Category: bands

Tools Day: Tapestry Weaving in Flight

Karen

This is how a weaver enjoys a long haul flight. I keep my hands busy. A direct flight from Houston to Tokyo takes about fourteen hours. And then five more hours to Manila. Add layover time, and you have almost a full day of travel. I have been wanting to try the exercises in Kathe Todd-Hooker‘s Tapestry 101. So that is how I spent my travel time to and from The Philippines on our recent visit there. I followed advice I received from Teresa Loveless when I was at Weaving Southwest in New Mexico, to warp my little tapestry loom at a sett of 8 epi, using rug wool for weft. The coarse sett made the weaving easy to see and work with, even in the dim lighting of the airplane. (This is in contrast to last year’s travel tapestry using embroidery floss.) I kept the samplers small, so I could finish by the end of the trip. I ended up with two mini samplers.

Traveling with portable tapestry loom.
Ready to travel with all tapestry weaving supplies in a soft bag that is easy to slip into my flight carry on bag.

Tools:
– Travel-size tapestry loom (with tensioning device, and counter sunk rare earth magnets for holding tapestry needle)
– Warp thread (12/6 cotton seine twine), wound on a couple five-inch quills
– Wool rug yarn assortment (Jason Collingwood Rug Wool, and Borgs 25/1 Mattgarn), wound on five-inch quills
– Blunt tapestry needles (have extras in case you drop one in the dark)
– Travel snips (make sure they meet TSA regulations) on a neck strap (hand woven, of course)
– Clip-on book light (with paper napkin or thin cloth to diffuse the light, and extra batteries)
– Tape measure
– Small clips (you never know when you might need one, like to clip a napkin over the book light)
– Sewing thread and sewing needle (for stitching slits, which I did not do)
– Tapestry resource book (like Tapestry 101, by Kathe Todd-Hooker)
– Bag to hold everything (and a couple small pouches within to keep things organized)

Mini tapestry sampler.
First mini sampler was almost finished by the time we arrived in Manila.
Green tea cake roll in Tokyo.
Green tea cake roll was a yummy snack at Narita International Airport in Tokyo on the trip home. Maybe this should be a future color scheme for a weaving project?
Weaving on the airplane.
Weaving in the dark. The Starbucks napkin that I saved from Houston came in handy as a light diffuser around the too-bright reading light when other passengers were sleeping.
Mini tapestry sampler.
Second mini sampler was almost finished by the time we arrived back home in Houston.
Mini tapestry samplers.
Mini tapestry samplers show a compact view of the passage of time.

May you find something for your hands to do.

Merry Weaving,
Karen

Every Color Imaginable

Karen

Can you imagine weaving in a place where you have access to fully-stocked shelves of colors and fibers? Or, imagine someone with excellent color sense setting up a warp-faced project for you to weave, giving you the freedom to simply focus on pattern. This is what it was like at Vävstuga Weaving School for More Swedish Classics.

Pick-up Band woven on floor loom at Vavstuga
Set up on a four-shaft loom, band weaving with pick-up is simplified (or complicated, depending on how you see it). Five treadles are used to raise and lower threads. A pick-up stick is used to lift pattern threads, and a band shuttle stick is used to beat in the weft. Being a warp-faced weave, all the color is in the warp, and the weft is mostly hidden.
Rep weave on the loom at Vavstuga
Becky’s Rep Weave in Four Blocks on Eight Shafts. I took this opportunity to experiment with patterns. You might call this “playing with blocks.” Again, being a warp-faced weave, the color is pre-determined by the arrangement of the warp ends. The thin 16/2 cotton weft alternates with a thick weft of mini string yarn, giving the characteristic ribbed surface.

Worry happens when I don’t think I have what it takes to do the job, or when I think I won’t have enough of what I need. When Becky Ashenden prepares the warp, I certainly have no worries about choosing colors. And, with an abundant supply of 16/1 linen, I can combine three shades to produce a gorgeous, rich red, with no fear that the color supply will run out before I finish.

Beautiful Smålandsväv in linen on the loom at Vavstuga!
Deep red, burgundy, and coral 16/1 linen are wound together for the pattern weft in Smålandsväv. The warp is 16/2 line linen. This is the project in “More Swedish Classics” that gave me the most pleasure AND the most angst. …but that’s a story for another day.

We have a Father in heaven who knows all the things we need. All he asks is that we get to know him so we can learn to do things his way. It is much like weaving within the guidelines of the studio where we’ve been given the privilege to weave. Is that too much to ask? For his part, then, he sees to it that we have everything we need, giving us access, through his Son, to his great supply closet.

May your needs be amply supplied.

In case you missed, here is what I posted last week while I was at Vävstuga in beautiful New England: Vävstuga Autumn and Vävstuga Autumn II

Once again, Becky graciously allowed me to sit down with her to ask a few key questions. I am excited to share that conversation with you soon! Stay tuned… (Remember last year?)

Love,
Karen

No Motivation Needed

Karen

You never need to motivate me to sit at the loom, or convince me to make time for weaving. I’m not sure why I am this way, but something in me longs to make fabric. I weave nearly every day, not to be productive, but simply because I love to weave.

Nine goose-eye towels, pressed and ready to hem. Karen Isenhower
Nine new towels, with hems pressed. Each towel will have a matching hanging tab stitched into the hem.

Ten meters / eleven yards gave me nine towels and two generous samples (Just wait. Next week I will show you what I am making from the samples!). Now, I am weaving hanging tabs on the band loom to match the towels. Meanwhile, the linen dice weave is progressing nicely on the big loom, as well. I am not just a person with weaving looms. …I am a handweaver.

Band loom weaving, making hanging tabs for handwoven towels.
Short two-yard warp will weave up quickly, giving me plenty of hanging tabs for the towels, plus extra length of woven band to put in my “band stash.”

You do what is in your heart to do. The commitments you make from the heart define you. Fruit in my life reveals what is in my heart. What does good fruit look like? Unselfish generosity, showing integrity in every interaction, and treating others with respect. I want to be the kind of person that lives this way, not because I “should,” but because that is what is in my heart to do.

May your good fruit basket be full.

(These towels will show up in my Etsy Shop soon. If you have your eye on one, let me know, and I will be happy to reserve it for you.)

Have a fruitful day,
Karen

Tools Day: Enough Shuttles for Now

Karen

If I line up all my weaving shuttles, end to end, how far do you think they will reach? The accumulation started slowly, adding a shuttle here and there, as needed. My husband contributed to my collection by handcrafting some of the shuttles for me. “I could use a stick shuttle in such-and-such a size.” “Okay, dear,” he would say, before going out to the garage to whip up yet another yardstick shuttle for my rigid heddle loom.

Ski shuttles are for rag weaving. Boat shuttles are for almost everything else. Most of my boat shuttles are traditional Swedish shuttles. All these fascinating shuttles, such simple tools, work the wonder of weaving.

Hand-crafted walnut stick shuttles for rigid heddle loom. Mohair/silk/alpaca shawl.
Shawl woven on 32-inch rigid heddle loom, with super kid mohair/silk and baby alpaca. Smooth, handcrafted walnut stick shuttles were used for this project.
Novelty yarn woven on inkle loom.
Tapered edge on pine inkle loom shuttle helps for beating in the weft. I have been known to weave with crazy novelty yarns on my inkle loom.
Hand-carved maple band loom shuttles, and woven bands.
Maple band loom shuttles, hand-carved by my husband, *live* in a small handmade bag that hangs on the back corner of the band loom. This shaped shuttle is perfect for the tricky one-handed manipulation that is needed. If they are too smooth and polished, however, they slip right out of my hand.
Ski shuttles for rag rug weaving. This rug used 3 shuttles at a time.
My favorite ski shuttle is the beautiful cherry wood shuttle made by my husband, Steve. It helps to have several ski shuttles. The “Creative Expression” Rosepath Rag Rug used three shuttles at a time to get the gradient color effect.
Boat shuttles ready to weave.
Boat shuttles eager to weave. Do you hear them? … “Pick me”…”No, pick ME!”
A few of my favorite things. Karen Isenhower
These are a few of my favorite things. Swedish woven goods made on a Swedish loom with Swedish boat shuttles. (I’m the only thing not Swedish here.)
34 1/2 feet of weaving shuttles.
How far will my shuttles reach? 34 1/2 feet (that’s 11 1/2 yards, or 10 1/2 meters long). I ran out of room, so the last one is standing on end.

May you fascinated with things that work.

Happy Weaving,
Karen

Quiet Friday: Going through Phases

Karen

You will not often find a bare loom here. But every loom has its phases. The “Big Loom” (Glimåkra Standard 120cm) is in the empty phase right now. I finished weaving the coarse linen twill with rya knots. Now, I wait for the 16/2 linen that I ordered for the next project. Big Loom, don’t worry; you’ll be dressed again soon.

Rya weaving just completed.
Rya pieces ready to make into interesting shaggy pillows.
Glimakra Standard Countermarch Loom 120 cm
Affectionately known as “The Big Loom.” Seldom seen undressed. Glimåkra Standard Countermarch Loom 120cm / 47 inches weaving width.

 

The “Baby Loom” (Glimåkra Ideal 100cm) is in the weaving phase. It has plenty of warp on it, so I am still happily throwing a shuttle. I should get two more towels from this warp.

Red and brown goose-eye towel on the loom.
Color stripes of brown and gold break up the red in this towel on the goose-eye warp.

 

I want to start weaving a band to match the towels on the “Baby Loom,” for the towels’ hanging tabs. That means I need to put more attention on finishing up the current warp on the “Band Loom“ (Glimåkra two-treadle), so I can start the new warp. This is the hurry-up-and-finish phase.

Two-treadle Glimakra band loom in use.
Band loom is situated for weaving in short bursts. I often stop and weave for a few minutes on the way to the “Big Loom” or the “Baby Loom.” Three sisters look on from the stairway wall. (One of those girls is a younger me. Can you guess which one?)

May you make the most of the phase you are in.

Happy Weaving,
Karen

(The discount coupon on my About Page is good for another week. Thank you!)