Four-Shaft Tapestry Adventure

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry.
Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.
Cartoon is on a table behind the loom undergoing cartoon prep.
Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry.
Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.
Distinguishing between different values in the wool yarn assortment.
Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

Transferring Warp Ends Takes Courage

There are four pairs of overlapping warp chains, with stripes to line up. I created a mess. A few options to consider: 1. Give up. 2. Weave it as is, destroying the design. 3. Use two sets of lease sticks, and expect problems with threading (2,064 ends). 4. Transfer all ends to a single set of lease sticks, arranging threads in order for each stripe.

Eight warp chains...to correct a huge winding error.
Each of four warp chains were duplicated when I realized I had wound only half the correct number of ends in each chain.

Option 4 seems the riskiest. If I lose the cross while transferring threads, I have an even bigger mess. It’s all or nothing. Go for it! Fortunately, my apprentice, Juliana, arrives in the nick of time to give me a hand.

Transferring color stripes to one set of lease sticks.
Lease cross is tied separately for each color “partial” stripe.
Transferring two warp chains to a single set of lease sticks.
Stripes from the two warp chains are transferred to a single set of lease sticks. Now the stripe colors are at their full correct width.
Preparing to transfer warp ends.
For the four center warp chains, each section of color is separated and tied at the cross. It takes an extra set of hands to transfer them in order to the primary set of lease sticks.
Delicate transfer of warp ends accomplished!
All warp ends are now successfully transferred to a single set of lease sticks. Let the loom dressing begin!

It worked! All the threads are successfully transferred to one pair of lease sticks. What a relief! I can beam the warp knowing that all is well. A beautiful double weave throw is imminent.

Pre-sleying the reed at the loom.
Warp is pre-sleyed at the loom. So far, so good.
Double weave warp ready to beam!
Ready to beam! Looking forward to this dressing and weaving experience.

We all have made a mess of our lives, and we know it. We hear of options to fix things, but one seems the riskiest: Transfer everything to God. But what if I mess that up, too? There’s good news. God transfers us. When we place our trust in Jesus Christ, God transfers us from our messy state to his good order. And the result is a weaving that showcases his workmanship—a beautiful you.

May you take a worthy risk.

With you,
Karen

Handwoven Blankets for Babies

Handwoven baby blankets are for cuddling babies. It is a pleasure to weave a baby blanket for a dear friend’s first grandchild. As long as I’m dressing the loom, it makes sense to weave more than one. So the second baby blanket is for cuddling my own grand-babies when they come to visit.

Double weave baby blankets. Cutting off!
Double weave baby blankets unrolled from the cloth beam, ready to be cut off.
Hemming double weave baby blanket.
Double weave top and bottom layers are stitched together by hand at the hems. Contrasting thread is used for a decorative embroidered look.
Embroidered edge of handwoven baby blanket.
Whipstitch in contrasting thread.
Handwoven baby blankets super soft for baby's skin.
Blankets are triple washed for softness. Ready to touch baby’s skin.
Double weave baby blanket.
Double weave has reverse pattern on the back.
Double weave baby blanket.
Same warp, different weft.
Handwoven baby blanket for newborn.
Meet Julian, my friend’s new grandson, wrapped in love.
Handwoven baby blanket. (Resting on his great-great-grandmother's quilt.)
Meet Benjamin, our newest grandson, wrapped in love. (Resting on his great-great-grandmother’s quilt.)

A resting baby is a picture of hope. Hope for the next feeding, hope in the mother’s tender love, hope in the father’s secure arms. No arrogance, no illusion of grandeur. Just quiet rest. Hope in the Lord looks like this. Hope for today, the future, and forever. My soul is at rest—in complete rest and trust. Like a resting baby in his mother’s arms. Like a baby wrapped in a blanket woven especially for him.

May you find rest.

Blessed,
Karen

Wool Rag Rugs?

I have a generous selection of gorgeous wool yardage that was given to me a few years ago. I had said I would weave rag rugs with it. But I haven’t. …until now. What took me so long? Uncertainty. I haven’t seen wool rag rugs. What warp should I use? What sett? What problems await? I felt timid about walking into the unknown.

Cutting wool fabric for rag rugs.
Wool fabric has been washed and dried before cutting into strips for rag rug weaving.
Wool strips for a spaced rep rag rug.
Four different wool fabrics have been chosen for this spaced rep rag rug.

Last week I came across a recent Väv magazine. Lo and behold, here is a spaced rep rag rug with wool fabric weft! My loom is already dressed for spaced rep rag rugs. Here I go!

Spaced rep rag rug with wool fabric strips.
After a warp thread header, narrow fabric strips are woven for the hem of the rug. The wool selvedges are surprisingly soft.
Wool weft rag rugs.
Weaving in the morning. A pick of brown 12/6 cotton warp thread follows the pick of wool fabric, except when changing blocks. Weaving consecutive fabric strips changes the blocks.

Ten years ago a kind, elderly gentleman sat next to me on an airplane. He gave me sage advice I never want to forget,

Put your future in the hands of the one who holds the future.

We speak of past, present, and future. But for the Lord, the present has already been. The future has already happened. It’s as if the wool rug that I try to imagine and weave has already been positioned in the foyer of the Father’s house to comfort road-weary feet that enter. Amazing!

May your future be better than you imagine.

All the best,
Karen

Tighter-than-Tight Warp

This Glimåkra Ideal is a super sturdy little loom. I call it the “Baby Loom,” but it’s not a baby in strength. She can handle anything I put on her. The warp is so tight on this rag rug that I have to release the front ratchet and loosen the warp a bit before I can even budge the ratchet on the back beam to release it.

Rag rug reaches the cloth beam.
Spaced rep rag rug reaches the cloth beam.

I like having a super-tight warp for rag rugs. It means I can get firm selvedges. And, I can put the momentum of the hanging beater to its best advantage, thoroughly packing in the weft. Best of all, I know this tight warp gives me a foundation for good strong rugs.

Tight selvedges on this rag rug.
Tight warp makes it possible to keep tight selvedges. At the selvedge, fabric strip is turned twice, and then pulled to snugly wrap around the outer warp ends.
Spaced rep rag rugs. Designing on the loom is fun!
Designing on the loom is fun with the thick (fabric) and thin (warp thread) wefts. I make notes on paper so I can repeat the designs across the length of the rug.

I want my trust in the Lord to be so tight that nothing can move it out of place. To be that certain, that focused. The Lord looks for people who trust him completely. He searches high and low for those whose hearts are completely his. He gives them his strong support—unwavering strength of support. Ratchet up the warp. We can trust the Grand Weaver and his loom.

May your warp be tighter than tight.

Happy weaving,
Karen