Tag: Texas hill country

Colors on Trial

Karen

This color and weave is decorated plain weave. I have nine weft colors to put on trial. Which ones will pass the test? The winners will be used to weave colorful placemats for our Texas hill country home.

Nine colors on trial for cotton placemats.
All 8/2 cotton, with a small quill of each color waiting to be sampled. The two end tubes on the left are the same coral and camel as the stripes of the warp.

Eager to begin, I start weaving, despite knowing that evening is approaching. Even with good lighting at the loom, it is hard to judge the colors. I need daylight!

Weaving at dusk fails to show true impact of the colors.
Weaving at dusk does not give me a true indication of how the colors work, even though I have a good light at my loom.

The morning light does not disappoint. I find that the colors that are the most similar to the coral and camel in the warp showcase the color-and-weave pattern. The slate and apple green win, too, because they add welcome color contrast. The abundance of natural light in the room makes it easy to see the impact of each of these colors.

Color-and-weave effects with plain weave and 2 shuttles.
Natural light of the morning gives a true perspective of the colors. Even the subtle differences of weft colors can be seen. Keeping the camel color in one of the two shuttles helps bring out the color-and-weave effects. Which colors win? All nine of them!

We have been given a well-lit path. When we choose to go our own way, with our own artificial light, our perceptions can be off. There is a kingdom of light where Jesus is on the throne. To be one of his subjects is to be in a place where his light reveals true colors. He exchanges our colors with his own to make color-and-weave fabric that is heavenly!

May you be invigorated with color.

Happy weaving,
Karen

Anticipation Is Looming!

Karen

Everything starts on paper and in my mind. And then the action begins! Warps are ready now to dress two more looms. One in linen, and one in cotton. Linen for chair-seat upholstery, and cotton for kitchen towels.

Counting linen warp ends on the warping reel.
Counting thread goes over and under groups of warp ends (in this case, 40 ends) to help me keep track of the number of ends being wound on the warping reel. 8/2 linen, unbleached.
Cotton thread is measured out on the warping reel.
Solid color cotton is wound (measured out) on the warping reel.

These are part of the coordinating textiles I’ve been designing for our Texas hill country home. (See Awaken the Empty Looms)  I am looking forward to the moment these fabrics become visible! The anticipation is electric! I will know the success of my plans when I can see and feel the fabric. Every step, including getting these threads ready for the loom, gives me a preview glimpse of the actual fabric to come.

Two linen warp chains, ready for dressing the loom.
Two warp chains are prepared. This is a striped warp, and the chains will be spread separately, each with its own set of lease sticks.
Three warp chains of 8/2 cotton, ready to dress the loom!
Nothing like big, soft warp chains of 8/2 cotton!

Visible. Actual love is visible. It’s much more than kind thoughts and intentions. It is threads of kind thoughts that become touchable fabric in someone else’s life. Jesus Christ is the love of God made visible, in that God sent His Son so that we could fully live. How appropriate for us to make such a fabric visible for each other.

May you get a glimpse of the fabric to come.

Love,
Karen

Awaken the Empty Looms

Karen

The transformation of looms has begun! One by one, three empty looms are awakened from their rest. Two of three warps have been wound, and I have started dressing one of the looms. Soon, all three looms will be active as I weave coordinating textiles for our Texas hill country home.

Cotton and linen for planned coordinating textiles.
Cotton and linen threads for the planned coordinating textiles.
Stripes on the warp beam. So inviting!
Warp beam is clothed with a narrow-striped warp. A separate warp chain for each color and two sets of lease sticks make the beaming process a little tricky.

This loom at our hill country home has a warp designated for placemats. Color-and-weave effects will take the simple two-treadle plain weave up a notch, starting with the warp stripes. Is there anything as inviting as stripes on the warp beam? The loom that was bare now holds great promise.

Threading the loom in the best spot in the house!
Threading the loom happens in the brightest corner of the house.
Warp stripes form the base of interesting color-and-weave effects.
Warp stripes form the base of interesting color-and-weave effects.

Love transforms people. Someone who feels empty is given purpose and hope when they are loved. A reason for being. A start toward something meaningful. Real love is extreme. Love is defined by the ultimate giving up of self-centered motives, as demonstrated by Jesus Christ. This is the extreme love that we have been given, and have been called to give. We’ve known the joy of stripes on the warp beam becoming handwoven fabric before our eyes. And we relish the thought of sharing that joy with someone else.

May you awaken empty looms.

Happy weaving,
Karen

Harmonized Weaving for the New Year

Karen

I have a grand idea for this new year! Put all three looms to work simultaneously to weave a coordinated set of textiles for the Texas hill country house. My Glimåkra Ideal loom and the little hand-built loom are bare and ready. Imagine the action! I’ll take you along as I wind warps, dress looms, and weave the harmonized threads. While I wait for ordered yarn, I am weaving the linen satin dräll towels that remain on the Glimåkra Standard loom. Soon, this loom will be bare and ready, too.

Linen towels in five-shaft satin dräll.
Beginning the third of six linen towels in five-shaft satin dräll. Two picks of red thread mark the cutting line between towels.

Before embarking on a new year of weaving adventures, though, I want to fully stop and count my blessings. And YOU are one of those amazing blessings. Thank you from my heart for being friends who share in this journey with me.

Take a look back with me through 2017!

Grateful for you,
Karen

Tapestry Portrait Beginning

Karen

I started with a photograph of seventeen-month-old Lucia sitting in her grandad’s lap after eating lunch at Culver’s. Her pouty bottom lip and her serious brown eyes caught my attention. It seems an impossible task to replicate the charming expression in yarn, but it doesn’t hurt to try. I enlarged the picture, and then cropped it to fit a four-by-six-inch “canvas” of 12/6 cotton warp. I also reversed the image, since I am weaving this tapestry from the back. The weft is one, two, or three strands of Fårö wool yarn, depending on the degree of detail.

Grandad and granddaughter.
Steve and Lucia enjoying each other.

Here is my beginning attempt at a portrait, accomplished during our car ride home from Texas hill country, after spending time with Lucia and her cousins for the Christmas holidays.

Travel tapestry loom is warped before hitting the road.
Loom is warped before hitting the road.
Tapestry portrait in progress.
Shapes are slowly filled in with yarn. Paint stick serves to hold the cartoon in place.
On the road with a little tapestry weaving.
On the road with a little tapestry weaving.
Attempting to weave a tapestry portrait.
Beginning the blue and white polka-dotted dress. Inlaid magnets hold the blunt tapestry needle.
Weaving a tapestry portrait in the car.
Dusk has arrived, so it is time to put the weaving away for now. Good lighting is a must.
Checking progress on a small tapestry loom.
Before putting the loom in the bag, I turn it over to look at the right side of the weaving. Progress!

May you attempt the impossible.

All the best,
Karen