Texas hill country – Page 10

Quiet Friday: Linen Upholstery Fabric

March 23, 2018March 22, 2018 Karen

Do you dream of making upholstery fabric? I do. There are four chair seats at our Texas hill country home that I want to re-cover. Now I have custom upholstery fabric!

Cutting off never loses its excitement! I have one long piece of yardage, with no separations or divisions.

Just off the loom, the hefty linen fabric (8/2 linen, warp and weft) is stiff and unyielding. Will this window-screen material make suitable upholstery that’s soft enough to sit on? Yet, even in this state, the linen beckons and intrigues.

First, the edges are serged. I check for weaving errors, finding none. There are spliced warp ends in five places, which are trimmed.

I make a large tube by basting the two ends of the yardage together, to reduce twisting in the wash. The washing machine (top loader) works as a soaking tub first. The linen slowly soaks up water in the tub, relaxing there for an hour or two. Then it’s time to wash and dry. The first time, I omit the spin cycle and remove it from the dryer while still damp, to prevent permanent creasing.

And then, I wash and dry the yardage again.

Talk about softening up! Oh, I wish you could be here to handle it with me! This is dreamy linen fabric, perfect for sitting.

May your fabric dreams come true.

Happy weaving,
Karen

Tools Day: Swedish Bobbin Winder

March 13, 2018March 12, 2018 Karen

There’s nothing quite like the beauty and functionality of a well-designed tool. The Swedish hand bobbin winder is one of those tools. A bobbin winder is essential. Steve made a superb electric bobbin winder for me that I normally use. But at our Texas hill country home, my Swedish bobbin winder comes into play. And it is a pleasure to use. I clamp the bobbin winder on a shelf in the cabinet where I store my few weaving supplies for this location. The tube of thread sits directly below on a simple homemade spool holder.

Swedish hand bobbin winder for winding quills. — Swedish hand bobbin winder is set up in my supply cabinet. It is easy to remove and put away when I finish winding quills.

For these color-and-weave cotton placemats, I am using double-bobbin shuttles. So, with the impressively simple Swedish hand bobbin winder I am winding matching pairs of colorful 8/2 cotton quills.

Double-bobbin shuttles for weaving doubled weft. — Double bobbin shuttles are handy for weaving this doubled weft color-and-weave pattern.

May you have the pleasure of working with well-designed tools.

Happy weaving,
Karen

Bold Color and Weave

February 20, 2018February 19, 2018 Karen

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft. — Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes! — Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.

Backing up. Weft removal, one pick at a time. — Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.

Weft has been removed. Now ready to start over! — Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave. — This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.

Color and weave for placemats. — First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen

Tools Day: Tape Measures

February 13, 2018February 12, 2018 Karen

A tape measure is a weaver’s best friend. Think about how many ways the tape measure serves you. I have one at each loom. Always. And I have a few others scattered around, hanging up, and in bags. Because you never know when you might need to measure something.

Tape Measure Uses

Take measurements to determine the desired size of the finished cloth, such as window measurements for curtains, floor space for area rugs, or length of skirt tiers for skirt fabric.
Measure the length of a guide string for winding the warp.
Find the starting point for the warp width in the pre-sley reed.
Double check the width of the warp after it is pre-sleyed.
Check the width of the warp on the back tie-on bar.
Center the reed in the beater for beaming the warp by measuring the distance from the warp in the reed to the outside edge of the beater on both sides.
Find the starting point to sley the reed by measuring half of the warp width outwards from the center of the reed.
Double check the width of the warp in the reed after it is sleyed.
Center the reed in the beater for weaving.
Adjust to the correct width of the warp on the front tie-on bar after the warp is tied on.
Mark the measured weaving length on twill tape or ribbon to use as a weaving length guide.
Measure how far one quill weaves.
Measure the distance between pieces that require unwoven warp, such as for fringe, or for tying knots between rag rugs.
Measure the distance from the first shaft (nearest the back of the loom) to the back tie-on bar (especially when you are hoping there is enough warp left to finish a symmetrical pattern).
Measure the width and length of fabric that is cut from the loom.
Measure the width and length of fabric that has been wet finished, dried, and pressed.
Measure your pleasure at the loom. Immeasurable!

Tape measure, in constant use at the loom. Let me count the ways... — Tape measure with imperial and metric units, both of which I use regularly. Metal ends have been removed from the tape to clearly see the tape’s markings, and because I slip the tape into a dent of the reed when I am marking the spot to start sleying.

Tape measure at the loom. Various uses. — Glimåkra Ideal loom, with tape measure in its usual place hanging on the end of the loom bench.

Tape measure usage at the weaving loom. — Glimåkra Standard loom, with tape measure ready for the next measuring task.

Preparing the loom for weaving. — Tape measure hanging over the back beam on the Texas hill country loom while pre-sleying the reed and positioning things to prepare for beaming the warp.

Tape measure hangs on peg strip above the work table. — Extra-long tape measure hangs on the peg strip above my work table.

Sometimes a long tape measure is needed! — Occasionally, I borrow Steve’s metal carpenter’s tape measure from his wood carving bench.

Travel tapestry supplies, including tape measure. — Compact retractible sewing tape measure rides in my travel tapestry bag. It has imperial and metric units.

No purse is complete without a tape measure, right? (A tape measure can outlive the business it promotes.)

What have I missed? Can you think of other ways your tape measure comes in handy?

May you be blessed in full measure.

All the best,
Karen

Weft Auditions for Square Dots

February 6, 2018February 5, 2018 Karen

I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaft satin dräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!

Weft auditions for 5-shaft satin dräll hand towels. — The warp is tied on and the lamms and treadles are tied up. All ten sheds (one for each of ten treadles) are checked and small adjustments made in the treadle tie-ups. Weft auditions commence!

Trying different weft options. Cotton, cottolin, linen. — Similar colors in different fibers. Teal in cotton, cottolin, and linen. Coral warp as weft would be an interesting monochrome option.

There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.

Weft auditions! Colorful hand towels. — Sample includes sixteen weft colors (two or three rows for some). Four are chosen for the main colors for a set of hand towels. Two extra colors are selected to use for border designs.

Square Dots cotton hand towels in 5-shaft satin dräll. — First towel has Slate 8/2 cotton weft, with an accent of Silver 22/2 cottolin for a border stripe.

Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.

May truth be woven into your life.