What Five-Shaft Huckaback Can Do

It takes only four blocks to weave these lovely summer “flowers.” This five-shaft huckaback uses one tabby treadle and four pattern treadles. My right foot operates the tabby treadle and my left foot manages the pattern treadles. One treadle remains on the floor (not tied up) between the tabby and pattern treadles, putting a helpful space between right foot and left foot.

Skirt fabric!
Flower pattern will be on the second and third tiers of a three-tiered skirt.

Each of the four pattern treadles produces its own block. It couldn’t be simpler. It’s always right foot, left foot. Yet, I can weave the wrong sequence, even while I’m patting myself on the back. For that reason, I stop and examine my work after every few picks. I want to make sure my weaving aligns with the treadling sequence on the draft.

Weaving fabric for 3-tiered skirt!
Summer flowers in huckaback (huck lace).

Have you noticed how easy it is to judge someone else’s motives? And how hard it is to notice our own? I can fool myself. The Lord knows us better than we know ourselves. It’s his mercy that shows us our impure motives. His grace shows us how to walk in his ways. His love keeps us coming back to align our hearts with his.

May your fabric have grace woven in.

Happy Weaving,
Karen

Quills of Summer Yellow

Yellow is everywhere right now. A profusion of wildflowers stretches across our backyard, and much of it is yellow. The bright yellow linen weft fits right in! This is skirt fabric in the making. Wearing the skirt will be as if I’m wearing my own little summer flower garden.

Five more wound quills ready to go!

One shuttle, one color. There are no decisions to make about the weft. Just keep these quills full of glowing yellow thread. When the last of the filled quills is in the shuttle, I weave until I find a good stopping place. Then, it’s time to get up and wind a handful of quills again. Replenish before the quill in the shuttle is bare.

Huckaback skirt fabric. Linen weft.
24/2 cotton warp, 16/1 linen weft, 5-shaft Huckaback.

To be full of faith is to be faithful. We say we trust Jesus. But can Jesus trust us? Faith-ful means you not only believe in him, you abide in him. You believe, and you live what you believe. Day, after day, after day. Quill, after quill, after quill. Replenish regularly to keep getting filled up. Never depleted. Always ready for the next pick.

May you never be depleted.

Happy Weaving,
Karen

Process Review: Happy Blues

Cutting off is like reading the ending of a good short story. Even though you are eager to get to the end, when you reach the final paragraph it seems to soon for the story to be over. Fortunately, even though I am cutting off these happy blues, I still get to enjoy the fabric a while longer as I bring it through the finishing process.

Handwoven cotton fabric. Happy Blues.
All blue. 8/2 cotton in eight-shaft twill. Soft and cushiony.

The 8/2 cotton fabric is woven, washed and dried (multiple times), and ready for its final step. I will cut and hem individual pieces to be used as covers for the arm rests and the headrest for my mother-in-law’s recliner. I can’t think of a better place for this story to end up.

Enjoy this little video slideshow of the making of this cloth:

May you keep starting and finishing good stories.

Love,
Karen

Tried and True: How to Count to Three – and Other Weaving Tips

We weavers are resourceful. We enjoy finding solutions that make our time at the loom more efficient, while raising the quality of our weaving. We’ve done some of these little tricks so much we don’t think about them anymore. And then, some innovations are things we think up on the spot because necessity, as you know, is the mother of invention.

Keep Count

Necessity: Keep from losing my place with treadling repeats.
Solution: A strip of blue painter’s tape with “3 2 1” and a rubber band, placed on the breast beam. Move the rubber band on the tape (from right to left) to track repeats.

Weaving tips - low tech solutions.
I need help counting to 3 when it comes to treadling repeats. On the Glimåkra Standard loom, I am able to loosen the warp enough to lift the breast beam so I can put a rubber band on it. Without a removable breast beam, one could use a separate small piece of tape instead of a rubber band to keep track.
Keep track of repeats. Blog post with tips and tricks.
Low tech solution for keeping track.

Shuttle Catch

Necessity: Keep from fumbling the catch, having to reposition the shuttle in my hand to send it back across the warp.
Solution: Keep my eye on the shuttle. If I turn my head to watch the movement of the shuttle, my catching and throwing improves immediately. This makes my selvedges improve, too.

Weaving tips and tricks. Easy tip on how to catch the shuttle perfectly.
It is easy to throw and catch the shuttle without actually looking at your hands. I have to consciously remember to turn my head to follow the shuttle with my eyes.

Leave No Trace

Necessity: Keep from leaving slightly perceptible lines in the woven cloth that reveal every time I stop to move the temple and advance the warp.
Solution: When it is almost time to advance the warp, I move the temple and then weave one or more pattern sequence(s) before advancing the warp. This helps me leave no trace of starting and stopping.

Tips and tricks for the weaving loom.
Almost ready to advance the warp, I remove the temple and reposition the pins on my guide tape. Then, I put the temple back on, near the fell line.
Tips about when to advance the warp.
After moving the temple, I weave one or more complete treadling sequences before advancing the warp.
Three simple weaving tips for efficiency and quality!
After advancing the warp, I know exactly where I left off because of my tape-and-rubber-band counter. My eyes are on the shuttle to continue this segment of weaving.

Do you have a simple tip that improves your efficiency and/or quality at the loom? Please share in the comments.

May you notice what you’re doing.

Happy Weaving,
Karen

Tried and True: Simplify Subtle Color Changes

When I pick up a color of thread I don’t want to have to guess if it’s the right color. Four of the five blues in the weft sequence are close neighbors in value. The one color that is easy to identify is the navy blue, which provides a good contrast among the blues.

Five blues in 8/2 cotton. 8-shaft twill.
Weft color order follows the sequence of the warp color order. Five blues for this 8-shaft twill in 8/2 cotton.

The weft order matches the warp order, and is marked out on a ribbon. I am using a separate boat shuttle for each shade of blue. But how do I know which color is which, when the difference is subtle from one color to the next?

Simplify Subtle Color Changes

  • Give each color a number. Write the numbers next to the colors of the warp order on the Project Notes.
Project Notes for weaving with 5 blues.
Weft colors are the same as the warp colors. The Project Notes show all the details. “1, 2, 3, 4, 5” is added to the sheet to give each color a simple number.
  • Label the thread tubes with a small piece of blue painter’s tape. Each tube of thread is numbered to correspond with the numbers on the Project Notes.
Make removable labels with blue painter's tape.
Handy blue painter’s tape is used to make removable labels.
Five blues are labeled for simplicity.
Thread tubes are labeled with their identifying number.
  • Label each boat shuttle with its assigned color number, using a small piece of blue painter’s tape.
There are five blues for this 8-shaft twill.
Each boat shuttle holds its own color.
  • Place wound quills under the rubber band of their respective thread tubes.
Simplify subtle weft color changes.
When I wind an extra quill I place it with its thread tube so I don’t accidentally pick up the wrong color quill.

It is easy to keep track of these five numbers as I follow the weft sequence that is marked on my reference ribbon. Now, it’s shuttle #4’s turn…

Simplify subtle weft color changes.
Next in line…

May you find a way to simplify.

Happy Weaving,
Karen