Tag: weft

This Time in Color

Karen

Thick and thin in color. The appeal for me is that something so simple can look so complex. How can plain weave do this? By having thick and thin threads that alternate in a certain way. Add color, and the options multiply!

Thick and thin on the loom, using double bobbin shuttle.
Double bobbin shuttle carries the thick weft. 30/2 cotton for the thin weft adds texture and complexity to the plain weave.

For the thin thread, I use 30/2 cotton. This very thin thread has a big impact on the fabric design. Strategically placed in the warp, it helps define the two blocks. Repeating the thin thread in a weft sequence is what produces a block change while weaving. The thin threads are integral to the design, yet they will barely be noticed after the fabric is wet-finished.

It is fascinating how much impact little things have. Character is revealed in the very little things. It’s the special touch you add, the extra time you give, the kind thoughts you think. It’s how you are at home, doing ordinary things for your family. It’s who you are, what you are thinking, and what you are doing. …when no one is noticing. These are the little things that tell who we are at the core. Faithful in little; faithful in much.

May all your little threads fall into place.

With you,
Karen

Tools Day: Loom Cart

Karen

Having a cart beside my loom is the next best thing to a loom-side assistant! A turquoise utility cart from IKEA sits beside my Glimåkra Ideal. An Elfa drawer system on casters is right beside the Glimåkra Standard, and keeps oft-used tools within arm’s reach.

The IKEA cart (Råskog Utility Cart) serves as a holding space for any project on the Ideal. Since this loom is not in the room where I keep my weaving supplies, it helps to have a rolling cart that holds items as needed. The three tiers hold tools and supplies for dressing the loom, like sley hook, extra Texsolv heddles, and treadle cords. While weaving, I keep extra shuttles and small tools on the top tier. All the weft thread or yarn for the project goes on the second or third tier. When I weave rag rugs, fabric strips that are sorted by design and/or color are piled up on the three tiers.

IKEA utility cart as loom-side assistant.
IKEA utility cart holds thread and wound quills while I try out weft colors on a new warp.

The Elfa cart enhances efficiency at the big loom. It houses frequently-used essentials, especially small tools and supplies needed to dress the loom. It is near my work table where I wind quills, so yarn for the current project goes in the deep bottom drawer. The woodblock top adds a nice touch that compliments the wood of my Swedish loom.

Elfa drawer system with casters for loom-side assistant.
Too many leftover quills from projects sit in the top drawer of the loom cart. Sley hooks, flat head pins, headlamp, pencils, tape, and other small tools and gadgets are in this top drawer.
Elfa drawer system as loom cart. Organized!
Second drawer has anchor pins and arrow pegs for Texsolv cord, box of choke ties, box of long treadle cords, box of short treadle cords. I found the little boxes at IKEA.
Loom room organization. Guide strings wrapped on empty tubes.
Guide strings for measuring warp are wrapped on empty thread tubes. This drawer also holds rolls of twill ribbon used for measuring weaving length at the loom.
Organization at the loom. Elfa cart solution.
Yarn in the bottom drawer is only a half step away from the winding station. All the cotton and wool weft for the current project is in this drawer, making it easy to grab what I need for winding more quills.

May your loom-side assistant serve you well.

Happy Weaving,
Karen

One Color Too Many

Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton.
Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors.
One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower
Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen

Simplest Rag Rug Stripe

Karen

An isolated thin weft stripe makes a bold statement. One simple technique greatly improves the efficiency of weaving such a stripe in a rag rug. This method eliminates the need to weave weft tails in at the beginning and end of the stripe. So, besides being efficient, the selvedges look better too.

How to Weave a Thin Weft Stripe (Two Picks)

1 Weave up to the stripe placement. No need to end the weft if the same weft will continue after the thin stripe.

Rag rug on loom. How to make thin stripes.

2 Place the first pick of the stripe in the shed, leaving a long tail of about 6 inches / 15 cm, or more.

How to make thin weft stripe in rag rug. Step by step pics.

3 Beat in the first pick of the stripe.

Making thin stripe in rag rug. How to.

4 Change sheds. Lay the long tail into the new shed.

Making thin stripe in rag rug. How to.

5 Send the shuttle across for the second pick, catching the previous weft to carry it up the selvedge.

Make a thin stripe in a rag rug. How to and pics.

6 As the weft goes across for the second pick, bring the shuttle all the way out.

Second pick of thin stripe. Explanation and pics.

7 Pull enough of the second pick through the warp to cut a tapered edge that will overlap the tapered edge of the long tail.

How to make thin stripe in rag rug.

8 Overlap the two tapered fabric strips in the shed.

Overlap in the shed. Rag rug instructions.

9 Beat in the second pick of the stripe.

Rag rug thin stripe.

10 Continue weaving with the previous weft that was carried up the selvedge.

Rag rug on the loom. Thin stripe tutorial.

If you’re like me, you are always on the lookout for ways to enhance weaving efficiency. One little tip can improve the whole weaving experience. When you know there is so much more to learn, and you are hungry to learn, every morsel of insight is delectable.

Has your soul ever felt hungry? Mine has. The Lord is ready to fill the hungry soul with good. He fills the empty. He satisfies the hungry, meeting the deepest need. One sweet morsel leads to another, inviting us to keep coming back. Taste and see that the Lord is good.

May you be hungry for good things.

Satisfied,
Karen

How to Strip the Fun out of Weaving

Karen

No fancy stuff for this rug, like rya or loops. The main thing is to finish off this warp. I am eager to get on to the next project–monksbelt (munkabalte)! Even so, it is good to enjoy what you are doing, to be happy and content with what you have and where you are. There is no use complaining about having to finish this. …even though something else seems more exciting.

Simple rag rug on Glimakra Standard.
Simple rag rug using neutral colors. Dark weft stripe is produced by two consecutive rows of a dark brown print fabric as weft.

A grumbling attitude can strip all the joy from the current process. Grumbling poisons your thinking. It starts as a small complaint, but is never content to stay small. In fact, grumbling spreads to other people and corrupts their desires, too. Better to refuse it before it has a chance to begin. Notice and enjoy the blessing of the moment you are in. And so far, I haven’t found a rag rug I didn’t enjoy weaving. Now that’s a blessing!

May your attitude be worthy of imitation.

With contentment,
Karen