Tag: weft

Tapestry the Slow Way

Karen

I weave small tapestries from the back, using a blunt tapestry needle to go under three warp ends at a time. I love blending the colorful strands of Fåro wool to get the shading I need. Every pick is purposeful; and I turn the little loom over frequently to keep an eye on the front side. If I weave all the way across at once, the selvedges start pulling in, despite bubbling the weft. Going under just a few warps at a time like this is the slow way, but it helps me control the amount of weft being placed across the tapestry.

Small tapestry. Weaving from the back.
Tapestry needle takes the weft under three warp ends at a time. Weft is bubbled and then tapped into place with my fingertips.
Weaving small tapestry on travel loom.
Upper part of cartoon is held out of the way to examine the front of the weaving. Bottom half of cartoon stays in position, being held in place with small magnets.
Small tapestry in progress, "Bridge." Karen Isenhower
Bridge progresses one row at a time.

We can often avoid big problems by saying fewer words. When we keep talking, we lose control of the words that come out of our mouths. Words can hurt or heal. Unlike erring tapestry threads that can be pulled out and woven back in correctly, words can’t be undone. A wise person errs on the side of saying too little. Three warp ends at a time, weave across the row, and check the front frequently to see how the words are coming across.

May you choose your words wisely.

With you,
Karen

Ability Is Not Enough

Karen

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen

Quiet Friday: Halvdräll

Karen

Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.

Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.

Choke tie serves as a counting thread as the cottolin warp is wound.
Choke tie serves as a counting thread as the cottolin warp is wound.
Red linen to be used as pattern weft on white cottolin warp.
Red linen is anticipating a starring role as pattern weft.
Sampling various linen color options for halvdräll table squares.
Sampling various color options for the pattern weft. Red may be one star among several.
Halvdräll table squares on the loom. Karen Isenhower
Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.
Halvdräll table squares on the loom. Elegant neutral tones.
Neutral tones with subtle elegance.
Weaving in the afternoon sunlight.
Light play dances on the colorful woven fabric.
Halvdräll table squares, with linen pattern weft, just off the loom!
Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!
Folding edge under for hemming. Handwoven table squares.
Wet finished and pressed. Ready for hemming.
How to do a blind hem. Very simple for handwovens.
Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.
Label added.
Label added.
Hemmed, pressed, and ready to make a statement!
Hemmed, pressed, and ready to dress up a table.

Handwoven halvdräll table square. Karen Isenhower

May you find delight in your journey.

Happy Weaving,
Karen

Barely Seen Thin Threads

Karen

Though barely seen, they are a deciding factor in the success of this fabric. Skinny little threads. There is a big contrast between the thick and the thin threads in this fascinating two-treadle weave. The thread size difference creates abundant pattern possibilities. Very thin 30/2 cotton almost disappears while it outlines the thick threads, doubled 22/2 cottolin. I change blocks by simply throwing two thin picks in a row.

Towels in thick and thin. Karen Isenhower
Towels in thick and thin. Weft is white with navy blue stripes in a chain pattern. Warp is white with black stripes.

Most of my errors have to do with the thin thread. Either omitting a pick, or forgetting the second pick to change blocks. After weaving a bit further, the error becomes apparent. I go back, take the error out, and weave it over. All because that barely seen thin thread didn’t get put in place.

Forgiveness, an act of humility, is an essential element of each day. Thin threads that take their place in our daily interactions. Not necessarily spoken, but something in your heart that turns your attitude in the right direction. The forgiven forgive. Those who have been forgiven know how to forgive others. So, maybe a chain reaction starts when we forgive. We can hope so.

May your thin threads be strong.

Forgiven,
Karen

Enjoy the Wonder

Karen

One by one, the towels are collecting around the cloth beam. Each new towel on this warp is a welcome adventure. The thick and thin structure grants many interesting possibilities. Repetition is hardly noticed because a minor change in the weft order changes everything. It’s the wonder of it all that I find delightful!

Hand towels on the loom with cotton/linen thread in the double bobbin shuttle.
Cottolin is 60% cotton and 40% linen. The resulting fabric is marvelously absorbent, perfect for hand towels.
Double bobbin shuttle simplifies doubling the weft.
Double bobbin shuttle simplifies doubling the weft.
Cottolin towels on the loom. Karen Isenhower
End of eighth towel.
Narrow weft stripes. Thick and thin structure for hand towels.
Narrow weft stripes are randomly sprinkled along the towel.

Everything about the Christmas message is filled with wonder. Immanuel, God with us. With this news, the daily repetition of life is invaded with delight. Enjoy the wonder of Christmas!

May your home shine with the wonder of it all.

Good Christmas,
Karen