Pulling the draw handles for each four-thread unit of weaving is like doing counted cross stitch on the loom. I enjoyed cross stitch in the 1980’s and I am enjoying this drawloom version now. Very much. I started this Heart-Shaped Baskets table runner on Valentine’s Day—a fun way to celebrate the day!
Heart-Shaped Baskets. Adapted from a pattern in Damask and Opphämta, by Lillemor Johansson.Red 16/2 cotton weft on unbleached 16/2 cotton warp. The dark weft on a light warp makes consistency in beating that much more important.
Like weaving on any floor loom, I want to have consistency in my beat and in my selvedges. Inconsistencies in these basics can detract from the drawloom imagery of the final cloth. The main thing is to keep paying attention. And keep joyfully pulling those draw handles to create more hearts of love.
Grace is a gift of favor, not an earned reward. Forgiveness is the giving of grace. And gratitude results from receiving grace. Grace makes us graceful. Giving and receiving grace with consistency is what we’d like to see in ourselves. That’s when the love of God, in whose image we’ve been made, is most clearly seen in us. So we practice what we know to do. And pay attention. And keep joyfully weaving a heart of love, by God’s grace.
You will be happy to hear that my drawloom is all dressed and set up. And it works! Every glide of the shuttle reveals exceptional magic in the cloth. Even better than I had hoped.
Pattern heddles are long, with a normal 1/2-inch eye. Breast beam is used for sorting pattern heddles into units and then adding a 2-lb weight (lingo) to each unit. In this case, four heddles make one unit.Inkleband from my “band stash” helps me separate pattern units that will be placed onto a pattern shaft.
I had a few nervous moments while dressing this expansive loom, struggling with the pattern shafts. I learned the hard way that attempting a shortcut can mean taking much longer to complete the task. But, in the end, everything straightened out. Whew!
Oops. I successfully distributed pattern units onto one pattern shaft, moving it onto the pattern shaft holders. So, I thought, Why not do two shafts at a time? Uh oh. Not a wise move for a beginner like me.Ten pattern shafts, plus one extra shaft for selvedge threads. After fixing my little mishap, I took my time to finish transferring pattern units to the pattern shafts.Drawloom’s first project is mostly practice and samplers. This pattern is taken from Learn Damask in a Day, by Tina Ignell in VävMagasinet, January, 2011, pgs. 40-41.Eight-pointed star is seen often in traditional patterns. This eight-pointed star with diamonds is found in Drawloom Weaving, by Joanne Hall, p. 12. I created the border design at the loom.Light catches the warp threads in the 4-shaft broken twill as the cloth goes around the breast beam.
May your struggles turn into triumphs.
Your friend, Karen
~What are your questions? Joanne has answers~
Janet, who is interested in drawloom weaving, asks these questions. Joanne Hall provides the answers.
Q: I am trying to determine where to put a drawloom. How much floor space does a drawloom take? And how much additional area will I need around the loom?
A: These are good questions. Many weavers think about these things when they become interested in getting a drawloom.
Glimåkra 120cm Standard, with Myrehed drawloom. Photo from Drawloom Weaving, by Joanne Hall.
Width – For either the 100cm, 39.5-inch Ideal or the 100cm Standard, the width of the loom is 4 1/2 feet. Part of this is the ratchet wheel that sticks out 5 inches from the loom frame. The 120cm, 47-inch loom would be 8 inches wider.
Length with the loom extension – Without considering space for the bench, the depth is 7 1/2 feet. The Ideal loom will have the same depth as the Standard loom. The Standard loom can be set out another 1 1/2 feet further, which may be nice if one wants to have 50 pattern shafts.
One occasionally needs to stand on the left side of the loom during warping. You need to stand at the back of the loom and walk along the right side the loom to move the ratchet wheels. When beaming the warp, it is good to have two or three feet of space either at the front or the back of the loom. During warping, you will need space at one side of the loom to move the pattern shafts and warping sticks in and out of the loom.
So, you need about 6 – 7 feet by 12 feet, but some get by with a few inches less.
Q: Can any Ideal or Standard loom be converted to a drawloom? What are the “must haves” to look for in a used loom that will be set up as a drawloom?
Joanne Hall at the 100cm Ideal loom with single unit drawloom. (The drawloom extension is no longer made for the Ideal loom.) Photo from Drawloom Weaving, by Joanne Hall.
A: I frequently hear from weavers who send me photos of a loom and drawloom that they have found online. They want to know if $3800 is a good price for it. Often it is 40 years old and is being sold by the grandson, who cannot answer your questions.
If you are hoping to save a little by finding a used loom, it is best to purchase a used Glimakra Standard loom of any width and any age and then purchase the drawloom new. That way, you can get help when you need it. Plus, the Myrehed drawlooms have advantages over the older-style drawlooms.
I love my Myrehed drawlooms and once you try it, you will find that it is not so mysterious, but instead, a lot of fun to weave on.
Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.
View from Hall Lane, in front of Joanne and Ed’s home.
Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.Single unit drawloom in Joanne Hall’s weaving studio.Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.Pulled pattern shaft handles are secured in the hook bar.Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!
Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.
Deb separates pattern heddles that will be placed on the next pattern shaft.After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.One weight hangs on the long heddles of each six-thread pattern unit.In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!
Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.
Wool shaft drawloom sampler, at home now in my drawloom studio.Reverse side of wool sampler was face up on the loom.Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.Draw cords and handles are in place. Forty more will be added soon.Shaft drawloom is ready. Single unit drawloom parts will be added later. Please excuse me now while I go wind a warp!
May your imperfections be greeted with grace.
Love and grace, Karen
~What are your questions? Joanne has answers~
Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.
I am practically outdoors in the middle of trees when I’m weaving. It’s refreshing to weave between corner windows. That’s how it is with the little loom at our Texas hill country home. I have windows beside my other looms, too. But this is different. Here, I have windows beside me and in front of me.
Nature is resplendent with ornamentation and flourishes that influence my weaving. Colors, patterns, shading, and playful surprises. They work their way into my thinking and planning. Aren’t the Creator’s designs amazing?! So, to be surrounded by all that inspiration while weaving raises the enjoyment at the loom all the more.
Colors.
Patterns.
Shading.
Playful surprises.
Color – variation, pattern – color and weave, shading – two-pick stripes, playful surprise – offset warp stripes.
It is refreshing to experience the enjoyment of nature. We need that. Our minds need refreshing, too. Our minds can be freshened up. When we grow in the knowledge of God—who he is, what he is like, and what he wants—our minds are refreshed and renewed. It’s a breath of fresh air for our thinking. Like weaving out in the middle of the trees.
Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.
Nice and pretty, but lacking the boldness of the planned color-and-weave effect.
Aha! I overlooked an important detail on the treadlingdraft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.
Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.
Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.
Back to the start. Sufficient weft has been removed. Now I am ready to start over.
I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.
This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.
First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.
I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.
