Process Review: Fresno Canyon Small Tapestry

The Park ranger had told Steve and me that if we were willing to drive six more rugged miles we would witness a spectacular overview of the Fresno Canyon that few people get to see. This is an opportunity we wouldn’t dare miss. And the park ranger was right. Oh, what a view! From this high point above the valley the view is phenomenal! I welled up with emotion as I looked over the glorious beauty of God’s creation.

The memory of that scene is in this small tapestry. Most of my small-tapestry weaving happens when we travel, where we make even more memories, which I store up in my heart. I pull from these stored treasures to weave tapestries that reawaken the fond memories.

Landscape - woven small tapestry.
Fresno Canyon photo printed in black and white is used for the cartoon. Instead of an exact picture of the image, I aim for a representation of the memory, expressed with color.
Relaxing in the Casita travel trailer. Wood carving and tapestry weaving.
During a brief rainstorm while at Caprock Canyons State Park, Steve and I relax in the Casita with our handcrafts. Wood carving and tapestry weaving.
Small tapestry in progress.
Warp is blue 12/6 cotton. Weft is triple strands of 6/1 Fårö wool. I use the tapestry needle to weave.
Weaving in the sunshine on a camping trip.
Weaving in the sunshine at Davis Mountains State Park after returning from a hike.
Small tapestry of a Texas landscape.
Finished weaving one Texas landscape while enjoying another.
Small tapestry with finished and braided edges.
Warp ends are woven and braided.
Linen backing for mounting a small tapestry weaving.
Linen is cut to size and pressed. Narrow rod sleeves are sewn into place.
Backing a small tapestry for framing.
Linen backing is hand-stitched to the back of the small tapestry.
Simple frame for a small tapestry.
Steve designed a simple frame for the small tapestry.
Finished Fresno Canyon tapestry.
Finished Fresno Canyon tapestry. A treasured memory kept and framed.
Texas landscape small tapestry - framed.

May your memories become treasures.

Thankful for you! Happy Thanksgiving,
Karen

Process Review: First Drawloom Warp

There are two questions I hear most often. 1. How long did it take? 2. What is it going to be? These are hard questions to answer. I admit that I stumble around to find satisfying answers. 1. How long? Hours and hours. 2. Cloth. It is going to be cloth. What will the cloth be used for? I don’t know. But when I need a little something with a pretty design, I’ll know where to find it. There are two finished pieces, though, from this first drawloom warp: the Heart-Shaped Baskets table runner (adapted from a pattern in Damask and Opphämta, by Lillemor Johansson), and a small opphämta table topper that I designed on the loom. The rest are samplers, experiments, tests, and just plain fun making-of-cloth. Oh, and I wondered if I could take the thrums and make a square braid…just for the fun of it.

First warp on my drawloom. Success!
Opphämta piece on the left, with Fårö wool pattern weft. Heart-Shaped Baskets runner on the right, with red 16/2 cotton pattern weft. Ten pattern shafts.

I will let the pictures tell the story of this first drawloom warp.

May you have plenty of things to make just for fun.

Happy Weaving,
Karen

All the Looms

The plan to keep every loom dressed is easy when there is only one loom. Now that I have four floor looms, it’s a tough plan to follow. The drawloomcheck. The Glimåkra Standard, dressed in Tuna wool—check. The two smaller looms are threaded, and just need tying on and tying up. So, I’m well on my way! The end of the first warp on the drawloom is in view, however. That means the drawloom will soon be back in the queue. And so it goes.

Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Warp for cottolin towels.
Warp for cottolin towels is threaded on the little hand-built loom.
Opphämta on the drawloom.
Opphämta on the drawloom. Pattern weft is 6/1 Fårö wool. The right side of the fabric is seen underneath, as it comes around the breast beam.
Threading heddles on the Glimåkra Ideal.
Threading heddles on the Glimåkra Ideal.
Blue and Almond Tuna wool warp.
Blue and Almond Tuna wool warp is tied on in 1″ sections.

I like to stay a step ahead of my looms. I’m ready to wind a new warp as soon as I finish cutting off. It’s the cycle of weaving. But I have trouble staying ahead.

Tying up treadles on the Glimakra countermarch.
Twelve shafts. Twelve upper lamms. Twelve lower lamms. Twelve treadles. This is an amazing system.
Warp is tied on. Ready for rag rugs!
Warp is tied on. Ready to add the leveling string.
Loom is dressed for small wool double weave blanket.
Loom is dressed. Treadle cords are adjusted. Ready for weaving!
End of warp on the drawloom.
End of warp comes near the pattern heddles. This is my first drawloom warp, so I’m waiting to see how far I can weave until I lose a good shed. So far, so good.
My first drawloom warp.
Closing chapter of my first drawloom warp. I’ll keep “turning pages” until the shed disappears.

We have good plans for our lives. But often, it’s tough to follow those plans. Too many things happen at once, and we don’t know how to stay ahead of it all. The thing to remember is that our plans stem from our inner commitments. When we commit our ways to the Lord, trusting him, he leads us through our days. Trust turns plans into achievements. And those are the plans worth pursuing.

May your best plans succeed.

Happy Weaving,
Karen

Weaving Hearts

Pulling the draw handles for each four-thread unit of weaving is like doing counted cross stitch on the loom. I enjoyed cross stitch in the 1980’s and I am enjoying this drawloom version now. Very much. I started this Heart-Shaped Baskets table runner on Valentine’s Day—a fun way to celebrate the day!

Heart-Shaped Baskets. Adapted from pattern in Damask and Opphämta, by Lillemor Johansson.
Heart-Shaped Baskets. Adapted from a pattern in Damask and Opphämta, by Lillemor Johansson.
Drawloom hearts.
Red 16/2 cotton weft on unbleached 16/2 cotton warp. The dark weft on a light warp makes consistency in beating that much more important.

Like weaving on any floor loom, I want to have consistency in my beat and in my selvedges. Inconsistencies in these basics can detract from the drawloom imagery of the final cloth. The main thing is to keep paying attention. And keep joyfully pulling those draw handles to create more hearts of love.

Drawloom hearts.
Stripes at the edges prove to be a challenge for getting consistent selvedges.
Table runner on the drawloom.
Table runner is woven in broken twill on four ground shafts, with eleven pattern shafts.

Grace is a gift of favor, not an earned reward. Forgiveness is the giving of grace. And gratitude results from receiving grace. Grace makes us graceful. Giving and receiving grace with consistency is what we’d like to see in ourselves. That’s when the love of God, in whose image we’ve been made, is most clearly seen in us. So we practice what we know to do. And pay attention. And keep joyfully weaving a heart of love, by God’s grace.

May you be grace – full.

Gratefully yours,
Karen

Drawlooms in Montana

Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.

Gorgeous Montana mountains by Joanne's weaving studio.
View from Hall Lane, in front of Joanne and Ed’s home.

Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.

Single unit drawloom weaving.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.
Single unit drawloom in Joanne Hall's weaving studio.
Single unit drawloom in Joanne Hall’s weaving studio.
Half-heddle sticks for weaving opphämta.
Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.
Shaft drawloom weaving. 6/2 tuna wool warp and weft.
Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.
Shaft drawloom in Joanne Hall's studio.
Pulled pattern shaft handles are secured in the hook bar.
Weights hang on the pattern units in the drawloom.
Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.
Drawloom samplers unrolled! 6/2 tuna wool warp and weft.
Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!

Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.

Distributing pattern heddles on the drawloom.
Deb separates pattern heddles that will be placed on the next pattern shaft.
Pointed threading of pattern heddles on the drawloom.
After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.
Weights under the drawloom.
One weight hangs on the long heddles of each six-thread pattern unit.
In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.
Eight-pointed star on the shaft drawloom at Joanne Hall's drawloom class.
New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!

Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.

Wool shaft drawloom sampler.
Wool shaft drawloom sampler, at home now in my drawloom studio.
Shaft drawloom sampler from Joanne Hall's drawloom class.
Reverse side of wool sampler was face up on the loom.
Single unit drawloom sampler.
Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.
Draw cords and handles are in place on the new drawloom.
Draw cords and handles are in place. Forty more will be added soon.
Shaft drawloom is just about ready for first project!
Shaft drawloom is ready. Single unit drawloom parts will be added later.
Please excuse me now while I go wind a warp!

May your imperfections be greeted with grace.

Love and grace,
Karen

~What are your questions? Joanne has answers~

Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.