly-woven cloth? Pulling, and pulling, and pulling until you get to the very beginning of the warp. As every towel unwinds, I do a micro evaluation, knowing that complete scrutiny comes later. I could not be happier with these towels! They are every bit as sensational off the loom as they were to weave. What a joy to be a weaver!

Towels galore just coming off the loom!
Back to the beginning! Cottolin thick and thin handtowels are coming off the loom.

It wasn’t that long ago that I was winding lopsided quills, dropping the shuttle more than occasionally, and struggling to understand weaving drafts. Desire and a willingness to learn have pushed me through these and other barriers.

Handwoven towels ready to be hemmed.
Ready for hemming.
Black and white and a little red. Handwoven towels.
Black and white and a little red, ready for hemming.
Photo shoot for new handwoven towels. Karen Isenhower
Getting set up for a photo shoot. Photos are used in Etsy listings.

Willingness is more important than capability. Being willing sets the stage for learning. We all start incapable. God doesn’t expect us to be capable. He does expect us to be willing. God weaves His purposes on earth, not through the capable people, but through the willing. In weaving, and in life overall, I want to embrace and preserve the willingness factor that keeps me learning.

Thick and thin structure is a handweaver's playground. Karen Isenhower
Thick and thin structure is a playground for a handweaver to imagine and develop designs. Cottolin handtowels and table runner. Designer kitchen, anyone?

And as we yield our will to our Creator, what joy is ours as we learn how to truly live!

May you never stop learning.

(You can see a few of these items now in the Warped for Good Etsy Shop.)

Happy Weaving,
Karen

Almost Forgot the Hanging Tabs

Karen

My band loom has been sitting idle for months with a partially-woven warp. As soon as I cut the black and white towels from the loom it occurred to me that I had not yet woven their hanging tabs. I am eager to put on a new black and white band warp to weave these towel loops; but first, I must weave off the existing band. (You originally saw this band in Weave the Portable Way.)

Glimakra two-treadle band loom.
Two treadles are used for changing the shed on this Glimåkra Band Loom. It takes practice to coordinate the actions of both hands and feet. What was awkward to learn becomes second nature through repetition.
Glimakra band loom with completed band.
This band is complete. It will go in the box I call my “band stash.” When I need a strap, ribbon, or trim for anything, I look in my band stash box to see what I can find.

What had been sitting for months is finished in a day. And the black and white warp is on the loom before day’s end. What made the difference? Why is it suddenly easy to finish something that had been lagging for months? One word. Decision. (Some of the towels on which these hanging tabs will adorn are in Quiet Friday: Thick and Thin and in Even Better After.)

Starting black and white band on band loom.
Starting the black and white band.
Simple narrow band for hanging tabs on handwoven towels.
Simple narrow band is made to coordinate with black and white handwoven towels. As with the towels, this is cottolin warp and weft.
Woven band for hanging tabs on handwoven black and white towels. Karen Isenhower
With enough woven to make hanging tabs for ten handtowels, the warp is cut and secured. The remainder of the warp will be woven off and added to the “band stash” box.

All our important actions derive from purposeful decisions. And my best decisions shape the course of my life in a positive way. You can choose the direction you travel. When you choose to walk the path of virtue, the path before you becomes more and more clear. Finding the motivation to do the right thing often comes down to making a firm decision. As a result, we are able to remove the old, and move on to weaving today’s important task.

May you make great decisions.

Motivated,
Karen

Quiet Friday: Halvdräll

Karen

Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.

Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.

Choke tie serves as a counting thread as the cottolin warp is wound.
Choke tie serves as a counting thread as the cottolin warp is wound.
Red linen to be used as pattern weft on white cottolin warp.
Red linen is anticipating a starring role as pattern weft.
Sampling various linen color options for halvdräll table squares.
Sampling various color options for the pattern weft. Red may be one star among several.
Halvdräll table squares on the loom. Karen Isenhower
Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.
Halvdräll table squares on the loom. Elegant neutral tones.
Neutral tones with subtle elegance.
Weaving in the afternoon sunlight.
Light play dances on the colorful woven fabric.
Halvdräll table squares, with linen pattern weft, just off the loom!
Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!
Folding edge under for hemming. Handwoven table squares.
Wet finished and pressed. Ready for hemming.
How to do a blind hem. Very simple for handwovens.
Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.
Label added.
Label added.
Hemmed, pressed, and ready to make a statement!
Hemmed, pressed, and ready to dress up a table.

Handwoven halvdräll table square. Karen Isenhower

May you find delight in your journey.

Happy Weaving,
Karen