yardage – Page 24 – Warped for Good

Designing at the Loom

April 26, 2016April 25, 2016 Karen

For the most part, I am designing this monksbelt at the loom. Even so, I have guidelines regarding color order, sequence of tabby and pattern colors, and treadling order. Each time I remove the temple, I make mental notes for the upcoming segment. When I advance the warp, I step back to get a better idea of where I’ve been, and where I want to go.

Monksbelt with Faro wool pattern weft. — Two tabby picks of blue 16/2 cotton are between each Fårö wool pattern pick. Purple wool weft is carried up the selvedge a short distance under the blue wool weft .

The challenging part is the weft rep tabby. I make a high arch with the tabby weft, and change sheds before beating the weft in. Inconsistency shows up as streaks, especially with darker weft, like the blue tabby I’m on now. When it seems like too much effort to get it right, I have to remember that I am not just making yardage; I am developing skills and habits for successful weaving.

Saturated colors bring high contrast to the monksbelt pattern. — The intensity of saturated colors provide high contrast. Lavendar wool appears gray when deep purple and dark blue are introduced.

It takes planning and caring to build a home. It takes wisdom. Homes are built with wisdom. It’s like designing at the loom. We can’t see into the future, but we can set guidelines that help us make a good design. There is always a challenging part, in every stage. All the more reason for consistency in our convictions. Home is not just a place. Home is where we learn to love.

May your home be your family’s favorite place.

Designing,
Karen

Between the Lavender Picks

April 19, 2016April 18, 2016 Karen

I almost kept going. But something was off. Maybe the tabby hadn’t been beaten in as tight between the lavender pattern picks. In that case, a few more rows would obscure the slight difference. I did not want to undo; and wishful thinking tempted me to avoid taking a closer look. Sensibility won, though. I did stop to examine the cloth.

Weft threads are carefully snipped back to point of error. — Weft threads are carefully snipped back to the point of error. I did this very slowly, with a bright light shining on the area being snipped.

Even under close inspection, my eyes could not identify the error. I struggled to see the fine details. Magnifying glass to the rescue! Magnification revealed two extra tabby picks. Aha! Two fine threads out of place are enough to throw off the pattern. If not corrected, this errant line across the finished cloth would draw the attention of every eye. Knowing precisely where the error is gives me courage to face the necessary operation. Snip, snip, snip. Undo. Fresh start.

Magnifier reveals 2 extra tabby picks to be removed. — Magnifier reveals two extra tabby picks (16/2 cotton) that must be removed.

Error removed. — Weft threads are pulled out one by one, and then discarded.

An honest report tells it like it is. When we are trusting the Lord, we have courage to stop and examine errors, bypassing wishful thinking. Faith is like a magnifying glass that enables us to see clearly. Courage comes alive through the eyes of faith. The difficult and painful process of undoing errors and making corrections is worth it when you consider the high value of the finished fabric.

Monksbelt on the loom. Karen Isenhower — Monksbelt weaving continues. All is well.

May you catch your errors while they can be undone.

Honestly,
Karen

Tools Day: Loom Cart

April 12, 2016April 11, 2016 Karen

Having a cart beside my loom is the next best thing to a loom-side assistant! A turquoise utility cart from IKEA sits beside my Glimåkra Ideal. An Elfa drawer system on casters is right beside the Glimåkra Standard, and keeps oft-used tools within arm’s reach.

The IKEA cart (Råskog Utility Cart) serves as a holding space for any project on the Ideal. Since this loom is not in the room where I keep my weaving supplies, it helps to have a rolling cart that holds items as needed. The three tiers hold tools and supplies for dressing the loom, like sley hook, extra Texsolv heddles, and treadle cords. While weaving, I keep extra shuttles and small tools on the top tier. All the weft thread or yarn for the project goes on the second or third tier. When I weave rag rugs, fabric strips that are sorted by design and/or color are piled up on the three tiers.

IKEA utility cart as loom-side assistant. — IKEA utility cart holds thread and wound quills while I try out weft colors on a new warp.

The Elfa cart enhances efficiency at the big loom. It houses frequently-used essentials, especially small tools and supplies needed to dress the loom. It is near my work table where I wind quills, so yarn for the current project goes in the deep bottom drawer. The woodblock top adds a nice touch that compliments the wood of my Swedish loom.

Elfa drawer system with casters for loom-side assistant. — Too many leftover quills from projects sit in the top drawer of the loom cart. Sley hooks, flat head pins, headlamp, pencils, tape, and other small tools and gadgets are in this top drawer.

Elfa drawer system as loom cart. Organized! — Second drawer has anchor pins and arrow pegs for Texsolv cord, box of choke ties, box of long treadle cords, box of short treadle cords. I found the little boxes at IKEA.

Loom room organization. Guide strings wrapped on empty tubes. — Guide strings for measuring warp are wrapped on empty thread tubes. This drawer also holds rolls of twill ribbon used for measuring weaving length at the loom.

Organization at the loom. Elfa cart solution. — Yarn in the bottom drawer is only a half step away from the winding station. All the cotton and wool weft for the current project is in this drawer, making it easy to grab what I need for winding more quills.

May your loom-side assistant serve you well.

Happy Weaving,
Karen

Weaving Slowly

April 8, 2016April 7, 2016 Karen

After a solid hour of weaving, I have produced only two more inches (5 cm) of woven fabric. I am completely enthralled with the process, though, of this intriguing monksbelt weave. Some of the best things take the most time.

I long to feel the completed cloth in my hands. This weft rep monksbelt is new to me. I honestly don’t know how the hand and drape of the final cloth will be. There is nothing I can do but wait. And, at two inches (5 cm) per hour, that’s a long wait. But I won’t give up. I have enough experience at the loom to know that this is going to be a treasured piece…if I don’t get impatient and cut it off early.

Monksbelt with 9 colors of Faro wool pattern weft. Karen Isenhower — Palette of nine wool pattern colors has been selected for this monksbelt project. Changing the ground weft and the pattern weft at differing intervals produces an active cloth, reminding me of musical counterpoint.

Monksbelt on the loom in the late afternoon. — Weaving in the late afternoon–a relaxing and satisfying experience. Temple awaits on the beater, to be re-positioned when the photo op is over.

Do you have a prayer waiting to be answered? Sometimes it takes a while. Does that mean that God didn’t hear, or that he doesn’t care? If we could see the invisible, I think we would see things being woven into place–at the right time, in the right way. Do not give up on God. Ask, seek, knock. And remember that our heavenly Father has good in mind for us.

May you rest in the wait.

Patiently,
Karen

One Color Too Many

April 1, 2016March 31, 2016 Karen

I have forty-five shades of Fårö wool. That’s better than a giant box of crayons! Monksbelt and Fårö wool–is there anything better?! I have narrowed it down to nine colors. For the weft rep ground weave, a few tubes of 16/2 cotton off my shelves will do nicely.

Planning Swedish monksbelt with Fårö wool and 16/2 cotton. — Nine cakes of Fårö wool lined up against the wall. The wool is used for the monksbelt pattern weft. Seven colors of 16/2 cotton will serve as the ground weave, background for the pattern.

As always, I sample to see what works, and what doesn’t. I want a collection of colors that make a strong, but peaceful, statement. One misplaced color will spoil the effect. After trying various wool and cotton combinations, I see that the teal cotton must be removed. This color is welcome in other settings, but here it is out of place.

Removing the teal quill from the collection of colors. — One quill is eliminated–teal. The brash contrast between the green wool and teal cotton is immediately apparent as the cloth is woven.

Faith is like a determined collection of colors that are meant for each other. Do not underestimate the power of faith. When lined up like close-knit friends, when put into action, when woven into the warp, it’s phenomenal! However, faith is strongest when fear is removed. Taking the teal out of the lineup makes all the difference. Now, I weave this with confidence, knowing it works. Have you heard the account of Jesus calming the storm? He told the wind and waves, “Be still.” Strength and peace. That’s the power of faith.

Monksbelt on the loom. Wool and cotton. Karen Isenhower — Monksbelt weaving project starts with a bold statement. With the sampling now complete, I can weave the selected colors with assurance.

May you find the color that needs to be removed.

With strength and peace,
Karen