Rag Rug Playground

This is a rag rug playground! I am weaving miniature rugs—rosepath rag rug hot pads. My small countermarch loom is perfect for this exploration. Without tabby or with tabby? Planned weft or hit and miss? Vibrant colors or soft neutrals? Weft inlay or plain and simple? So many possibilities! My “idea bank” is exploding.

Mini rag rugs for hot pads.
Reverse treadling adds a diamond design element at both ends of this mini rug.
Handwoven hot pads. Mini rosepath rag rugs.
Color choices are inspired by views outside this Texas hill country window.

My goal is to weave as many different versions as possible. No two alike! Sure, they all have the same 12/9 cotton warp and all-cotton-fabric-strips weft, but with all sorts of variations. Most will be gifts. Handwoven hot pads, making it to the kitchens of friends, to serve them well.

Rosepath detail in mini rag rugs. Making hot pads.
Rosepath detail.
Rosepath rag rug hot pads on the loom.
White fabric strips are used as tabby weft to highlight the blue rosepath pattern.
Rosepath inlay with mini rag rugs--hot pads.
Deep purple fabric strip is used for weft rosepath inlay over a plain weave background. Woven hot pads wind their way around the cloth beam, separated by scrap weft and warping slats.

There is no one like you, with your hopes, dreams, and pains. You touch others like no one else can. Your life makes a difference. Your life matters because it matters to God. Your Creator had good things in mind when he formed you. Lord, place us where we will best show your handiwork, where we can humbly serve those you’ve given us to love.

May you live on purpose.

Your friend,
Karen

What a Web We Weave

Threading errors happen. But you can reduce their occurrence. After beaming a warp, I count the warp ends into threading groups before I start threading. Always. This is the first step in reducing threading errors.

Beamed linen warp. Tied into threading groups.
Beamed linen warp. Ends are counted into threading groups, and tied in loose slip knots.

The second step in nearly eliminating threading errors is to check every threaded group right after it’s threaded, thread by thread. These intentional steps expose mistakes early in the process. I would rather find an error now than later.

Threading ten shafts.
After a group of warp ends is threaded I check every thread to make sure it is on the correct shaft.
Threading ten shafts. How to avoid errors.
View from the back beam. Every thread is now in its proper place. Two ends had ended up on wrong shafts, so threads were taken back out and corrections made. Threading ten shafts can get confusing, so it is critical that I check my work.

Did the spider check for threading errors before weaving her intricate pattern? Did she know her invisible web could be seen on a dew-rich foggy morning?

Napping spider on her almost invisible web.
Napping spider on her almost invisible web.
Spider's web in dew-rich foggy morning.
Early morning dew reveals the outlines of the spider’s web. Not wanting to be seen, the spider quickly climbs away to hide when I come close to her woven threads.

Our world tells us to make enemies, and hate haters. To grip what is mine, and demand my rights. It’s in my human nature to be that way. But love is different. Love your enemy, do good instead of hate, pray for those who mistreat you. Is that possible? Yes, if you know the love of God firsthand. Love makes you different. It changes you, making you want to take account of your attitudes, and check your motives. Count threading groups, and check the threading. There will be errors as you weave, but they are learning experiences, not fights. Remember, the invisible web we weave may not be as invisible as we think.

May you be different.

With love,
Karen

Making this Autumn Rag Rug

I enjoy making it up as I go—changing blocks and switching colors. That’s what I did for the first quarter of this long rug. Then, I made notes of what I did so I could reverse the pattern to the middle of the rug. The entire sequence, then, is repeated for the second half. And now, there are only six more inches to weave on this autumn-toned rug.

Rag rug on the loom. Spaced rep.
First rug on this warp is almost complete.

Because of experience I gained by weaving towels with thick and thin threads, I am quite comfortable designing this rug on the loom. Fabric strips and rug warp = thick and thin. I understand it. On the other hand, for every weaving concept I understand, I realize how much more I don’t know at all. Who can be good at it all?

Cloth beam fills up with a long rag rug.
Cloth beam is wrapped with this long rag rug. Kumihimo braided cord that is attached to my Gingher snips hangs on the corner of the breast beam. I “wear” the snips when I sit down to weave.
Rag rug on the loom. Karen Isenhower
Thick and thin weft enables interesting patterns in the spaced rep rag rug.

I am pretty good at being “good.” But I’m far from perfect. We know that Jesus went about doing good and helping people. So, yes, we can follow his example. But there’s a problem. Being good is not good enough. Our good will never reach perfection. Fortunately, Jesus gave us more than a good example. He gave his life so that we could receive forgiveness for everything in us that is not good. And that is what we call good news!

May your cloth beam fill up with woven goods.

Happy weaving,
Karen

Bluebonnets Are Growing on My Loom

I promised a baby blanket to a dear friend whose first grandchild is coming soon. That’s why I am working on this transparency with extra focus. I need the loom. After being away from home longer than expected, I am now trying to make up for lost time.

Weaving a transparency. Flower stems so far.
Flower stems rise out of the “ground.”
Woven transparency in progress.
Weaving from the back. All weft turns are on the back, leaving little bumps and ridges, while the underneath front side stays smooth.

Some sections take an hour or more to weave an inch. But I am finding transparency weaving to be pure enjoyment. I don’t mind lingering. And, if it weren’t for that baby blanket I would slow down even more. This is handweaving at its best. This is good. All I do is select the threads and put them in place, and the woven image magically appears.

Woven transparency in progress. Mora wool pattern weft.
Four strands of 20/2 Mora wool for each butterfly, giving ample opportunity for color blending.
Weaving Texas bluebonnets in a transparency.
Even a simple design like this requires many little butterflies to complete the image (sixteen for this row).
Texas bluebonnets in a woven transparency...in progress!
Cartoon is held in place with three pins. The dotted line on the cartoon is aligned with the center warp end. I love the small spaces of linen between some of the flower petals.

In reality, good things don’t appear by magic, do they? Even with the loom, a plan is made, warp ends are lined up, and the handweaver puts many skills into action. When we experience good in life, it isn’t happenstance or magic. The Lord is good. He is the source of goodness. And it’s by His grace that we are able to see his goodness. Thank you, Lord.

May you be touched by goodness today.

Love,
Karen

What a Cellist Weaves

I approach weaving like a musician. The looms are instruments, and everything is practice. When I was twelve years old I fell in love with the ‘cello and began learning to play the instrument. Over time, I discovered the value of mindful practice, the need for which is ongoing. It’s not perfection I’m after, but intent to apply all I’ve learned.

Glimakra band loom.
Finished woven band. 12/6 cotton for warp and 16/1 linen for weft.
Band loom woven cord for cello endpin stop.
Small slider is added to make the cord’s length adjustable.

This once, my weaving and ‘cello playing overlap. My husband designed this cello endpin stop for me! I got to weave a cord on my band loom that connects the pieces together. (I showed you the beginning steps in Finer Weft for a Stronger Cord.)

Hand-crafted cello endpin stop, with handwoven band.
Hand-crafted ‘cello endpin stop.
Hand-crafted cello endpin stop.
‘Cello and me.

What if our interactions with people are opportunities to practice real love? It’s no big deal if I love those who love me. Or, do good when I know someone will return the favor. Or, lend to someone who will pay me back. Real love is loving those who don’t love you back. That takes practice. When we love, do good, and give, expecting nothing in return, we start to resemble God’s character. No, we won’t attain His perfection, but when we apply all He’s taught us, we begin to look like His children. For He loved us long before we loved Him back.

May you practice real love.

Love,
Karen