Tag: weft

Weave Two Connected Layers

Karen

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!
Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.
Double weave throw. Karen Isenhower
Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.
Double weave magic!
Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

My Four-Shaft Tapestry – Will it Work?

Karen

Is this going to work? Yes, I think so. I am testing things out. So far, so good. Can I follow the cartoon? Yes. Do I have a good way to hold the cartoon in place? Yes. And to put the color and value key where I can see it? Yes. Do I have enough yarn in each of the colors, values, and thicknesses that I need? No. I see some gaps, especially in the mid-to-dark value range. I am ordering more yarn today. Is four-shaft tapestry going to be as delightful an experience as I’ve long hoped? Most probably, yes! Word of the day: Yes!

Wool yarns for four-shaft tapestry.
Testing, testing. Blending of yarns, blending of colors, checking value contrasts.
Blending yarn colors and thicknesses for tapestry.
Blending yarn colors and thicknesses gives interesting results. This is practice for some of the background area of the tapestry.
Testing new approach to tapestry weaving.
Finding out if I can follow details on the cartoon. Experimenting with adding floats in places as texture to enhance the design.
Trying out four-shaft tapestry.
Will I be able to handle multiple yarn butterflies? I think so.
Practicing technique for a new tapestry on the Glimakra Ideal loom.
Testing some of the green hues for part of the main subject of the tapestry. Also keeping an eye on selvedges, so they don’t draw in.
Testing various elements before starting the *actual* tapestry.
Plenty of warp is available for practice. I want to test all the critical elements before I start the *actual* tapestry. This tapestry will be woven horizontally.

Words. I am affected by words—spoken by others, and spoken from my own mouth. Grace in our words can be an invitation of kindness and relief to someone who is testing our framework. When Christ’s words dwell in us, the richness of his words affect our being. And then, our words of yes and no are grace-filled bearers of hope.

May you see hope on your horizon.

With hope,
Karen

Not the Easiest Way to Weave

Karen

I considered making a matching set, but at the loom I get an inclination to explore. Hence, no two placemats are alike. A change in the weft changes everything. New colors emerge! Slate and apple green on a coral warp become periwinkle and avocado. If you look closely, though, you can still see the underlying coral and camel stripes of the warp.

Cotton placemats on the loom with color and weave effects.
Second placemat uses red and orange in the weft. These colors work with the coral in the warp to bring out a distinctive color-and-weave effect in the design.

Three double-bobbin shuttles—this is not the easiest way to weave. I am carrying the colors up the selvedge, so it gets tricky when all three shuttles end up on the same side. Nevertheless, this is the joy of weaving a challenge. How and where to set the shuttles down, and which hand picks them up—ever aiming for efficiency. Newly-formed colors and technical pursuits—this is a handweaver’s thrill of discovery!

Three double bobbin shuttles for this color and weave placemat.
Beginning of the third placemat shows variation in pattern and color choices. Three double bobbin shuttles put my manual dexterity to the test.
Color and weave variations.
Coral and camel warp stripes form the base of the design. Pattern variations are produced by varying the number of picks per weft color.

Imagine the thrill of discovery that awaits us in heaven! Love permeates heaven. Like a narrow-striped warp, love is written into the fabric. The environment there is love, where pride and selfishness don’t exist. Blending of colorful personalities will be such as we’ve never seen. All to the glory of our Grand Weaver. And how marvelous that through Christ we’ve been given everything needed to practice that kind of love here and now. Double bobbin shuttles, and all.

May you rise to the challenge.

Love,
Karen

Tapestry Portrait Progress

Karen

Once I get going, it’s not easy to put this Lucia tapestry portrait down. Each new row is another chance to turn it over and see how she’s coming along. A long car drive gives me a good stretch of weaving time. While Steve drives, I weave on my small tapestry frame. As a result, I am making considerable progress on Lucia this week.

Detailed cartoon gives direction for color blending and color changes. Magnets along the side of the frame loom hold the tapestry needle that I use for the weaving.

I am trying to withhold judgment until it is finished. And a close-up view shows details of the yarn, but doesn’t give a good perspective of the portrait overall. I am learning quite a bit through this process, un-weaving when necessary, and moving forward ever so slowly.

Small tapestry portrait in progress.
Lucia portrait. Three strands of Fårö wool for weft gives good options for color blending.

Beloved. Lucia is one of my beloved granddaughters. No matter what details happen in her life, she has my affection. Your beloved is someone you care for deeply, earnestly desiring their highest good. Spouse, children, friends, blog readers…those you choose to give yourself to. You want them to “be loved,” not only by you but by the Master tapestry weaver. To know the Grand Weaver’s love is to know you are loved in detail. It includes forgiveness, which looks a lot like un-weaving. He knows exactly how to weave the portrait of you, his beloved.

May you be loved.

Love,
Karen

Bold Color and Weave

Karen

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft.
Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes!
Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.
Backing up. Weft removal, one pick at a time.
Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.
Weft has been removed. Now ready to start over!
Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave.
This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.
Color and weave for placemats.
First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen