Tag: linen

Process Review: Snowflake Banners

Karen

I reached the end of the drawloom warp on Tuesday evening. Wednesday morning, before Steve and I finished loading up the Casita travel trailer, I cut the warp off the loom. I grabbed a handful of thrums, chained them so they wouldn’t tangle, and threw the bundle into a small bag along with my cowgirl band heddle. And off we went for a short little getaway!

Relaxing under shade trees at the campground, I weave what I need for the four towels’ hanging tabs.

Steve is doing some wood carving. I tied my band warp to his chair. I doubled the 16/2 cotton warp threads in the cowgirl band heddle to make the band wide enough for towel hanging tabs.

Back home, after the towels are wet finished and hemmed, I have an “a-ha!” moment: Only one of these cloths shall be used as a towel. The other three cloths will serve as Christmas Snowflake banners.

There is some irony in the fact that I wove hanging tabs for these three cloths that have since been given an alternate purpose as celebratory Christmas banners.

Christmas Snowflake banners. Revisit the process with me, start to finish:

To see the towels from the first half of this warp, click here: Process Review: House and Home Towels. To see more about the cowgirl band heddle, click here: Cowgirl Band Weaving.

May you have “a-ha!” moments that change how you see things.

Love,
Karen

Snowflakes Made of Thread

Karen

This is the fourth and final towel in my Snowflake series. Right now in Texas hill country it is extremely hot and dry, so these few gentle snowflakes are a welcome sight, even if only made of thread. We look forward to cooler days and moisture from the heavens.

Concluding the lower border of the towel. Warp is 16/2 cotton. Weft is half-bleached 16/1 line linen, except for the wide blue border, which is 16/2 line linen, and narrow 16/1 linen red stripe.

This Myrehed combination drawloom attachment functions as a thread lifter. When I pull a draw handle for a pattern shaft, a series of thread units are raised. When I pull a draw cord for a single unit, one unit of threads is raised. I am using 45 pattern shafts for the repeated snowflake border designs on these towels. The center area of each towel has small and large snowflake designs at varying intervals. These irregular designs are created using 148 single units. It’s because of all those lifted warp ends that we can create woven snowflakes.

Temple in position. Three pulled draw handles lift thread units at the side borders. Several pulled single-unit draw cords (black cords and white cords) lift single units for an off-center large snowflake design.
Lifted warp ends.

We expect to have worries in this life. Daily needs come as repeated patterns. Other disturbances come at irregular intervals. Worry is eliminated in God’s kingdom. God’s kingdom has a worry lifter–Jesus. He invites us to give him our worries and trust him to care for us. Imagine the one-of-a-kind design that emerges when worries are lifted!

May your worries fade away.

In living hope,
Karen,

Process Review: Pucker Up and Video

Karen

As a little girl, I was fascinated with the puckered texture of seersucker. Remember pastel summer seersucker outfits? Thanks to Winnie Poulsen and her Linen-Cotton Crinkly Tablecloth (Väv Magasinet, Nr. 3, 2021), I now have a puckered fabric that reminds me of those seersucker days of summer.

This is a challenging project. Double width, two warps, fine sett, nylon fishing line for selvedge ends at the fold, and “sticky warp” the whole way. After repeated frustrations, I resign myself to the thought of repairing hundreds of skipped threads after this comes off the loom. I have doubts that I will even be able to unfold the cloth all the way.

Fold line before washing and drying.

Whew! Was I wrong! I had far fewer skipped-thread repairs than I expected (only about 15). And the finished tablecloth is a gleeful ending to a what-did-I-get-myself-into adventure.

After being washed, the cloth is rolled up on a 1 1/2″ PVC pipe and hung to dry.
Fold line after washing and drying is barely noticeable.
Summer puckered tablecloth lends cheer to the room.

Puckers are whimsical surprises from ordinary threads.

I hope you enjoy this video review of the process:

My friends, thank you for walking with me on this weaving journey! July is the month for Warped for Good’s annual pause. I’ll meet with you right back here the first Tuesday in August.

May you find a gleeful ending where you least expect it.

Happy Weaving,
Karen

Combination Drawloom – Simple and Engaging

Karen

I am constantly improving my methods of operating the drawloom. I pull and release draw handles and draw cords, check for errors, and throw the shuttle for each unit of threads (six times per unit with the current setup). Everything is in order. And, while I’m actively absorbed with this mental and physical choreography, I experience freedom from every other care.

Hem of towel is bleached 16/1 linen weft, and then green 16/2 linen weft. The pattern area of the towel is woven with royal blue 16/1 linen weft.
Solid row of pattern across the warp requires that all pattern shaft draw handles are pulled. It always seems thrilling to me to see all the handles down at once!
Lower border of the towel is the easy part. Pattern shafts are used for making a repeated pattern, and no single unit cords are involved.
Pattern shaft draw handles are now relegated to the side borders. The center body of the towel uses single unit draw cords to create non-repeated pattern. The single units give me freedom to design a (planned) random snowfall expression.
Snowflake Towel 01 is wrapping around the cloth beam. Snowflake Towel 02 is going over the knee beam. Snowflake Towel 03 is being woven. Snowflake Towel 04 will be the final towel on this warp. (But, who knows what I’ll be able to weave after that to the very end of the warp?)

These snowflake patterns are delightful to weave. There is enough consistency with the border pattern shafts to make it simple. And there is enough (planned) random snowflakes using single units and pattern shafts to keep it engaging. All I have to do is follow the graphed chart. As I weave, the snowflakes emerge, as if by magic. But it’s not really magic, is it?

Standard procedure is to always have a temple in place. I have rubber bands on the first and last draw handles for the side border pattern, and on the center handle for the border pattern (not pulled in this photo).
Everything works together! …for the good of the fabric being woven.
Sometimes one single unit is enough to make the next row of pattern.
I keep the chart at eye level and constantly refer to it. Closely following the chart is the only way I can hope to weave something worthwhile on the combination drawloom.

If you believe in Jesus you must walk with him. And as you do, you come to know the truth. Truth is found by walking in it. The pattern on the chart is true, and gives direction. The delight comes as we see the real-time results emerge in our own hearts. That’s freedom in its purest form.

May your search for truth bring freedom.

Happy Weaving,
Karen

Process Review: Priceless Monksbelt and Video

Karen

Talk about exciting! When something has been on the loom this long it is indeed exciting when the back tie-on bar comes over the back beam. I finish weaving the final “bonus” towel. And then, I use up all the quills to make a little piece of scrap fabric (because scrap fabric is always better than leftover quills). And then! Then, I start my cutting-off checklist.

After all this time, the moment we’ve been waiting for is here!

After weaving a short scrap fabric with thread left on quills, it is time for cutting off the long monksbelt runner and two bonus towels.

I cut off the warp. And as I unroll the cloth, I am mesmerized by the tactile intricacy that passes through my fingers–Fårö wool for the pattern weft, and 16/2 cotton for slow-as-molasses weft rep ground cloth. Finishing proves to be the easiest and quickest part of this project. I like the crisp pristine state of the monksbelt runner, so I am not going to wet finish this article. I examine for errors (none found!), wet finish the two towels, hem the table runner and towels, and press. The Priceless Monksbelt Runner now graces our dining room table.

After the Priceless Monksbelt Runner I had enough warp to weave two bonus towels with monksbelt borders. In between the towels I did a small heart-shaped inlay just for play.
Two simple plain weave towels, with monksbelt borders. The tabby weft is 16/2 golden bleached linen. The coral pattern weft and green pattern weft is doubled 16/1 linen. The ecru center pattern weft is doubled 6/1 tow linen. Warp is 16/2 cotton. With only one washing so far, the towels still have a wonderful crisp linen hand.

The exceptional value of handwoven textiles makes your home a welcoming place. Time is one of our most valuable assets. That makes the textiles we create priceless!

Our dining table is just to the right as you walk through the front door of our home. May all who enter know they are welcome here!

Please enjoy this video review of weaving the Priceless Monksbelt Runner.

May the works of your hands bring exceptional value to your home.

Happy Weaving,
Karen