Tag: purpose

Two Threads Are Better than One

Karen

Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.

Winding a linen warp. Always 2 threads together.
Choke ties secure the warp bout around the starting pin on the warping reel.
Smooth warping tip: Always wind a warp with at least two threads at a time.
I hold two threads in my right hand, with my little finger separating them, to wind the warp. My left hand turns the warping reel. I purchase enough thread to be able to wind with two tubes at a time. Any thread that remains unused goes toward another project.

I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaft satin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.

One of my weaving spaces.
Various stages of weaving. Winding 16/2 unbleached line linen to warp the Standard loom. The Baby Loom (Glimåkra Ideal) in the background is in the middle of rag-rug weaving.
Ten shafts for dräll in five-shaft satin.
Ten shafts in place on the Big Loom (Glimåkra Standard) to prepare the loom for weaving dräll in five-shaft satin.

There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?

May you keep the end in mind.

Yours,
Karen

Finer Weft for a Stronger Cord

Karen

I need a strong cord for a specific use. It needs to look nice, without drawing attention to itself. This cord will connect three small pieces of wood. I will reveal how they will be used after I finish weaving the cord.

Three wooden pieces for a special purpose...
Three wooden pieces to be connected for a purpose. What are they for? You are welcome to put your guess in the comments…
Warping the Glimakra band loom.
Warping the band loom.

I chose 12/6 rug warp for the project, to make this a durable cord. With a band this narrow, the 12/6 cotton is too bulky for weft. I could not pull the selvedges tight. I need a finer weft that will draw the warp ends together and disappear at the selvedges. Black 16/1 linen works beautifully!

New woven narrow band. Need to change the weft.
Using 12/6 cotton rug warp for the weft proved to be unworkable for this narrow band. Light shows through the gaps at the selvedges.
Linen weft for this narrow band.
Black linen weft matches the black selvedge threads. The 16/1 linen enables tight and even selvedges for this 5/16″ (8 mm) band.

A change of heart changes everything. The condition of our heart is revealed in the way we behave toward others. Our thoughts and actions are a matter of the heart. To live in a manner that is unselfish, generous, kind, and content, we must do more than line up the right outward appearances. We must start with humility. Having the perfect warp means nothing if the weft interferes with a beautiful outcome. Humility, like the linen weft, is a posture of the heart that pulls everything else together.

May your heart be beautiful.

Warmly,
Karen

Kuvikas Squares Meet Stripes

Karen

After neglecting this Glimakra Standard loom for a few weeks, I lost my consistency in beating. The first panel, side one of a cushion, has a square-within-a-square pattern. And the squares are not all equal. If I tried to put the same pattern on the back panel, the cushion front and back would not match up at the seams.

Kuvikas (summer and winter).
Each block consists of twenty picks, so there are sixty picks for each row of the square-within-a-square pattern. Consistency in beating is crucial in order to have all the rows of squares equal in size.

Stripes to the rescue! The stripes use one of the four possible kuvikas blocks. I get a coordinating pattern without the fuss of trying to match up the sides. The stripes have a ribbed appearance–simpler than the squares, but still geometric. The patterns are different, but they work together and complement each other.

Kuvikas. Front and back cushion panels.
Two red picks separate the front and back panels of the cushion.
Kuvikas squares and stripes.
Repeating “block one” makes a simple stripe pattern. The square-within-a-square pattern is made by weaving two groups of blocks. Group 1: block two, block one, block two. Group 2: block three, block four, block three.

There are many different gifts in people; and the gifts all come from the same source. Each gift is like a pattern than can be used in a variety of ways, complementing the other patterns around it. Our Grand Weaver sees the whole project, and places the people with the gifts where they best fit in the overall fabric. You are made for a purpose. Your gifts are exactly what the rest of us need.

May your gifts bless those around you.

With purpose,
Karen

Making Hanging Tabs for Towels

Karen

It’s this kind of detail that takes a handcrafted item up a notch. A hanging tab made from a handwoven band is more than an accent for a handwoven hand towel. The small hanging tab, mostly unnoticed, adds a statement: This towel has a purpose. It is meant to be placed where it will be used.

How to Make Hanging Tabs for Towels from a Handwoven Band:

  • Mark cutting lines on the woven band. My lines are 4 1/4″ apart.
  • Zigzag forward and back on both sides of the marked lines, leaving room for cutting apart.

Zigzag between hanging tabs.

Making hanging tabs for towels.

  • Cut the band apart at the marked lines, between the zigzag rows.

Hanging tabs, cut apart for towels.

  • Decide where and how to place the hanging tab.

Trying different versions of hanging tabs.

One style of hanging tab for handwoven towel.

Handwoven band for hanging tab on towels.

Loop for hanging tab on towel. Handwoven band.

  • Position the tab, and push the zigzagged ends to the fold inside the pressed and folded towel hem. Pin or clip in place.

Adding handwoven band to hand towel.

  • Stitch the towel hem, securely catching the ends of the hanging tab.

Adding hanging tab to handwoven towel.

Finished handwoven linen-cotton towel with hanging tab.

  • Use the towel. Enjoy!

Handwoven towels being used!

Your prayers matter. Pray a blessing on your children and grandchildren. Your prayers add a detail to their lives that sets them apart. The blessing we ask is that they know the Lord. That they will call on the Lord. That they will say they belong to the Lord. Ultimately, our prayer is for the Lord to place them where they live out the purpose for which he has designed them.

May your prayers reach the heart of God.

With purpose,
Karen

One Handweaver

Karen

This time, please permit me to share with you a short video that tells a little something about me as a handweaver. I suspect, if you are a weaver, you enjoy weaving for some of the same reasons I do. The process of turning threads into cloth never ceases to fascinate me! I weave on Glimåkra countermarch looms, with an emphasis on Swedish-style textiles. Even within that boundary, there are endless weaves to explore and techniques to try. I am deeply grateful for the opportunity to sit at a loom and weave these threads together. Thank you to Eddie Fernandez for his kind manner behind the camera and for his masterful videography.

And I can’t tell you enough what a joy it is to walk through this process with friends like you.

May you enjoy the part of the process you are in.

Happy Weaving,
Karen